by Ann Landi | Sep 18, 2017 | Features
Coming to Grips with “Makee-Doo” I suppose it all begins with the “Sandy Becker Show,” which Boomers may remember watching on little black-and-white TVs in the 1950s and ‘60s. The genial host of this children’s variety program regularly showed drawings sent in by his...
by Ann Landi | Sep 10, 2017 | Features
By Jane Barthes Maggi Hambling’s paintings and sculpture are not entirely new to me, but many outside the U.K. probably have little knowledge of this quintessentially British artist. I discovered Hambling’s work in the early 1990s, five years before I left London,...
by Ann Landi | Sep 3, 2017 | Features
By Susan Erlandson Washburn I arrived at Crystal Bridges in Bentonville, Arkansas—Walmart heiress Alice Walton’s inspired gift to flyover country—too late to see the Dale Chihuly exhibition in the gallery itself but in time to visit the “In the Forest” portion...
by Ann Landi | Aug 20, 2017 | Features
Located on Cranberry Island off the coast of Maine, the home and studios of painters Jack Heliker and Robert LaHotan have been converted to accommodate “mid-career artists of established ability, not emerging talents,” according to the website. Three- and four-week...
by Ann Landi | Aug 13, 2017 | Features
Self-portraits have always served artists in a variety of ways. Art historians have suggested that Jan van Eyck’s Man in a Red Turban (1433), with its inscription “Als ich kann”—meaning, “this is what I can do”—is both a self-portrait and a kind of calling card to...
by Ann Landi | Jul 31, 2017 | Features
It’s a good way to raise money for a project, for research, or for a publication like Vasari21 Crowd-sourcing has become a popular way for artists to fund specific projects, whether it’s a book or a body of work or a trip to do research. Two of the most popular...
