“Rotten Romance” and “Eat My Memoir” are moving to Substack, a newsletter platform that will allow me to reach a larger audience. If you are interested in seeing the archive and subscribing,
click HERE.

UNDER THE RADAR

A spotlight for members.

Cindy Blakeslee

Recent Feature

Ripe for Rediscovery: Peter Miller

Ripe for Rediscovery: Peter Miller

Talk about “Surrealism” in conversation with artists and art lovers you are most likely to think of works by Dalí, Magritte, Tanguy, Ernst, or possibly Paul Delvaux. Mention “American Surrealism,” and the terrain gets tricky. Didn’t Adolph Gottlieb, Mark Rothko, and...

read more

Recent Feature

L.A. Confidential

L.A. Confidential

The first in a series of reports on the art world.  In May, it seemed like we were almost entirely out of the woods with Covid-19, and then along came the Delta variant and the post-pandemic euphoria rapidly dissipated. Still, as long-time observers of the Los Angeles...

read more

From the Vasari21 Archives

Ripe for Rediscovery: Betty Parsons

A prescient dealer begins to get her due as an artist Betty Parsons was the sort of art dealer who is invariably dubbed “legendary” when her name appears in the annals of art history. At the Betty Parsons Gallery on West 57th Street, which she opened with a borrowed...

Signs of the Times: Part Two

More reactions to the ugly zeitgeist We’ve now had a full year to take stock of the current administration in Washington and, as Melissa Stern points out, “Every day brings a new outrage, a new affront to common decency, an erosion of our democracy.” Some artists see...

Jeff Baker: Urban Abstractions

When I first saw Jeff Baker’s photos, at his home and studio in Taos, NM, about five years ago, I immediately thought of Aaron Siskind, the photographer most closely associated with mid-century American abstraction. In many of his black-and-white images, Siskind...

Ripe for Rediscovery: Berthe Morisot

Having It All in the 19th Century Berthe Morisot’s subjects now seem among the tamest and most ingratiating imaginable: sun-drenched land- and seascapes, women and children casually posed in the garden or cozy domestic interiors, stylish Parisian beauties at their...

Assess the Excess

Suggestions for storing, selling, tossing, or giving away unwanted old work One of the saddest days of my life was the day I carted all my youthful paintings from my parents’ summer house to the dump in Montauk, NY, after selling the property in 2003. These included a...

The Cooks, the Turkey, and the Formidable Formalist Critic

A brief memoir of catering, art-history classes, and friendship For part of my junior year in college I lived off campus with one of my best friends, Kate, a woman thirteen years older than myself, and in many ways a kind of big-sister to me (since I had none). Kate...

Terms of Engagement

Dealers Tell Us What They Look for in Representing Someone New What makes a gallery decide to take on a new artist? To make a long- or short-term commitment? What goes through a dealer’s head when she is looking at (or looking for) art to show, either in solo or group...

Art Critics in the Time of Covid-19

What does an art critic do when the museums and galleries are closed? When classes are canceled (if you teach)? When your book spirals into limbo (if you have a publication in the works)? What does the future of art criticism look like as works migrate steadily to...

ART AND TECHNOLOGY: The Soul of the New Machines, Part 2

Throughout the history of art there have been innovations that have entirely revolutionized the way work is made, looked at, and thought about. Painting with oils, the technique invented and perfected by Early Netherlandish artists, meant that a higher degree of...

The Death of the Gallery? Part One

Hey, not so fast! But first the bad news…. In the last year or so, there have been several alarming reports about the demise of the mid-level, or mid-tier, gallery—those stalwart spaces that show new art and support artists who may never achieve superstar status but...

Archived Feature

Fantasy Curating: Hands-On and Lush

Fantasy Curating: Hands-On and Lush

 By Lee Albert Hill As a painter myself I am drawn to the work of other painters first and foremost.  Especially those who demonstrate a dedication to a lush, hands-on, painterly approach and an emphasis on refined craft and detail.  For this curation I have chosen...

read more

Archived Feature

Suggestions for Summer Reading

Suggestions for Summer Reading

Get a jump on the season with a beach-bag full of memoirs Perhaps because I’ve been working on one of my own (“Rotten Romance,” dispatched via Substack every Sunday), memoirs have been much on my mind. For purely recreational reading, I often prefer first-person...

read more

Archived Feature

Meghan Wilbar: The Long Road

Meghan Wilbar: The Long Road

It’s a brave artist who attempts to say something new about landscape. The genre has been around since ancient times, when frescoes of Arcadian vistas adorned the walls of upscale villas, and its popularity has waxed and waned according to the talents and interests of...

read more

Archived Under the Radar

Marietta Patricia Leis

Marietta Patricia Leis

Like many little girls, Marietta Patricia Leis first set her sights on becoming a ballerina. “At the age of seven I was entranced with wanting to be a ballet dancer,” she says. As a child in suburban East Orange, NJ, she studied dance every day after school, and...

read more

Archived Under the Radar

Susan English

Susan English

When Susan English was three or four years old, she lived in Belgium with her family for a couple of years. Years later she still remembers a babysitter named Hele placing a candle inside a child’s play igloo. “It made a big impression on me,” English says. “The light...

read more

 Archived Podcast

Alice Robb: Why We Dream

Alice Robb: Why We Dream

In the summer of 2011, science writer Alice Robb discovered a book called Exploring the World of Lucid Dreaming, which promised readers that they could control the plots of their dreams.

read more