Connecting Artists

Artists reveal their secrets for smart editing and smooth studio visits Not too long ago, I paid a call on an artist who shall remain nameless, whose studio was such a shambles I was itching to get out of there within ten minutes. It seemed there were works from every...

Not to sound like too much of a fogey, but there was a time when the art world abounded with publications devoted to art—Art in America, Studio International, Arts magazine, Artforum, Art News…

A brief memoir of catering, art-history classes, and friendship For part of my junior year in college I lived off campus with one of my best friends, Kate, a woman thirteen years older than myself, and in many ways a kind of big-sister to me (since I had none). Kate...

Many say it’s all a bubble. I don’t agree because the world is sick producing extremes of weather and behavior, people are struggling and if creators can find a way to express themselves or promote a worthy cause AND make money then It is not going away anytime soon

Artists reflect on changes, shifts, departures, and continuity I’m fairly sure it was Chicago artist Sharon Swidler who mentioned a year or so ago that she was riffling through her inventory and remarking on the absence of abrupt departures in her work. I tucked the...

What does an art critic do when the museums and galleries are closed? When classes are canceled (if you teach)? When your book spirals into limbo (if you have a publication in the works)? What does the future of art criticism look like as works migrate steadily to...

More of nature’s bounty from the garden As mentioned in Part One, flowers simply never go out of fashion. Here are a dozen more artists who have found ways to put a fresh spin on a centuries-old subject. Peggy Klineman: “Living in New York City, I longed to be in...

No doubt there are those who are familiar with the paintings of Maria Lassnig, the Austrian-born artist who kicked off Kate Petley’s round of fantasy curating on the site two weeks ago. But I had never heard of her before and was beguiled by Lassnig’s You or Me...

Reflections on a Famed Photojournalist's Images of Syria What I see first is beauty---saturated colors, an abstraction of forms in the picture plane, vertiginous compositions that plunge me from the immediacy of where I stand in the gallery into another realm. This is...

If you could talk to any artist, dead or alive, whom would you choose? What would you ask? I know from hard-won experience that artists can be maddeningly difficult to talk to. While some—Frank Stella and Jim Dine are two who come to mind—are on good terms with the...