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UNDER THE RADAR

A spotlight for members.

Cindy Blakeslee

Recent Feature

Ripe for Rediscovery: Peter Miller

Ripe for Rediscovery: Peter Miller

Talk about “Surrealism” in conversation with artists and art lovers you are most likely to think of works by Dalí, Magritte, Tanguy, Ernst, or possibly Paul Delvaux. Mention “American Surrealism,” and the terrain gets tricky. Didn’t Adolph Gottlieb, Mark Rothko, and...

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Recent Feature

L.A. Confidential

L.A. Confidential

The first in a series of reports on the art world.  In May, it seemed like we were almost entirely out of the woods with Covid-19, and then along came the Delta variant and the post-pandemic euphoria rapidly dissipated. Still, as long-time observers of the Los Angeles...

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From the Vasari21 Archives

The Death of the Gallery? Part One

Hey, not so fast! But first the bad news…. In the last year or so, there have been several alarming reports about the demise of the mid-level, or mid-tier, gallery—those stalwart spaces that show new art and support artists who may never achieve superstar status but...

Destructive Impulses

Even the most famous artists torch, shred, and otherwise annihilate works that don't seem up to snuff In 1967, Agnes Martin began seeking out her earlier works with the intention of destroying everything she could find. That was about ten years after she had decided...

Susan Schwalb

It’s a rare artist who finds her medium and her methods early and then sticks with them, with little deviation, for more than four decades. But so it was for Susan Schwalb, who discovered the art of drawing with silverpoint in 1973 and never looked back. She was...

Ripe for Rediscovery: Francis Picabia

Francis Picabia was a man way ahead of his times. Long before artists of our day became dedicated multitaskers—moving easily from performance to sculpture to video to whatever—Picabia (1879-1953) vigorously avoided any singular style or medium, forging a career that...

What Is a Drawing?

The answer these days is far from simple. The late, great, often cantankerous art critic Robert Hughes more than once bemoaned the apparent decline in standards for draftsmanship.  “In the 45 years that I’ve been writing criticism there has been a tragic depreciation...

Courting the Dealers

To the young or emerging artist, the art world may seem like a forbidding maze, a complicated circuitry of inside contacts and arcane codes almost impossible for the newcomer to crack. How can the artist without…

Fantasy Curating: Beyond the Book

By Iain Machell Think of a book and you usually have a specific image in mind, probably a codex form (pages bound in the center) with some combination of text and images, meant to be read from left to right. But when you list the components of a book, pick apart that...

Dabbling in Dura-Lar

Your fearless correspondent takes another class It’s always seemed to me that a big part of the fun of art-making lies in the endless amounts of seductive stuff to play with—paints and brushes, pencils and charcoal and pastels, clay and plaster and all kinds of goo,...

Fantasy Curating: “WHAT IF?” An inquiry

By Cia Foreman  Photography has a history of reflecting the desire to portray reality by documenting human life. From its beginnings in the early 19th century, portraiture and landscape became and remain primary subjects. The five artists included in this proposal...

Hot Wax Happiness

In which your intrepid reporter takes a class in encaustic monotypes with Paula Roland Given the number of Vasari21 members who work in encaustic (see Anna Wagner-Ott’s report from last summer), I thought it might be fun to get a firsthand look at why the medium is so...

Archived Feature

Fantasy Curating: Hands-On and Lush

Fantasy Curating: Hands-On and Lush

 By Lee Albert Hill As a painter myself I am drawn to the work of other painters first and foremost.  Especially those who demonstrate a dedication to a lush, hands-on, painterly approach and an emphasis on refined craft and detail.  For this curation I have chosen...

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Archived Feature

Suggestions for Summer Reading

Suggestions for Summer Reading

Get a jump on the season with a beach-bag full of memoirs Perhaps because I’ve been working on one of my own (“Rotten Romance,” dispatched via Substack every Sunday), memoirs have been much on my mind. For purely recreational reading, I often prefer first-person...

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Archived Feature

Meghan Wilbar: The Long Road

Meghan Wilbar: The Long Road

It’s a brave artist who attempts to say something new about landscape. The genre has been around since ancient times, when frescoes of Arcadian vistas adorned the walls of upscale villas, and its popularity has waxed and waned according to the talents and interests of...

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Archived Under the Radar

Marietta Patricia Leis

Marietta Patricia Leis

Like many little girls, Marietta Patricia Leis first set her sights on becoming a ballerina. “At the age of seven I was entranced with wanting to be a ballet dancer,” she says. As a child in suburban East Orange, NJ, she studied dance every day after school, and...

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Archived Under the Radar

Susan English

Susan English

When Susan English was three or four years old, she lived in Belgium with her family for a couple of years. Years later she still remembers a babysitter named Hele placing a candle inside a child’s play igloo. “It made a big impression on me,” English says. “The light...

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 Archived Podcast

Alice Robb: Why We Dream

Alice Robb: Why We Dream

In the summer of 2011, science writer Alice Robb discovered a book called Exploring the World of Lucid Dreaming, which promised readers that they could control the plots of their dreams.

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