Connecting Artists

Though short and to the point, the ten or so capsule reviews for art shows in the opening pages of the New Yorker each week are probably among the most widely read in the city, if not the nation.

In three days in Provincetown, MA, this June, our intrepid reporter hit the ground running and offers a succinct guide to some of the many ways this seductive medium is in use among artists By Anna Wagner-Ott The art of encaustic has been around for centuries: it was...

Some tips for getting art writers to notice your work. Hint: a cow’s tongue probably will not do the trick. It’s the dream of every artist to be noticed by a prestige critic, like Roberta Smith or Jerry Saltz or any other of the noteworthy art scribes in urban areas....

Toward the end of my interview with curator Tricia Paik of the Indianapolis Museum of Art a few weeks back, we briefly touched on the subject of artist websites—what works and what doesn’t. Developing a good one, up-to-date and easily navigable…

In his 2012 novel Back to Blood, Tom Wolfe devotes a chapter to the art-fair feeding frenzy that is Art Basel Miami Beach, introducing a minor presence named Marilyn Carr, who is known to her principal client as “A.A.,” short for art adviser.

In the third iteration of this series, I noted that the possibilities for drawing have expanded hugely in the last century or so. Picasso made drawings with a small electric light in a darkened room. Calder’s Circus can be seen as an assemblage of three-dimensional...

By Jane Barthes  Maggi Hambling’s paintings and sculpture are not entirely new to me, but many outside the U.K. probably have little knowledge of this quintessentially British artist. I discovered Hambling’s work in the early 1990s, five years before I left London,...

Having It All in the 19th Century Berthe Morisot’s subjects now seem among the tamest and most ingratiating imaginable: sun-drenched land- and seascapes, women and children casually posed in the garden or cozy domestic interiors, stylish Parisian beauties at their...

Those calling the shots in the art world can be astonishingly cruel. Sculptor Stan Smokler, who maintains studios in New York and Pennsylvania, recalls sending out slides in the early days of his career…

Earlier in the week, I tried to imagine what kind of responses I would have gotten had I posed that question to one of the great masters of the Renaissance. “Signora,” I can hear Maestro Buonarrotti explaining, con pazienza, “a drawing can be many things. A quick...