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UNDER THE RADAR

A spotlight for members.

Cindy Blakeslee

Recent Feature

Ripe for Rediscovery: Peter Miller

Ripe for Rediscovery: Peter Miller

Talk about “Surrealism” in conversation with artists and art lovers you are most likely to think of works by Dalí, Magritte, Tanguy, Ernst, or possibly Paul Delvaux. Mention “American Surrealism,” and the terrain gets tricky. Didn’t Adolph Gottlieb, Mark Rothko, and...

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Recent Feature

L.A. Confidential

L.A. Confidential

The first in a series of reports on the art world.  In May, it seemed like we were almost entirely out of the woods with Covid-19, and then along came the Delta variant and the post-pandemic euphoria rapidly dissipated. Still, as long-time observers of the Los Angeles...

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From the Vasari21 Archives

Ripe for Rediscovery: Pat Passlof

The last few years have witnessed a surge of interest in the women of Abstract Expressionism, a loosely affiliated group of artists who came of age in the shadow of the male titans of the movement—Willem de Kooning, Jackson Pollock, Robert Motherwell, Mark Rothko, et...

Dora and Carl Dillistone

  When I first moved to Taos, NM, about six years ago, a friend and I went on one of those house-and-garden tours put together by a local charitable organization. It seemed a good way to get to know the territory, and I’ve always loved to snoop inside other...

Open Studios: Part One

The ins and outs of making your life and work a public affair When I first broached the topic of open studios to several Vasari 21 members, some said, “No way. I don’t want a lot of lookee-loos traipsing through my private spaces.” Or “I’m at the point where I have...

The Price Is Right

How Dealers Decide What Your Artwork Should Cost As you might expect in a business that is guided by ineffable factors like talent, taste, trends, and individual potential for growth, galleries don’t have any one set system for determining what to charge for a work of...

The Secret of Venus

Seeing Mona Kuhn’s subtly erotic nudes in the slide show that accompanies our podcast with her this week (and especially the photo titled Morgane from 2010) made me think of a book proposal…

Looking Back

Artists reflect on changes, shifts, departures, and continuity I’m fairly sure it was Chicago artist Sharon Swidler who mentioned a year or so ago that she was riffling through her inventory and remarking on the absence of abrupt departures in her work. I tucked the...

Critical Reversals

Even the Most Respected Critics Change Their Minds When a politician flip-flops on a position, the public and press alike are quick to cry foul, hurling accusations of bad faith or pandering. But when an art critic changes his or her mind, the ripple effect is likely...

Artists Behaving Badly

A recent report in the Huffington Post alleges that “narcissistic artists were determined to have higher market prices, higher estimates from auction houses, more museum shows, and more recognition from the art…

Art Coaching, Part Two

Doing It One-on-One When I set out to survey the field of art coaching, I had no idea it was such a huge and varied terrain. There are full-service ventures that cover all aspects of building an art career, such as Alyson Stanfield’s  “Art Biz Coach” and Crista...

Aesthetic Couture and the Great Art Fraud

In Shakespeare’s Hamlet, the character Polonius offers the following life advice to his son Laertes: “This above all: to thine own self be true, And it must follow…

Archived Feature

Fantasy Curating: Hands-On and Lush

Fantasy Curating: Hands-On and Lush

 By Lee Albert Hill As a painter myself I am drawn to the work of other painters first and foremost.  Especially those who demonstrate a dedication to a lush, hands-on, painterly approach and an emphasis on refined craft and detail.  For this curation I have chosen...

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Archived Feature

Suggestions for Summer Reading

Suggestions for Summer Reading

Get a jump on the season with a beach-bag full of memoirs Perhaps because I’ve been working on one of my own (“Rotten Romance,” dispatched via Substack every Sunday), memoirs have been much on my mind. For purely recreational reading, I often prefer first-person...

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Archived Feature

Meghan Wilbar: The Long Road

Meghan Wilbar: The Long Road

It’s a brave artist who attempts to say something new about landscape. The genre has been around since ancient times, when frescoes of Arcadian vistas adorned the walls of upscale villas, and its popularity has waxed and waned according to the talents and interests of...

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Archived Under the Radar

Marietta Patricia Leis

Marietta Patricia Leis

Like many little girls, Marietta Patricia Leis first set her sights on becoming a ballerina. “At the age of seven I was entranced with wanting to be a ballet dancer,” she says. As a child in suburban East Orange, NJ, she studied dance every day after school, and...

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Archived Under the Radar

Susan English

Susan English

When Susan English was three or four years old, she lived in Belgium with her family for a couple of years. Years later she still remembers a babysitter named Hele placing a candle inside a child’s play igloo. “It made a big impression on me,” English says. “The light...

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 Archived Podcast

Alice Robb: Why We Dream

Alice Robb: Why We Dream

In the summer of 2011, science writer Alice Robb discovered a book called Exploring the World of Lucid Dreaming, which promised readers that they could control the plots of their dreams.

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