Connecting Artists

Many say it’s all a bubble. I don’t agree because the world is sick producing extremes of weather and behavior, people are struggling and if creators can find a way to express themselves or promote a worthy cause AND make money then It is not going away anytime soon

An Artist Opens her New Home and Studio for ArtWalk Kingston By Millicent Young I had just landed in Kingston, NY, in early July with Niko, the dog of Perpetual Joy, and the four cats, a long chapter of life in rural Virginia completed. I was moving into my new...

Almost five years ago I published a post about art advisers, those hard-working middlemen and women who match up artists with corporate clients, budding collectors, or homeowners in the throes of renovation. Enough has changed since that time that the subject seemed...

As a New Yorker gone rural, I live and work in a relatively isolated way in the foothills of Virginia’s Blue Ridge Mountains. Winters are my deep rich studio time, and yet this past winter, I found myself, more than usual, in need of…

It’s curious to me that more women than men responded to the call for a third round-up of self-portraits on Vasari21. That’s possibly because there are more female members than male (though I can’t tell you the exact ratio), possibly because women traditionally spend...

Artistic collaborations are nothing new in the annals of contemporary art—think of Janet Cardiff and George Bures Miller, Gilbert and George, or even Tim Rollins and his “at-risk” students, known as the Kids of Survival. But edgy illustrator…

  Several years ago, ARTnews ran a feature called “Ripe for Rediscovery,” polling curators, artists, and critics about which names had been unfairly lost in the shuffle of art history. Some of those who surfaced—Robert Irwin, Giovanni Boldini, and Rafael...

The whole notion of recycling seems a very up-to-the-minute politically correct attitude for art in this day and age. And yet the tradition of integrating all manner of stuff from the real world into sculpture and onto two-dimensional surfaces begins more than a...

Self-portraits have always served artists in a variety of ways. Art historians have suggested that Jan van Eyck’s Man in a Red Turban (1433), with its inscription “Als ich kann”—meaning, “this is what I can do”—is both a self-portrait and a kind of calling card to...

When I first started working on staff at ARTnews, a little more than 20 years ago, I was on the brink of a divorce after several years of freelancing and corporate wifedom (at which I was not very good). The magazine represented both….