Connecting Artists

Deep in the heart of Bushwick, Michael David's residencies offer an intense experience that may take your art to new levels.  “A cross between Black Mountain and Project Runway” is the way Michael David sums up the residencies he’s been sponsoring about four times a...

For years I’ve looked at different works by countless artists. I’ve looked at different objects from all different periods of time—ancient, Renaissance, modern, post-war, contemporary, along with the efforts of teachers, friends, and…

It’s curious to me that more women than men responded to the call for a third round-up of self-portraits on Vasari21. That’s possibly because there are more female members than male (though I can’t tell you the exact ratio), possibly because women traditionally spend...

The brick-and-mortar establishment is challenged on a number of fronts. What does that mean for galleries? And for artists? As reported a few weeks ago, mid-level brick-and-mortar galleries face a multitude of pressures, so much so that the mainstream press is...

Nice Work if You Can Get It When I noticed that several painters who are Vasari21 members had certification from Golden Artist Colors—a company that specializes in acrylic paints, mediums, and grounds and has officially been around since 1950—I was curious about what...

Before you fire off an email to a gallery, do your homework. And don’t get your hopes up too high. Out of idle curiosity, I recently asked a dealer friend about how many email submissions or inquiries she receives per week. I don’t precisely remember the answer, but...

 By Lee Albert Hill As a painter myself I am drawn to the work of other painters first and foremost.  Especially those who demonstrate a dedication to a lush, hands-on, painterly approach and an emphasis on refined craft and detail.  For this curation I have chosen...

Those calling the shots in the art world can be astonishingly cruel. Sculptor Stan Smokler, who maintains studios in New York and Pennsylvania, recalls sending out slides in the early days of his career…

When I was writing regularly for ARTnews and the Wall Street Journal, I checked into Facebook only sporadically, usually when I was in the middle of transcribing a dull interview or blocked in writing a story. It was a mildly engaging way…

It’s mostly a matter of commonsense and good manners. Mom would approve. If you have reached that happy stage of a career where collectors are following your progress, attending shows, and—yes, of course, actually buying work!—you want to cultivate this fan base as...