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UNDER THE RADAR

A spotlight for members.

Cindy Blakeslee

Recent Feature

My Blockhead Adventures with Blockchain Art, Part Four

My Blockhead Adventures with Blockchain Art, Part Four

Many say it’s all a bubble. I don’t agree because the world is sick producing extremes of weather and behavior, people are struggling and if creators can find a way to express themselves or promote a worthy cause AND make money then It is not going away anytime soon

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Recent Feature

The Educated Eye Part Two

The Educated Eye Part Two

I opened up an intriguing cauldron of worms when I asked a bevy of art writers (call them critics, journalists, or simply reviewers) on what it means to have an “eye.” Why did they consider their judgments superior to those of the average museumgoer or art lover? The...

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From the Vasari21 Archives

Golden Artist Programs

Nice Work if You Can Get It When I noticed that several painters who are Vasari21 members had certification from Golden Artist Colors—a company that specializes in acrylic paints, mediums, and grounds and has officially been around since 1950—I was curious about what...

Absolutely, Positively My Last Post About Instagram

Why does Patti Smith feel a need to post on Instagram? Is it important to her to have nearly 600,000 followers? When she uploads a photo, does she read all the comments (which can be as many as 2,000, last I checked)? Does she ever respond? She’s already a star—what...

Ripe for Rediscovery: Betty Parsons

A prescient dealer begins to get her due as an artist Betty Parsons was the sort of art dealer who is invariably dubbed “legendary” when her name appears in the annals of art history. At the Betty Parsons Gallery on West 57th Street, which she opened with a borrowed...

Storytelling in Three Dimensions

Installation Artists Continue the Narrative Tradition Once upon a time, storytelling was one of the most ambitious missions of painting. Panel by panel, Giotto told the lives of Christ and St. Francis. Michelangelo presented the sweeping drama of the Old and New...

Susan Schwalb

It’s a rare artist who finds her medium and her methods early and then sticks with them, with little deviation, for more than four decades. But so it was for Susan Schwalb, who discovered the art of drawing with silverpoint in 1973 and never looked back. She was...

The ABC’s of Social Media

By Barbra Drizin Most clients who come to me have at least a passing familiarity with the major social media platforms—Facebook, Instagram, LinkedIn, and Twitter. You may be posting, updating, and tweeting regularly, but until you understand how to maximize their...

Linda Vallejo Chooses Charles Gaines

“The Brown Dot Project (TBDP),” a series of mine from 2015, has been deeply influenced by the renowned Los Angeles-based artist Charles Gaines, whose works investigate the way rules-based procedures construct order and meaning. Gaines, born in 1944, makes drawings…

Encaustic: An Overview

In three days in Provincetown, MA, this June, our intrepid reporter hit the ground running and offers a succinct guide to some of the many ways this seductive medium is in use among artists By Anna Wagner-Ott The art of encaustic has been around for centuries: it was...

Selling on Saatchi

How to make the online art service work for you By Susan Washington Saatchi Art, which bills itself as a free “online art advisory,” is perhaps the most successful site on the Internet for online art sales, with Rebecca Wilson (formerly a director of Saatchi Gallery...

10 Smart Tips (and Reasons) for Using Social Media

When I was writing regularly for ARTnews and the Wall Street Journal, I checked into Facebook only sporadically, usually when I was in the middle of transcribing a dull interview or blocked in writing a story. It was a mildly engaging way…

Archived Feature

Fantasy Curating: The Contemporary Portrait

Fantasy Curating: The Contemporary Portrait

By Kate Petley Contemporary portraiture is so diverse that creating a comprehensive list of artists is futile. I selected these particular works for their power, humor, cleverness, rawness, and beauty. Reflecting a broad interpretation of what qualifies as a portrait,...

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Archived Feature

Meghan Wilbar: The Long Road

Meghan Wilbar: The Long Road

It’s a brave artist who attempts to say something new about landscape. The genre has been around since ancient times, when frescoes of Arcadian vistas adorned the walls of upscale villas, and its popularity has waxed and waned according to the talents and interests of...

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Archived Feature

Portfolio: Bob Richardson

Portfolio: Bob Richardson

There were times, when he was younger, that Bob Richardson felt a pull toward art. As a teenager in South Orange, NJ, he attended the Art Students League in New York, where he took drawing classes with a painter named Tom Fogarty, who taught him that “line has...

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Archived Under the Radar

Jeannie Motherwell

Jeannie Motherwell

First off, let’s get the famous forebears out of the way. Yes, Jeannie Motherwell is the daughter of that Motherwell, Robert, one of the titans of mid-20th-century American art. And the stepdaughter of Helen Frankenthaler, no less famous in the annals of art history...

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Archived Under the Radar

Paul O’Connor

Paul O’Connor

Paul O’Connor first fell in love with photography when he joined the navy at the tender age of 17. “My dad gave me a camera, an Olympus, and I started taking pictures—especially of clouds out at sea," he recalls. Those big billowing skies would prove equally...

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