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UNDER THE RADAR

A spotlight for members.

Cindy Blakeslee

Recent Feature

My Blockhead Adventures with Blockchain Art, Part Four

My Blockhead Adventures with Blockchain Art, Part Four

Many say it’s all a bubble. I don’t agree because the world is sick producing extremes of weather and behavior, people are struggling and if creators can find a way to express themselves or promote a worthy cause AND make money then It is not going away anytime soon

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Recent Feature

The Educated Eye Part Two

The Educated Eye Part Two

I opened up an intriguing cauldron of worms when I asked a bevy of art writers (call them critics, journalists, or simply reviewers) on what it means to have an “eye.” Why did they consider their judgments superior to those of the average museumgoer or art lover? The...

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From the Vasari21 Archives

The Naked and the Nude

Is there still any distinction? It might have been a test of how our perceptions of the unclothed body in art have changed over the past four decades: Seven years ago, at the Museum of Modern Art, a young man and a young woman stood facing each other in a doorway,...

L.A. Confidential

The first in a series of reports on the art world.  In May, it seemed like we were almost entirely out of the woods with Covid-19, and then along came the Delta variant and the post-pandemic euphoria rapidly dissipated. Still, as long-time observers of the Los Angeles...

Conversations with Friends

If you could talk to any artist, dead or alive, whom would you choose? What would you ask? I know from hard-won experience that artists can be maddeningly difficult to talk to. While some—Frank Stella and Jim Dine are two who come to mind—are on good terms with the...

The Business of Art Business Coaching, Part One

When you need more than a little help from your friends, seek out a coach I’m not sure when or why I started thinking about the business of art coaching, though I was a guest for one of Paul Klein’s webinars more than a year ago. After I mastered Instagram this...

Artists and Critics: Part 3

When I first started working on staff at ARTnews, a little more than 20 years ago, I was on the brink of a divorce after several years of freelancing and corporate wifedom (at which I was not very good). The magazine represented both….

The ABC’s of Social Media

By Barbra Drizin Most clients who come to me have at least a passing familiarity with the major social media platforms—Facebook, Instagram, LinkedIn, and Twitter. You may be posting, updating, and tweeting regularly, but until you understand how to maximize their...

Ripe for Rediscovery: Berthe Morisot

Having It All in the 19th Century Berthe Morisot’s subjects now seem among the tamest and most ingratiating imaginable: sun-drenched land- and seascapes, women and children casually posed in the garden or cozy domestic interiors, stylish Parisian beauties at their...

Social Media: Defining Your Target Market

By Barbra Drizin  There are many bells and whistles on Facebook that most users know nothing about. A few tweaks, following the steps below, allow you to focus your social media efforts, so that your posts reach carefully tailored audiences—your "target market.” These...

Frances Ashforth: Rocks Around the Clock

Frances Ashforth’s fascination with water, sky, and undulating landscapes began early. Raised in a family of artists, she spent time as a child at her grandparents’ farm in New Hampshire, along the Connecticut River Valley. She is an avid fly fisherman and in her...

Me, Myself, and I

Adventures in self-portraiture Self-portraiture enjoys a long and illustrious lineage, probably reaching its peak in Western art with Rembrandt, who not only reveled in chronicling his changing fortunes—from ambitious youth to successful dandy to impoverished...

Archived Feature

Fantasy Curating: The Contemporary Portrait

Fantasy Curating: The Contemporary Portrait

By Kate Petley Contemporary portraiture is so diverse that creating a comprehensive list of artists is futile. I selected these particular works for their power, humor, cleverness, rawness, and beauty. Reflecting a broad interpretation of what qualifies as a portrait,...

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Archived Feature

Meghan Wilbar: The Long Road

Meghan Wilbar: The Long Road

It’s a brave artist who attempts to say something new about landscape. The genre has been around since ancient times, when frescoes of Arcadian vistas adorned the walls of upscale villas, and its popularity has waxed and waned according to the talents and interests of...

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Archived Feature

Portfolio: Bob Richardson

Portfolio: Bob Richardson

There were times, when he was younger, that Bob Richardson felt a pull toward art. As a teenager in South Orange, NJ, he attended the Art Students League in New York, where he took drawing classes with a painter named Tom Fogarty, who taught him that “line has...

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Archived Under the Radar

Jeannie Motherwell

Jeannie Motherwell

First off, let’s get the famous forebears out of the way. Yes, Jeannie Motherwell is the daughter of that Motherwell, Robert, one of the titans of mid-20th-century American art. And the stepdaughter of Helen Frankenthaler, no less famous in the annals of art history...

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Archived Under the Radar

Paul O’Connor

Paul O’Connor

Paul O’Connor first fell in love with photography when he joined the navy at the tender age of 17. “My dad gave me a camera, an Olympus, and I started taking pictures—especially of clouds out at sea," he recalls. Those big billowing skies would prove equally...

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 Archived Podcast