“Rotten Romance” and “Eat My Memoir” are moving to Substack, a newsletter platform that will allow me to reach a larger audience. If you are interested in seeing the archive and subscribing,
click HERE.

UNDER THE RADAR

A spotlight for members.

Cindy Blakeslee

Recent Feature

Ripe for Rediscovery: Peter Miller

Ripe for Rediscovery: Peter Miller

Talk about “Surrealism” in conversation with artists and art lovers you are most likely to think of works by Dalí, Magritte, Tanguy, Ernst, or possibly Paul Delvaux. Mention “American Surrealism,” and the terrain gets tricky. Didn’t Adolph Gottlieb, Mark Rothko, and...

read more

Recent Feature

L.A. Confidential

L.A. Confidential

The first in a series of reports on the art world.  In May, it seemed like we were almost entirely out of the woods with Covid-19, and then along came the Delta variant and the post-pandemic euphoria rapidly dissipated. Still, as long-time observers of the Los Angeles...

read more

From the Vasari21 Archives

Good-Bye to All That

A dedicated teacher looks back on three decades in the classroom In December of this year, I will retire from teaching painting, a job I’ve loved for 30 years. Although I am looking forward to a new phase in my life, I will miss this role. I’ve had a good run and feel...

Say It with Flowers: Part One

Blooms, posies, blossom, and gardens will never go out of style About a year ago, somewhere on social media, I made the rather stupid observation that I thought flowers had become nonstarters as subjects for artists since the heyday of Georgia O’Keeffe. Elisabeth...

Summer Reads: Two Feisty Women and a Bromance in Poetry and Paint

A few weeks ago my neighbor and Vasari21 member TJ Mabrey asked me why I didn’t suggest some books for the warm-weather season, when supposedly we all head for the country or the beach armed with a Kindle or a stack of paperbacks. Since I am always reading biographies...

Ripe for Rediscovery: Dorothy Hood

A Major Abstract Artist of the 20th Century Begins To Get Her Due I first stumbled upon the paintings of Dorothy Hood about five years ago, in the home of collector and artist Dora Dillistone. It’s not too much of a stretch to say that I was completely blown away....

Fantasy Curating: Beyond the Book

By Iain Machell Think of a book and you usually have a specific image in mind, probably a codex form (pages bound in the center) with some combination of text and images, meant to be read from left to right. But when you list the components of a book, pick apart that...

Michelle Cooke: Let There Be Light

In those halcyon days when people could still meet easily in restaurants—possibly late February or early March—I caught up with my friend Michelle Cooke, who divides her time between New York and Taos, NM, in a quiet corner of a local eatery called El Sabroso. What we...

Fantasy Curating: Memory and Materiality

By Christine Aaron  I respond to art that simultaneously takes me both outside myself and more deeply inward. Though I respect work that is intellectually stimulating alone, the art that most engages me occurs at a physical level and insistently penetrates through the...

The Death of the Gallery? Part Two

The brick-and-mortar establishment is challenged on a number of fronts. What does that mean for galleries? And for artists? As reported a few weeks ago, mid-level brick-and-mortar galleries face a multitude of pressures, so much so that the mainstream press is...

The Monuments Contest: Part Two

Compared with the duration of empires past—like those of ancient Rome or Great Britain—the U.S. occupies a relatively tiny span of time, a little more 234 years as the great democratic experiment, if we date the founding of the country to 1776. And so our monuments...

Dabbling in Dura-Lar

Your fearless correspondent takes another class It’s always seemed to me that a big part of the fun of art-making lies in the endless amounts of seductive stuff to play with—paints and brushes, pencils and charcoal and pastels, clay and plaster and all kinds of goo,...

Archived Feature

Fantasy Curating: Hands-On and Lush

Fantasy Curating: Hands-On and Lush

 By Lee Albert Hill As a painter myself I am drawn to the work of other painters first and foremost.  Especially those who demonstrate a dedication to a lush, hands-on, painterly approach and an emphasis on refined craft and detail.  For this curation I have chosen...

read more

Archived Feature

Suggestions for Summer Reading

Suggestions for Summer Reading

Get a jump on the season with a beach-bag full of memoirs Perhaps because I’ve been working on one of my own (“Rotten Romance,” dispatched via Substack every Sunday), memoirs have been much on my mind. For purely recreational reading, I often prefer first-person...

read more

Archived Feature

Meghan Wilbar: The Long Road

Meghan Wilbar: The Long Road

It’s a brave artist who attempts to say something new about landscape. The genre has been around since ancient times, when frescoes of Arcadian vistas adorned the walls of upscale villas, and its popularity has waxed and waned according to the talents and interests of...

read more

Archived Under the Radar

Marietta Patricia Leis

Marietta Patricia Leis

Like many little girls, Marietta Patricia Leis first set her sights on becoming a ballerina. “At the age of seven I was entranced with wanting to be a ballet dancer,” she says. As a child in suburban East Orange, NJ, she studied dance every day after school, and...

read more

Archived Under the Radar

Susan English

Susan English

When Susan English was three or four years old, she lived in Belgium with her family for a couple of years. Years later she still remembers a babysitter named Hele placing a candle inside a child’s play igloo. “It made a big impression on me,” English says. “The light...

read more

 Archived Podcast

Alice Robb: Why We Dream

Alice Robb: Why We Dream

In the summer of 2011, science writer Alice Robb discovered a book called Exploring the World of Lucid Dreaming, which promised readers that they could control the plots of their dreams.

read more