Connecting Artists

I am drawn to work of modest means that has a monumental impact. The master of this kind of work was Lori Ellison, who died in August 2015…

By Susan Erlandson Washburn I arrived at Crystal Bridges in Bentonville, Arkansas—Walmart heiress Alice Walton’s inspired gift to flyover country—too late to see the Dale Chihuly exhibition in the gallery itself but in time to visit the “In the Forest” portion...

In the third iteration of this series, I noted that the possibilities for drawing have expanded hugely in the last century or so. Picasso made drawings with a small electric light in a darkened room. Calder’s Circus can be seen as an assemblage of three-dimensional...

Most of Josef Albers’s paintings are very unusual and far more complex than they initially appear; they are not about Op art, color theory, or Minimalism. They are about paying attention. Just as his famous book on color theory…

After five posts, I’m running a bit low on things to say about drawing. But for a moment we might speculate about why drawing remains so popular among artists, when, let’s say, there’s hardly anyone around making frescoes these days. There is, of course, the amazing...

In this, the eighth round-up of drawings from members of the site, I find myself running out of more to say about this oldest means of making an image. And yet even if I fall short on words, the artists never cease to amaze me with new ways to make a drawing....

When painter Leslie Parke was a small child, she would head downstairs early in the morning and open one of her parents’ art books, squatting on the floor and pressing her face into the color reproductions of Fifty Centuries of Art. Her goal was not so much to study...

By Ruth Hiller It’s probably difficult to pinpoint the very first artist to make a shaped construction, an artwork that hovers somewhere between painting and sculpture.  The possibilities for non-rectangular paintings begin as early as the 1920s with fanciful...

Artists report on nocturnal inspirations and frustrations I once described Louise Bourgeois as having “a direct pipeline to her unconscious,” and that still seems a fitting description for an artist who came of age in Paris at a time when the Surrealists were the...

“[When I was about twelve], my father took us on a rare excursion to the Museum of Art in Philadelphia. My parents worked very hard, and taking four children on a bus to…