Connecting Artists

Far from disappearing from an artist's regular practice, as many critics have complained, the possibilities for drawing have only expanded in the last century, limited only by the imaginations of their creators. Picasso made drawings with a small electric light in a...

Make it a social event “I went through a depressing period when I thought I was all alone in my part of the world,” says Diane Di Bernardino Sanborn, who lives in Scottsdale, AZ, and makes largely abstract work. “There are no galleries in my area for contemporary art....

I feel somewhat this way about being a painter after having first been an art historian. Sometimes it is a deterrent to contemplate the achievements of others, but sometimes their work serves as inspiration. Though I’ve had…

Self-portraits have always served artists in a variety of ways. Art historians have suggested that Jan van Eyck’s Man in a Red Turban (1433), with its inscription “Als ich kann”—meaning, “this is what I can do”—is both a self-portrait and a kind of calling card to...

The very first art books I remember reading (or perhaps just looking at with awe and wonder) were part of the series called “Metropolitan Seminars in Art,” written by the critic John Canaday. Each slender gray volume…

Without my four sons, I would be a different artist. They were born one right after the other—the oldest was four when the fourth was born—simplifying as many complications as were created. I dearly wanted a family, and knew…

Photo credits: bottom of pageMost reviews of the 2015 Venice Biennale came down hard on the curator’s “didactic,” “glum,” “joyless,” and un-spectacular show of conceptual, socially oriented works. It also disappointed those addicted to grandiose art spectacles, the...

When Jeff and Stacy Robinson began to envision an installation that would fill a three-story atrium in their airy house in Denver, CO, they turned to Jane Guthridge. The collectors knew Guthridge’s work from exhibitions at the Space Gallery and were impressed with the...

By Jane Barthes  As an artist originally from Europe—and one whose own path did not begin with abstraction—I confess I possessed a rather rudimentary knowledge of geometric abstraction, particularly American hard-edge abstraction. It was at Art Expo in Chicago in 2015...

In the third iteration of this series, I noted that the possibilities for drawing have expanded hugely in the last century or so. Picasso made drawings with a small electric light in a darkened room. Calder’s Circus can be seen as an assemblage of three-dimensional...