Connecting Artists

Frances Ashforth’s fascination with water, sky, and undulating landscapes began early. Raised in a family of artists, she spent time as a child at her grandparents’ farm in New Hampshire, along the Connecticut River Valley. She is an avid fly fisherman and in her...

The opening, duration, and end of a gallery or museum show can be cause for anxiety, depression, obsession, elation, relief, and any number of other emotional reactions that occur when you…

Vasari21 members weigh in on a depressing political climate Artists have always responded to the temper of their times. War and catastrophe, social inequities and racial injustice, corrupt politicians and noble heroes often bring out the best in artists—think of...

How to make the online art service work for you By Susan Washington Saatchi Art, which bills itself as a free “online art advisory,” is perhaps the most successful site on the Internet for online art sales, with Rebecca Wilson (formerly a director of Saatchi Gallery...

More Tales of Accidental Discovery and Enlightenment Legend has it that the great early 20th-century painter Wassily Kandinsky discovered abstraction when he left one of his landscapes positioned upside-down in his studio. He returned the next day and loved the almost...

What does an art critic do when the museums and galleries are closed? When classes are canceled (if you teach)? When your book spirals into limbo (if you have a publication in the works)? What does the future of art criticism look like as works migrate steadily to...

How Dealers Decide What Your Artwork Should Cost As you might expect in a business that is guided by ineffable factors like talent, taste, trends, and individual potential for growth, galleries don’t have any one set system for determining what to charge for a work of...

Not to sound like too much of a fogey, but there was a time when the art world abounded with publications devoted to art—Art in America, Studio International, Arts magazine, Artforum, Art News…

Photo credits: bottom of pageMost reviews of the 2015 Venice Biennale came down hard on the curator’s “didactic,” “glum,” “joyless,” and un-spectacular show of conceptual, socially oriented works. It also disappointed those addicted to grandiose art spectacles, the...

By Ruth Hiller It’s probably difficult to pinpoint the very first artist to make a shaped construction, an artwork that hovers somewhere between painting and sculpture.  The possibilities for non-rectangular paintings begin as early as the 1920s with fanciful...