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UNDER THE RADAR

A spotlight for members.

Cindy Blakeslee

Recent Feature

Ripe for Rediscovery: Peter Miller

Ripe for Rediscovery: Peter Miller

Talk about “Surrealism” in conversation with artists and art lovers you are most likely to think of works by Dalí, Magritte, Tanguy, Ernst, or possibly Paul Delvaux. Mention “American Surrealism,” and the terrain gets tricky. Didn’t Adolph Gottlieb, Mark Rothko, and...

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Recent Feature

L.A. Confidential

L.A. Confidential

The first in a series of reports on the art world.  In May, it seemed like we were almost entirely out of the woods with Covid-19, and then along came the Delta variant and the post-pandemic euphoria rapidly dissipated. Still, as long-time observers of the Los Angeles...

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From the Vasari21 Archives

Total Immersion in Brooklyn

Deep in the heart of Bushwick, Michael David's residencies offer an intense experience that may take your art to new levels.  “A cross between Black Mountain and Project Runway” is the way Michael David sums up the residencies he’s been sponsoring about four times a...

My Blockhead Adventures with Blockchain Art, Part Two: “Your Move”

The Lady Bishop (detail) from Filippucci's "Chess Series" YOUR MOVE After getting acquainted with the basic elements of NFTs (see PART ONE), my next move was to purchase some Ethereum cryptocurrency to pay for the “gas” fees to have each “minted” and put up for...

Fun and Games

When is a prank a work of art? And when is it just a one-liner? During a panel on the “Art of Pranks” at a convention of the College Art Association a few years back, a participant identified as Clark Stoeckley, “Artivist,” maintained a totally impassive, even bored,...

More Residencies off the Beaten Path

Headquartered in a historic mansion in the Green Mountains of Vermont, the Marble House Project accepts about 52 artists a year for individual 23-day residencies (there are also 17-day stays for artists with families, and this year the organization is launching a...

Afterthoughts on the 2015 Venice Biennale

Photo credits: bottom of pageMost reviews of the 2015 Venice Biennale came down hard on the curator’s “didactic,” “glum,” “joyless,” and un-spectacular show of conceptual, socially oriented works. It also disappointed those addicted to grandiose art spectacles, the...

L.A. Confidential

The first in a series of reports on the art world.  In May, it seemed like we were almost entirely out of the woods with Covid-19, and then along came the Delta variant and the post-pandemic euphoria rapidly dissipated. Still, as long-time observers of the Los Angeles...

Fantasy Curating: The Contemporary Portrait

By Kate Petley Contemporary portraiture is so diverse that creating a comprehensive list of artists is futile. I selected these particular works for their power, humor, cleverness, rawness, and beauty. Reflecting a broad interpretation of what qualifies as a portrait,...

Ripe for Rediscovery: Pat Passlof

The last few years have witnessed a surge of interest in the women of Abstract Expressionism, a loosely affiliated group of artists who came of age in the shadow of the male titans of the movement—Willem de Kooning, Jackson Pollock, Robert Motherwell, Mark Rothko, et...

Portfolio: Susan Chorpenning

For most of her 40-year career, Susan Chorpenning has in one way or another been involved with light, and “with the sensual experience of looking and the perceptual experience of seeing,” as she puts it on her website.  In one of her early “Light Rooms,” a temporal...

The Educated Eye Part Two

I opened up an intriguing cauldron of worms when I asked a bevy of art writers (call them critics, journalists, or simply reviewers) on what it means to have an “eye.” Why did they consider their judgments superior to those of the average museumgoer or art lover? The...

Archived Feature

Fantasy Curating: Hands-On and Lush

Fantasy Curating: Hands-On and Lush

 By Lee Albert Hill As a painter myself I am drawn to the work of other painters first and foremost.  Especially those who demonstrate a dedication to a lush, hands-on, painterly approach and an emphasis on refined craft and detail.  For this curation I have chosen...

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Archived Feature

Suggestions for Summer Reading

Suggestions for Summer Reading

Get a jump on the season with a beach-bag full of memoirs Perhaps because I’ve been working on one of my own (“Rotten Romance,” dispatched via Substack every Sunday), memoirs have been much on my mind. For purely recreational reading, I often prefer first-person...

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Archived Feature

Meghan Wilbar: The Long Road

Meghan Wilbar: The Long Road

It’s a brave artist who attempts to say something new about landscape. The genre has been around since ancient times, when frescoes of Arcadian vistas adorned the walls of upscale villas, and its popularity has waxed and waned according to the talents and interests of...

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Archived Under the Radar

Marietta Patricia Leis

Marietta Patricia Leis

Like many little girls, Marietta Patricia Leis first set her sights on becoming a ballerina. “At the age of seven I was entranced with wanting to be a ballet dancer,” she says. As a child in suburban East Orange, NJ, she studied dance every day after school, and...

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Archived Under the Radar

Susan English

Susan English

When Susan English was three or four years old, she lived in Belgium with her family for a couple of years. Years later she still remembers a babysitter named Hele placing a candle inside a child’s play igloo. “It made a big impression on me,” English says. “The light...

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 Archived Podcast

Alice Robb: Why We Dream

Alice Robb: Why We Dream

In the summer of 2011, science writer Alice Robb discovered a book called Exploring the World of Lucid Dreaming, which promised readers that they could control the plots of their dreams.

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