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UNDER THE RADAR

A spotlight for members.

Cindy Blakeslee

Recent Feature

Ripe for Rediscovery: Peter Miller

Ripe for Rediscovery: Peter Miller

Talk about “Surrealism” in conversation with artists and art lovers you are most likely to think of works by Dalí, Magritte, Tanguy, Ernst, or possibly Paul Delvaux. Mention “American Surrealism,” and the terrain gets tricky. Didn’t Adolph Gottlieb, Mark Rothko, and...

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Recent Feature

L.A. Confidential

L.A. Confidential

The first in a series of reports on the art world.  In May, it seemed like we were almost entirely out of the woods with Covid-19, and then along came the Delta variant and the post-pandemic euphoria rapidly dissipated. Still, as long-time observers of the Los Angeles...

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From the Vasari21 Archives

Scams and Shams Part 2

About a decade ago, in the wake of yet another failed romance, I decided to visit the Florence Biennale, an art extravaganza that has been in the works since 1997. A fellow art journalist was going, meeting up with a curator friend from Texas…

Studio Visits Revisited

In the fall of 2013, I published a story in ARTnews called “Show and Tell: The Dos and Don’ts of Studio Visits,” which went the art-world equivalent of viral—that is to say, scores, possibly hundreds, of people shared on Facebook because…

My Blockhead Adventures with Blockchain Art, Part One

The Red Queen from Filippucci's "Chess Series" By Sandra Filippucci I’m about to enter a new and revolutionary digital art market. A traditionally trained artist of the Boomer generation, I've been working with technology since the mid-1980s in both my own work and...

Encaustic: An Overview

In three days in Provincetown, MA, this June, our intrepid reporter hit the ground running and offers a succinct guide to some of the many ways this seductive medium is in use among artists By Anna Wagner-Ott The art of encaustic has been around for centuries: it was...

Open Studios: Part Two

Make it a social event “I went through a depressing period when I thought I was all alone in my part of the world,” says Diane Di Bernardino Sanborn, who lives in Scottsdale, AZ, and makes largely abstract work. “There are no galleries in my area for contemporary art....

Selling on Saatchi

How to make the online art service work for you By Susan Washington Saatchi Art, which bills itself as a free “online art advisory,” is perhaps the most successful site on the Internet for online art sales, with Rebecca Wilson (formerly a director of Saatchi Gallery...

What Is a Drawing? Part Two

Since I am the sort of person who damn near weeps when she sees a great Degas pastel (like Waiting, 1882, above), it’s not surprising that drawings are perhaps the medium closest to my heart. I love the spontaneity, the economy of means, and the sense that one is as...

Jane Guthridge Makes an Installation

When Jeff and Stacy Robinson began to envision an installation that would fill a three-story atrium in their airy house in Denver, CO, they turned to Jane Guthridge. The collectors knew Guthridge’s work from exhibitions at the Space Gallery and were impressed with the...

Art Critics in the Time of Covid-19

What does an art critic do when the museums and galleries are closed? When classes are canceled (if you teach)? When your book spirals into limbo (if you have a publication in the works)? What does the future of art criticism look like as works migrate steadily to...

Patti Smith Meets Picasso

“[When I was about twelve], my father took us on a rare excursion to the Museum of Art in Philadelphia. My parents worked very hard, and taking four children on a bus to…

Archived Feature

Fantasy Curating: Hands-On and Lush

Fantasy Curating: Hands-On and Lush

 By Lee Albert Hill As a painter myself I am drawn to the work of other painters first and foremost.  Especially those who demonstrate a dedication to a lush, hands-on, painterly approach and an emphasis on refined craft and detail.  For this curation I have chosen...

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Archived Feature

Suggestions for Summer Reading

Suggestions for Summer Reading

Get a jump on the season with a beach-bag full of memoirs Perhaps because I’ve been working on one of my own (“Rotten Romance,” dispatched via Substack every Sunday), memoirs have been much on my mind. For purely recreational reading, I often prefer first-person...

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Archived Feature

Meghan Wilbar: The Long Road

Meghan Wilbar: The Long Road

It’s a brave artist who attempts to say something new about landscape. The genre has been around since ancient times, when frescoes of Arcadian vistas adorned the walls of upscale villas, and its popularity has waxed and waned according to the talents and interests of...

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Archived Under the Radar

Marietta Patricia Leis

Marietta Patricia Leis

Like many little girls, Marietta Patricia Leis first set her sights on becoming a ballerina. “At the age of seven I was entranced with wanting to be a ballet dancer,” she says. As a child in suburban East Orange, NJ, she studied dance every day after school, and...

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Archived Under the Radar

Susan English

Susan English

When Susan English was three or four years old, she lived in Belgium with her family for a couple of years. Years later she still remembers a babysitter named Hele placing a candle inside a child’s play igloo. “It made a big impression on me,” English says. “The light...

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 Archived Podcast

Alice Robb: Why We Dream

Alice Robb: Why We Dream

In the summer of 2011, science writer Alice Robb discovered a book called Exploring the World of Lucid Dreaming, which promised readers that they could control the plots of their dreams.

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