by Ann Landi | Feb 9, 2020 | Features, Photography Portfolio
When I first saw Jeff Baker’s photos, at his home and studio in Taos, NM, about five years ago, I immediately thought of Aaron Siskind, the photographer most closely associated with mid-century American abstraction. In many of his black-and-white images, Siskind...
by Ann Landi | Feb 8, 2020 | Features
The whole notion of recycling seems a very up-to-the-minute politically correct attitude for art in this day and age. And yet the tradition of integrating all manner of stuff from the real world into sculpture and onto two-dimensional surfaces begins more than a...
by Ann Landi | Jan 22, 2020 | Features
When I was regularly writing reviews for ARTnews and The Wall Street Journal, two great gigs that petered out for different reasons, I was occasionally conscious of having biases toward work that rang my chimes in a big way and against art that confused me or left me...
by Ann Landi | May 6, 2019 | Features
Throughout the history of art there have been innovations that have entirely revolutionized the way work is made, looked at, and thought about. Painting with oils, the technique invented and perfected by Early Netherlandish artists, meant that a higher degree of...
by Ann Landi | May 5, 2019 | Features
Why Not Consider a Residency in the Tropics? Key West is a town unlike any other in Florida, an island city that marks the southernmost point in the United States. A stone’s throw from Cuba, it’s the end destination of U.S. Route 1, the longest north-south road in the...
by Ann Landi | Apr 28, 2019 | Features
In which your intrepid reporter takes a class in encaustic monotypes with Paula Roland Given the number of Vasari21 members who work in encaustic (see Anna Wagner-Ott’s report from last summer), I thought it might be fun to get a firsthand look at why the medium is so...
