Connecting Artists

“[When I was about twelve], my father took us on a rare excursion to the Museum of Art in Philadelphia. My parents worked very hard, and taking four children on a bus to…

It’s curious to me that more women than men responded to the call for a third round-up of self-portraits on Vasari21. That’s possibly because there are more female members than male (though I can’t tell you the exact ratio), possibly because women traditionally spend...

I first encountered a couple of John Outterbridge’s trippy, sexy, irresistible sculptures on a press trip to Los Angeles in 2011 for the first iteration of Pacific Standard Time, the sprawling series of exhibitions devoted to art in southern California. It was love at...

A few weeks ago my neighbor and Vasari21 member TJ Mabrey asked me why I didn’t suggest some books for the warm-weather season, when supposedly we all head for the country or the beach armed with a Kindle or a stack of paperbacks. Since I am always reading biographies...

Here we are, now well into the third month of self-isolation, wearing our masks like good citizens if we go out at all, minding the headlines and the barrage of information, and perhaps generally adjusting to a global catastrophe whose true measure will not be known...

Several years ago, I heard about a woman, a self-styled art adviser, who would invite artists to a plush hotel room and for a fee of $500 lend an hour of her time to look over portfolios and then write down…

No one claims it's easy, but it is possible to combine two of the world's oldest callings: artist and mother Way back in the 1980s, in the era of linebacker shoulder pads and dressing for success, I worked on a short-lived publication that billed itself as the first...

Traditionally summer is the time when you tackle those big door-stoppers you skimmed in college: War and Peace, The Magic Mountain, Middlemarch. Or you turn to thrillers and mysteries, escapist fiction that doesn’t tax the brain too much and is as digestible (and...

The answer these days is far from simple. The late, great, often cantankerous art critic Robert Hughes more than once bemoaned the apparent decline in standards for draftsmanship.  “In the 45 years that I’ve been writing criticism there has been a tragic depreciation...

In which your intrepid reporter takes a class in encaustic monotypes with Paula Roland Given the number of Vasari21 members who work in encaustic (see Anna Wagner-Ott’s report from last summer), I thought it might be fun to get a firsthand look at why the medium is so...