Connecting Artists

Laura Vranes’ interests as a future collector were established early. “As a child, I went to a museum in New York,” she says. “I wish I could recall which it was, but I remember how much I loved the Andy Warhol Brillo Box in the collection. I wanted to sit on it so...

Walt and Louise Rosett are savvy, unpretentious, enthusiastic collectors who have filled their sprawling house in suburban Albuquerque, NM, with art since first acquiring abstract watercolors by Ron Slowinski in 1982. The sleek split-level is now packed, but in no way...

In times like these it’s tempting to fantasize what life might have been like in another century, another culture, among a coterie of friends and acquaintances who had things on their minds other than the pandemic and insane politicians. I’ve occasionally wondered...

Given the increasingly litigious nature of all aspects of our society, it comes as a surprise to find that many galleries and artists function happily without complicated contractual agreements. About half the people surveyed…

What does it mean to be a “regional artist” today? By Millicent Young Bradley Sumrall, curator at the Ogden Museum of Southern Art, posed this question in his juror’s talk for “Homeward Bound,” the Taubman Museum’s inaugural triennial for Virginia artists. I resisted...

Robert Motherwell, my father, purchased our home the year I was born. My earliest recollection of entering his studio is when I was a toddler. We lived in a…

Feeling stymied? In a slump? Disconnected from your work? You’re not alone. We’re all familiar with writer’s block from the many cinematic clichés. The author sits at his typewriter or word processor, smoking and drinking and muttering profanities. The author fills a...

In the fall of 2018, Jamie Hamilton went looking for a place to dispose of scraps for compost in Los Angeles, his adopted home since moving from Santa Fe, NM, two years earlier. Through an organization called LA Compost, he discovered the Solano Community Garden in...

When I first started working on staff at ARTnews, a little more than 20 years ago, I was on the brink of a divorce after several years of freelancing and corporate wifedom (at which I was not very good). The magazine represented both….

Lessons and inspiration from an artist mom By Patricia Moss-Vreeland In all my years of training as an artist, both at the University of the Arts and Tyler School of Art, I can recall many gifted and inspiring teachers, but none gave me quite so solid a sense of...