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UNDER THE RADAR

A spotlight for members.

Cindy Blakeslee

Recent Feature

My Blockhead Adventures with Blockchain Art, Part Four

My Blockhead Adventures with Blockchain Art, Part Four

Many say it’s all a bubble. I don’t agree because the world is sick producing extremes of weather and behavior, people are struggling and if creators can find a way to express themselves or promote a worthy cause AND make money then It is not going away anytime soon

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Recent Feature

The Educated Eye Part Two

The Educated Eye Part Two

I opened up an intriguing cauldron of worms when I asked a bevy of art writers (call them critics, journalists, or simply reviewers) on what it means to have an “eye.” Why did they consider their judgments superior to those of the average museumgoer or art lover? The...

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From the Vasari21 Archives

Destructive Impulses

Even the most famous artists torch, shred, and otherwise annihilate works that don't seem up to snuff In 1967, Agnes Martin began seeking out her earlier works with the intention of destroying everything she could find. That was about ten years after she had decided...

The Soul of the New Machines

Using the computer to translate technology into art The first time I paid serious attention to the role computers might play in contemporary art was in 2012 (a little late in the game), when I saw the Whitney Museum of American Art’s solo for Wade Guyton, then 40. The...

What Is a Drawing? Part Three

Far from disappearing from an artist's regular practice, as many critics have complained, the possibilities for drawing have only expanded in the last century, limited only by the imaginations of their creators. Picasso made drawings with a small electric light in a...

L.A. Confidential

The first in a series of reports on the art world.  In May, it seemed like we were almost entirely out of the woods with Covid-19, and then along came the Delta variant and the post-pandemic euphoria rapidly dissipated. Still, as long-time observers of the Los Angeles...

Dora and Carl Dillistone

  When I first moved to Taos, NM, about six years ago, a friend and I went on one of those house-and-garden tours put together by a local charitable organization. It seemed a good way to get to know the territory, and I’ve always loved to snoop inside other...

Signs of the Times: Part Two

More reactions to the ugly zeitgeist We’ve now had a full year to take stock of the current administration in Washington and, as Melissa Stern points out, “Every day brings a new outrage, a new affront to common decency, an erosion of our democracy.” Some artists see...

Ripe for Rediscovery: Mary Lee Bendolph

One of the most radical abstract artists of the last 50 years is scarcely a household name, or even well known outside a small group of collectors, connoisseurs, and art historians. But Mary Lee Bendolph is a standout in the group of quilters from Gee’s Bend, a tiny...

Artists Respond to the Pandemic

In newsletters, I’ve touched on the way artists respond to catastrophe—specifically war and widespread disease—from the Middle Ages to the present. Some, like Gerhard Richter and Anselm Kiefer, may take decades for the horror of their times to percolate into their...

Instagram for Artists

Getting the Most from Your Posts When a friend urged me to start posting on Instagram a few months ago, I immediately balked. I was already uploading a Vasari21 Pic of the Day to Facebook, pinning stuff to Pinterest, sending out weekly bulletins and updates, and...

Golden Artist Programs

Nice Work if You Can Get It When I noticed that several painters who are Vasari21 members had certification from Golden Artist Colors—a company that specializes in acrylic paints, mediums, and grounds and has officially been around since 1950—I was curious about what...

Archived Feature

Fantasy Curating: The Contemporary Portrait

Fantasy Curating: The Contemporary Portrait

By Kate Petley Contemporary portraiture is so diverse that creating a comprehensive list of artists is futile. I selected these particular works for their power, humor, cleverness, rawness, and beauty. Reflecting a broad interpretation of what qualifies as a portrait,...

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Archived Feature

Meghan Wilbar: The Long Road

Meghan Wilbar: The Long Road

It’s a brave artist who attempts to say something new about landscape. The genre has been around since ancient times, when frescoes of Arcadian vistas adorned the walls of upscale villas, and its popularity has waxed and waned according to the talents and interests of...

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Archived Feature

Portfolio: Bob Richardson

Portfolio: Bob Richardson

There were times, when he was younger, that Bob Richardson felt a pull toward art. As a teenager in South Orange, NJ, he attended the Art Students League in New York, where he took drawing classes with a painter named Tom Fogarty, who taught him that “line has...

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Archived Under the Radar

Jeannie Motherwell

Jeannie Motherwell

First off, let’s get the famous forebears out of the way. Yes, Jeannie Motherwell is the daughter of that Motherwell, Robert, one of the titans of mid-20th-century American art. And the stepdaughter of Helen Frankenthaler, no less famous in the annals of art history...

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Archived Under the Radar

Paul O’Connor

Paul O’Connor

Paul O’Connor first fell in love with photography when he joined the navy at the tender age of 17. “My dad gave me a camera, an Olympus, and I started taking pictures—especially of clouds out at sea," he recalls. Those big billowing skies would prove equally...

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 Archived Podcast