Connecting Artists

The opening, duration, and end of a gallery or museum show can be cause for anxiety, depression, obsession, elation, relief, and any number of other emotional reactions that occur when you…

Seeing Mona Kuhn’s subtly erotic nudes in the slide show that accompanies our podcast with her this week (and especially the photo titled Morgane from 2010) made me think of a book proposal…

Frances Ashforth’s fascination with water, sky, and undulating landscapes began early. Raised in a family of artists, she spent time as a child at her grandparents’ farm in New Hampshire, along the Connecticut River Valley. She is an avid fly fisherman and in her...

An artist’s life is generally isolated at the best of times, and that is the way most would have it. Unless you’re Andy Warhol running The Factory and possibly pathologically in need of company at all hours, you require solitude to do your best work. So, for some this...

A Report from the Front Lines By Adria Arch A few weeks ago, for the first time, I exhibited my work at The Other Art Fair, a marathon exhibition that runs biannually in spring and fall in the creative heart of New York City at Greenpoint's Brooklyn Expo Center....

Everyone is a winner in the competition to replace those tired, toppled memorials In the wake of the murder of George Floyd in May, protesters around the globe tore down monuments to the Confederacy, to slave traders, and to racist baddies of all stripes. I could not...

Headquartered in a historic mansion in the Green Mountains of Vermont, the Marble House Project accepts about 52 artists a year for individual 23-day residencies (there are also 17-day stays for artists with families, and this year the organization is launching a...

I first encountered a couple of John Outterbridge’s trippy, sexy, irresistible sculptures on a press trip to Los Angeles in 2011 for the first iteration of Pacific Standard Time, the sprawling series of exhibitions devoted to art in southern California. It was love at...

When I was regularly writing reviews for ARTnews and The Wall Street Journal, two great gigs that petered out for different reasons, I was occasionally conscious of having biases toward work that rang my chimes in a big way and against art that confused me or left me...

In three days in Provincetown, MA, this June, our intrepid reporter hit the ground running and offers a succinct guide to some of the many ways this seductive medium is in use among artists By Anna Wagner-Ott The art of encaustic has been around for centuries: it was...