Connecting Artists

Headquartered in a historic mansion in the Green Mountains of Vermont, the Marble House Project accepts about 52 artists a year for individual 23-day residencies (there are also 17-day stays for artists with families, and this year the organization is launching a...

Robert Motherwell, my father, purchased our home the year I was born. My earliest recollection of entering his studio is when I was a toddler. We lived in a…

To the young or emerging artist, the art world may seem like a forbidding maze, a complicated circuitry of inside contacts and arcane codes almost impossible for the newcomer to crack. How can the artist without…

In the fall of 2018, Jamie Hamilton went looking for a place to dispose of scraps for compost in Los Angeles, his adopted home since moving from Santa Fe, NM, two years earlier. Through an organization called LA Compost, he discovered the Solano Community Garden in...

There was a time, not so long ago, when physical assaults were almost a routine art-world ritual, between artists and critics, artists and artists, and occasionally even critics and critics. The titanic 20th-century art czar…

The new and already widely praised documentary about Eva Hesse, the subject of our podcast this week with director Marcie Begleiter, brought to mind the many films about artists made down through the years and inspired a mini-marathon of in-home screenings these last...

Those calling the shots in the art world can be astonishingly cruel. Sculptor Stan Smokler, who maintains studios in New York and Pennsylvania, recalls sending out slides in the early days of his career…

More reactions to the ugly zeitgeist We’ve now had a full year to take stock of the current administration in Washington and, as Melissa Stern points out, “Every day brings a new outrage, a new affront to common decency, an erosion of our democracy.” Some artists see...

    Ask not what your art can do for you, but what your art can do for your country   Among the many forward-minded initiatives launched by the all-too-brief administration of President John F. Kennedy, the Art in Embassies program is one that has...

What does it mean to be a “regional artist” today? By Millicent Young Bradley Sumrall, curator at the Ogden Museum of Southern Art, posed this question in his juror’s talk for “Homeward Bound,” the Taubman Museum’s inaugural triennial for Virginia artists. I resisted...