Connecting Artists

The very first art books I remember reading (or perhaps just looking at with awe and wonder) were part of the series called “Metropolitan Seminars in Art,” written by the critic John Canaday. Each slender gray volume…

When I was writing regularly for ARTnews and the Wall Street Journal, I checked into Facebook only sporadically, usually when I was in the middle of transcribing a dull interview or blocked in writing a story. It was a mildly engaging way…

More about relationships between dealers and artists As we pointed out a couple of weeks ago, the connection between an artist and her dealer is often as fraught with difficulties and potential for misunderstandings as even the best of marriages. And as methods and...

By Jane Barthes  Maggi Hambling’s paintings and sculpture are not entirely new to me, but many outside the U.K. probably have little knowledge of this quintessentially British artist. I discovered Hambling’s work in the early 1990s, five years before I left London,...

How Could We Manage Without Them? Last week I announced our first annual Studio Pet Photos competition, but they were all so adorable, it was a tough call. The grand prize, though, belongs to Mariella Bisson’s Senegal parrot and studio manager, Creature (shown above),...

“The Brown Dot Project (TBDP),” a series of mine from 2015, has been deeply influenced by the renowned Los Angeles-based artist Charles Gaines, whose works investigate the way rules-based procedures construct order and meaning. Gaines, born in 1944, makes drawings…

Artists talk about altered states during the pandemic We are now about seven months into a worldwide catastrophe that has affected nearly every fiber and facet of our being. Many of us have been sheltering in place, limiting our contacts with the outside world,...

Artists report on nocturnal inspirations and frustrations I once described Louise Bourgeois as having “a direct pipeline to her unconscious,” and that still seems a fitting description for an artist who came of age in Paris at a time when the Surrealists were the...

Lessons and inspiration from an artist mom By Patricia Moss-Vreeland In all my years of training as an artist, both at the University of the Arts and Tyler School of Art, I can recall many gifted and inspiring teachers, but none gave me quite so solid a sense of...

Suggestions for storing, selling, tossing, or giving away unwanted old work One of the saddest days of my life was the day I carted all my youthful paintings from my parents’ summer house to the dump in Montauk, NY, after selling the property in 2003. These included a...