Connecting Artists

An artist’s life is generally isolated at the best of times, and that is the way most would have it. Unless you’re Andy Warhol running The Factory and possibly pathologically in need of company at all hours, you require solitude to do your best work. So, for some this...

Landing a show at a small museum or university gallery Let us suppose you’ve been hard-working and fortunate enough to have a slew of gallery shows, group and solo, on your CV. You’ve built up good connections and can perhaps even claim a following of dedicated...

Why read two Diane Arbus biographies back to back? Because, after finishing Arthur Lubow’s recent life of the photographer, published a year ago, I found myself so annoyed with his detached and bloodless recitation of Arbus’s life that I turned to other reviewers to...

In the fall of 2013, I published a story in ARTnews called “Show and Tell: The Dos and Don’ts of Studio Visits,” which went the art-world equivalent of viral—that is to say, scores, possibly hundreds, of people shared on Facebook because…

After eight posts about drawings, it’s challenging to come up anything new to say about the medium, but if the materials remain largely the same, the circumstances for artists everywhere have changed dramatically in the last year. Many of the members included here...

Eight Tips to Sharpen Your Marketing Skills A few years back, a report in the online edition of Vogue predicted that “Instagram’s arguably positive democratization of high art will see the end of many an art dealer’s career.” Well, I very much doubt that because...

Toward the end of my interview with curator Tricia Paik of the Indianapolis Museum of Art a few weeks back, we briefly touched on the subject of artist websites—what works and what doesn’t. Developing a good one, up-to-date and easily navigable…

By Adria Arch Lately, I have been especially drawn to both two- and three-dimensional artwork that uses fabrics and fibers. The vibrant colors and patterns, sculptural shapes, and thumbing-the-nose at the traditional stone-and-steel crowd are all part of what I find...

How, Why, and Where To Do One In a few weeks, Adria Arch will be staging her second “pop-up art experience” with fellow artists Patti Brady and Catherine Bertulli. The three-day event, called "Appetite," is part of Artweek Boston and will include the usual opening...

By Phillis Ideal I still see Big Mama leaning over her garden to pick a zinnia to put in her still life. Her old pink slip hung diagonally, a foot below her hiked-up stained dress, half-covered by her paint smock, which matched her white faux-fur bedroom slippers,...