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UNDER THE RADAR

A spotlight for members.

Cindy Blakeslee

Recent Feature

My Blockhead Adventures with Blockchain Art, Part Four

My Blockhead Adventures with Blockchain Art, Part Four

Many say it’s all a bubble. I don’t agree because the world is sick producing extremes of weather and behavior, people are struggling and if creators can find a way to express themselves or promote a worthy cause AND make money then It is not going away anytime soon

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Recent Feature

The Educated Eye Part Two

The Educated Eye Part Two

I opened up an intriguing cauldron of worms when I asked a bevy of art writers (call them critics, journalists, or simply reviewers) on what it means to have an “eye.” Why did they consider their judgments superior to those of the average museumgoer or art lover? The...

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From the Vasari21 Archives

Vasari21 Goes to the Movies: Part Two

Photo credits: bottom of page Why watch a documentary about an artist? We have biographies and museum and gallery shows and catalogues and other ways of entering the lives and minds of the more memorable figures in the visual arts. Yet a documentary can offer an...

Cheryl Gross and Marta Wapiennik Choose Each Other

Artistic collaborations are nothing new in the annals of contemporary art—think of Janet Cardiff and George Bures Miller, Gilbert and George, or even Tim Rollins and his “at-risk” students, known as the Kids of Survival. But edgy illustrator…

Summer Reads: Two Feisty Women and a Bromance in Poetry and Paint

A few weeks ago my neighbor and Vasari21 member TJ Mabrey asked me why I didn’t suggest some books for the warm-weather season, when supposedly we all head for the country or the beach armed with a Kindle or a stack of paperbacks. Since I am always reading biographies...

Artists Respond to the Pandemic Part 3

We are now rounding out the fourth month of the Covid-19 pandemic, a worldwide catastrophe that, as of now, shows no signs of fully abating, especially in the United States and a few other countries that have been slow to realize the serious need of playing it safe....

The Monuments Contest: And the Winners Are (Part One)

Everyone is a winner in the competition to replace those tired, toppled memorials In the wake of the murder of George Floyd in May, protesters around the globe tore down monuments to the Confederacy, to slave traders, and to racist baddies of all stripes. I could not...

Reflecting on Vermeer

For years I’ve looked at different works by countless artists. I’ve looked at different objects from all different periods of time—ancient, Renaissance, modern, post-war, contemporary, along with the efforts of teachers, friends, and…

Girl, Unexpectedly Interrupted

In which I try to have a romance with an older man, a real artist. But Mother knows better. During my last semester in college, I worked part time at the university store (fondly known as the “screw store” for its inflated prices on stuff like toothpaste and shampoo)....

Fantasy Curating: Perfectly Imperfect

By Jina Brenneman Post-disciplinary, Neo Craft, Sloppy Craft, and the Hyper Pot are all descriptors that attempt to classify the seismic shift in contemporary ceramics. Artificial in nature, these technicolor works drip with irregularities, gloppy blobs, and bulges...

The Educated Eye Part Two

I opened up an intriguing cauldron of worms when I asked a bevy of art writers (call them critics, journalists, or simply reviewers) on what it means to have an “eye.” Why did they consider their judgments superior to those of the average museumgoer or art lover? The...

Ripe for Rediscovery: Francis Picabia

Francis Picabia was a man way ahead of his times. Long before artists of our day became dedicated multitaskers—moving easily from performance to sculpture to video to whatever—Picabia (1879-1953) vigorously avoided any singular style or medium, forging a career that...

Archived Feature

Fantasy Curating: The Contemporary Portrait

Fantasy Curating: The Contemporary Portrait

By Kate Petley Contemporary portraiture is so diverse that creating a comprehensive list of artists is futile. I selected these particular works for their power, humor, cleverness, rawness, and beauty. Reflecting a broad interpretation of what qualifies as a portrait,...

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Archived Feature

Meghan Wilbar: The Long Road

Meghan Wilbar: The Long Road

It’s a brave artist who attempts to say something new about landscape. The genre has been around since ancient times, when frescoes of Arcadian vistas adorned the walls of upscale villas, and its popularity has waxed and waned according to the talents and interests of...

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Archived Feature

Portfolio: Bob Richardson

Portfolio: Bob Richardson

There were times, when he was younger, that Bob Richardson felt a pull toward art. As a teenager in South Orange, NJ, he attended the Art Students League in New York, where he took drawing classes with a painter named Tom Fogarty, who taught him that “line has...

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Archived Under the Radar

Jeannie Motherwell

Jeannie Motherwell

First off, let’s get the famous forebears out of the way. Yes, Jeannie Motherwell is the daughter of that Motherwell, Robert, one of the titans of mid-20th-century American art. And the stepdaughter of Helen Frankenthaler, no less famous in the annals of art history...

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Archived Under the Radar

Paul O’Connor

Paul O’Connor

Paul O’Connor first fell in love with photography when he joined the navy at the tender age of 17. “My dad gave me a camera, an Olympus, and I started taking pictures—especially of clouds out at sea," he recalls. Those big billowing skies would prove equally...

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 Archived Podcast