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UNDER THE RADAR

A spotlight for members.

Cindy Blakeslee

Recent Feature

Ripe for Rediscovery: Peter Miller

Ripe for Rediscovery: Peter Miller

Talk about “Surrealism” in conversation with artists and art lovers you are most likely to think of works by Dalí, Magritte, Tanguy, Ernst, or possibly Paul Delvaux. Mention “American Surrealism,” and the terrain gets tricky. Didn’t Adolph Gottlieb, Mark Rothko, and...

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Recent Feature

L.A. Confidential

L.A. Confidential

The first in a series of reports on the art world.  In May, it seemed like we were almost entirely out of the woods with Covid-19, and then along came the Delta variant and the post-pandemic euphoria rapidly dissipated. Still, as long-time observers of the Los Angeles...

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From the Vasari21 Archives

Three Summer Reads, Not All New

Traditionally summer is the time when you tackle those big door-stoppers you skimmed in college: War and Peace, The Magic Mountain, Middlemarch. Or you turn to thrillers and mysteries, escapist fiction that doesn’t tax the brain too much and is as digestible (and...

Portfolio: Susan Chorpenning

For most of her 40-year career, Susan Chorpenning has in one way or another been involved with light, and “with the sensual experience of looking and the perceptual experience of seeing,” as she puts it on her website.  In one of her early “Light Rooms,” a temporal...

Me, Myself, and I Part 2

Self-portraits have always served artists in a variety of ways. Art historians have suggested that Jan van Eyck’s Man in a Red Turban (1433), with its inscription “Als ich kann”—meaning, “this is what I can do”—is both a self-portrait and a kind of calling card to...

The Critical Edge

Some tips for getting art writers to notice your work. Hint: a cow’s tongue probably will not do the trick. It’s the dream of every artist to be noticed by a prestige critic, like Roberta Smith or Jerry Saltz or any other of the noteworthy art scribes in urban areas....

Susan Schwalb

It’s a rare artist who finds her medium and her methods early and then sticks with them, with little deviation, for more than four decades. But so it was for Susan Schwalb, who discovered the art of drawing with silverpoint in 1973 and never looked back. She was...

Fix That Website!

Toward the end of my interview with curator Tricia Paik of the Indianapolis Museum of Art a few weeks back, we briefly touched on the subject of artist websites—what works and what doesn’t. Developing a good one, up-to-date and easily navigable…

Destructive Impulses

Even the most famous artists torch, shred, and otherwise annihilate works that don't seem up to snuff In 1967, Agnes Martin began seeking out her earlier works with the intention of destroying everything she could find. That was about ten years after she had decided...

What Is a Drawing? Part Nine

After eight posts about drawings, it’s challenging to come up anything new to say about the medium, but if the materials remain largely the same, the circumstances for artists everywhere have changed dramatically in the last year. Many of the members included here...

Into the Woods with Dale Chihuly

By Susan Erlandson Washburn I arrived at Crystal Bridges in Bentonville, Arkansas—Walmart heiress Alice Walton’s inspired gift to flyover country—too late to see the Dale Chihuly exhibition in the gallery itself but in time to visit the “In the Forest” portion...

The Value of an MFA

The degree has come under attack in recent years, but many say it's worth the investment. Just know what you're looking for—and consider a few alternatives. “MFA stands for yet another Mother-Fucking Artist,” declares one of the disgruntled students in a CalArts...

Archived Feature

Fantasy Curating: Hands-On and Lush

Fantasy Curating: Hands-On and Lush

 By Lee Albert Hill As a painter myself I am drawn to the work of other painters first and foremost.  Especially those who demonstrate a dedication to a lush, hands-on, painterly approach and an emphasis on refined craft and detail.  For this curation I have chosen...

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Archived Feature

Suggestions for Summer Reading

Suggestions for Summer Reading

Get a jump on the season with a beach-bag full of memoirs Perhaps because I’ve been working on one of my own (“Rotten Romance,” dispatched via Substack every Sunday), memoirs have been much on my mind. For purely recreational reading, I often prefer first-person...

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Archived Feature

Meghan Wilbar: The Long Road

Meghan Wilbar: The Long Road

It’s a brave artist who attempts to say something new about landscape. The genre has been around since ancient times, when frescoes of Arcadian vistas adorned the walls of upscale villas, and its popularity has waxed and waned according to the talents and interests of...

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Archived Under the Radar

Marietta Patricia Leis

Marietta Patricia Leis

Like many little girls, Marietta Patricia Leis first set her sights on becoming a ballerina. “At the age of seven I was entranced with wanting to be a ballet dancer,” she says. As a child in suburban East Orange, NJ, she studied dance every day after school, and...

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Archived Under the Radar

Susan English

Susan English

When Susan English was three or four years old, she lived in Belgium with her family for a couple of years. Years later she still remembers a babysitter named Hele placing a candle inside a child’s play igloo. “It made a big impression on me,” English says. “The light...

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 Archived Podcast

Alice Robb: Why We Dream

Alice Robb: Why We Dream

In the summer of 2011, science writer Alice Robb discovered a book called Exploring the World of Lucid Dreaming, which promised readers that they could control the plots of their dreams.

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