Connecting Artists

More of nature’s bounty from the garden As mentioned in Part One, flowers simply never go out of fashion. Here are a dozen more artists who have found ways to put a fresh spin on a centuries-old subject. Peggy Klineman: “Living in New York City, I longed to be in...

Artists talk about altered states during the pandemic We are now about seven months into a worldwide catastrophe that has affected nearly every fiber and facet of our being. Many of us have been sheltering in place, limiting our contacts with the outside world,...

To the young or emerging artist, the art world may seem like a forbidding maze, a complicated circuitry of inside contacts and arcane codes almost impossible for the newcomer to crack. How can the artist without…

The ins and outs of making your life and work a public affair When I first broached the topic of open studios to several Vasari 21 members, some said, “No way. I don’t want a lot of lookee-loos traipsing through my private spaces.” Or “I’m at the point where I have...

Dealers Tell Us What They Look for in Representing Someone New What makes a gallery decide to take on a new artist? To make a long- or short-term commitment? What goes through a dealer’s head when she is looking at (or looking for) art to show, either in solo or group...

We are now rounding out the fourth month of the Covid-19 pandemic, a worldwide catastrophe that, as of now, shows no signs of fully abating, especially in the United States and a few other countries that have been slow to realize the serious need of playing it safe....

Several years ago, I heard about a woman, a self-styled art adviser, who would invite artists to a plush hotel room and for a fee of $500 lend an hour of her time to look over portfolios and then write down…

About a decade ago, in the wake of yet another failed romance, I decided to visit the Florence Biennale, an art extravaganza that has been in the works since 1997. A fellow art journalist was going, meeting up with a curator friend from Texas…

How Critics and Curators Respond to Memorable Works of Art In a recent issue of The New Yorker, actress Allison Janney reported of her first encounter with Wassily Kandinsky’s Black Lines (1913) in the Guggenheim Museum: “I felt an energy go through my chest." I could...

After five posts, I’m running a bit low on things to say about drawing. But for a moment we might speculate about why drawing remains so popular among artists, when, let’s say, there’s hardly anyone around making frescoes these days. There is, of course, the amazing...