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UNDER THE RADAR

A spotlight for members.

Cindy Blakeslee

Recent Feature

Ripe for Rediscovery: Peter Miller

Ripe for Rediscovery: Peter Miller

Talk about “Surrealism” in conversation with artists and art lovers you are most likely to think of works by Dalí, Magritte, Tanguy, Ernst, or possibly Paul Delvaux. Mention “American Surrealism,” and the terrain gets tricky. Didn’t Adolph Gottlieb, Mark Rothko, and...

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Recent Feature

L.A. Confidential

L.A. Confidential

The first in a series of reports on the art world.  In May, it seemed like we were almost entirely out of the woods with Covid-19, and then along came the Delta variant and the post-pandemic euphoria rapidly dissipated. Still, as long-time observers of the Los Angeles...

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From the Vasari21 Archives

Me, Myself, and I

Adventures in self-portraiture Self-portraiture enjoys a long and illustrious lineage, probably reaching its peak in Western art with Rembrandt, who not only reveled in chronicling his changing fortunes—from ambitious youth to successful dandy to impoverished...

By the Book

The very first art books I remember reading (or perhaps just looking at with awe and wonder) were part of the series called “Metropolitan Seminars in Art,” written by the critic John Canaday. Each slender gray volume…

Leslie Parke on Lori Ellison

I am drawn to work of modest means that has a monumental impact. The master of this kind of work was Lori Ellison, who died in August 2015…

The “Aha!” Moment, Part One

Artists Share Moments of Discovery A few weeks ago, before making the great trans-Taos trek from Cottam Road to Camino del Monte, I asked Vasari21 members if they had ever experienced what I call the “aha!” moment—a sudden realization that a material, a way of...

Hot Wax Happiness

In which your intrepid reporter takes a class in encaustic monotypes with Paula Roland Given the number of Vasari21 members who work in encaustic (see Anna Wagner-Ott’s report from last summer), I thought it might be fun to get a firsthand look at why the medium is so...

What Is a Drawing? Part Two

Since I am the sort of person who damn near weeps when she sees a great Degas pastel (like Waiting, 1882, above), it’s not surprising that drawings are perhaps the medium closest to my heart. I love the spontaneity, the economy of means, and the sense that one is as...

Not-So-Still Life with Children

Without my four sons, I would be a different artist. They were born one right after the other—the oldest was four when the fourth was born—simplifying as many complications as were created. I dearly wanted a family, and knew…

Ripe for Rediscovery: Dorothy Hood

A Major Abstract Artist of the 20th Century Begins To Get Her Due I first stumbled upon the paintings of Dorothy Hood about five years ago, in the home of collector and artist Dora Dillistone. It’s not too much of a stretch to say that I was completely blown away....

Susan Schwalb

It’s a rare artist who finds her medium and her methods early and then sticks with them, with little deviation, for more than four decades. But so it was for Susan Schwalb, who discovered the art of drawing with silverpoint in 1973 and never looked back. She was...

Fantasy Curating: Is It Frankenstein?

A make-believe show devoted to "hybrid objects," neither paintings nor sculptures, but definitely here and now By Robert Straight Over a long period of time, there have been artists who haven’t accepted the traditional rectangular format for their paintings....

Archived Feature

Fantasy Curating: Hands-On and Lush

Fantasy Curating: Hands-On and Lush

 By Lee Albert Hill As a painter myself I am drawn to the work of other painters first and foremost.  Especially those who demonstrate a dedication to a lush, hands-on, painterly approach and an emphasis on refined craft and detail.  For this curation I have chosen...

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Archived Feature

Suggestions for Summer Reading

Suggestions for Summer Reading

Get a jump on the season with a beach-bag full of memoirs Perhaps because I’ve been working on one of my own (“Rotten Romance,” dispatched via Substack every Sunday), memoirs have been much on my mind. For purely recreational reading, I often prefer first-person...

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Archived Feature

Meghan Wilbar: The Long Road

Meghan Wilbar: The Long Road

It’s a brave artist who attempts to say something new about landscape. The genre has been around since ancient times, when frescoes of Arcadian vistas adorned the walls of upscale villas, and its popularity has waxed and waned according to the talents and interests of...

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Archived Under the Radar

Marietta Patricia Leis

Marietta Patricia Leis

Like many little girls, Marietta Patricia Leis first set her sights on becoming a ballerina. “At the age of seven I was entranced with wanting to be a ballet dancer,” she says. As a child in suburban East Orange, NJ, she studied dance every day after school, and...

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Archived Under the Radar

Susan English

Susan English

When Susan English was three or four years old, she lived in Belgium with her family for a couple of years. Years later she still remembers a babysitter named Hele placing a candle inside a child’s play igloo. “It made a big impression on me,” English says. “The light...

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 Archived Podcast

Alice Robb: Why We Dream

Alice Robb: Why We Dream

In the summer of 2011, science writer Alice Robb discovered a book called Exploring the World of Lucid Dreaming, which promised readers that they could control the plots of their dreams.

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