Connecting Artists

Even the Most Respected Critics Change Their Minds When a politician flip-flops on a position, the public and press alike are quick to cry foul, hurling accusations of bad faith or pandering. But when an art critic changes his or her mind, the ripple effect is likely...

Artists talk about altered states during the pandemic We are now about seven months into a worldwide catastrophe that has affected nearly every fiber and facet of our being. Many of us have been sheltering in place, limiting our contacts with the outside world,...

Robert Motherwell, my father, purchased our home the year I was born. My earliest recollection of entering his studio is when I was a toddler. We lived in a…

Alex Katz first met his wife, Ada, at an opening at the Tangier Gallery in 1958. She immediately became one of his favorite models. “I’d been painting these all-over landscapes, and then I decided to paint details like eyes and noses…

How to make the online art service work for you By Susan Washington Saatchi Art, which bills itself as a free “online art advisory,” is perhaps the most successful site on the Internet for online art sales, with Rebecca Wilson (formerly a director of Saatchi Gallery...

Compared with the duration of empires past—like those of ancient Rome or Great Britain—the U.S. occupies a relatively tiny span of time, a little more 234 years as the great democratic experiment, if we date the founding of the country to 1776. And so our monuments...

Though short and to the point, the ten or so capsule reviews for art shows in the opening pages of the New Yorker each week are probably among the most widely read in the city, if not the nation.

Here we are, now well into the third month of self-isolation, wearing our masks like good citizens if we go out at all, minding the headlines and the barrage of information, and perhaps generally adjusting to a global catastrophe whose true measure will not be known...

Laura Vranes’ interests as a future collector were established early. “As a child, I went to a museum in New York,” she says. “I wish I could recall which it was, but I remember how much I loved the Andy Warhol Brillo Box in the collection. I wanted to sit on it so...

I first encountered a couple of John Outterbridge’s trippy, sexy, irresistible sculptures on a press trip to Los Angeles in 2011 for the first iteration of Pacific Standard Time, the sprawling series of exhibitions devoted to art in southern California. It was love at...