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UNDER THE RADAR

A spotlight for members.

Cindy Blakeslee

Recent Feature

My Blockhead Adventures with Blockchain Art, Part Four

My Blockhead Adventures with Blockchain Art, Part Four

Many say it’s all a bubble. I don’t agree because the world is sick producing extremes of weather and behavior, people are struggling and if creators can find a way to express themselves or promote a worthy cause AND make money then It is not going away anytime soon

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Recent Feature

The Educated Eye Part Two

The Educated Eye Part Two

I opened up an intriguing cauldron of worms when I asked a bevy of art writers (call them critics, journalists, or simply reviewers) on what it means to have an “eye.” Why did they consider their judgments superior to those of the average museumgoer or art lover? The...

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From the Vasari21 Archives

Ripe for Rediscovery: Francis Picabia

Francis Picabia was a man way ahead of his times. Long before artists of our day became dedicated multitaskers—moving easily from performance to sculpture to video to whatever—Picabia (1879-1953) vigorously avoided any singular style or medium, forging a career that...

What Is a Drawing? Part Two

Since I am the sort of person who damn near weeps when she sees a great Degas pastel (like Waiting, 1882, above), it’s not surprising that drawings are perhaps the medium closest to my heart. I love the spontaneity, the economy of means, and the sense that one is as...

The Motherhood Report

No one claims it's easy, but it is possible to combine two of the world's oldest callings: artist and mother Way back in the 1980s, in the era of linebacker shoulder pads and dressing for success, I worked on a short-lived publication that billed itself as the first...

They Cried. They Gasped. But No One Fainted.

How Critics and Curators Respond to Memorable Works of Art In a recent issue of The New Yorker, actress Allison Janney reported of her first encounter with Wassily Kandinsky’s Black Lines (1913) in the Guggenheim Museum: “I felt an energy go through my chest." I could...

By the Book

The very first art books I remember reading (or perhaps just looking at with awe and wonder) were part of the series called “Metropolitan Seminars in Art,” written by the critic John Canaday. Each slender gray volume…

The Soul of the New Machines

Using the computer to translate technology into art The first time I paid serious attention to the role computers might play in contemporary art was in 2012 (a little late in the game), when I saw the Whitney Museum of American Art’s solo for Wade Guyton, then 40. The...

Instagram for Artists

Getting the Most from Your Posts When a friend urged me to start posting on Instagram a few months ago, I immediately balked. I was already uploading a Vasari21 Pic of the Day to Facebook, pinning stuff to Pinterest, sending out weekly bulletins and updates, and...

The Business of Art Business Coaching, Part One

When you need more than a little help from your friends, seek out a coach I’m not sure when or why I started thinking about the business of art coaching, though I was a guest for one of Paul Klein’s webinars more than a year ago. After I mastered Instagram this...

What Is a Drawing? Part Eight

In this, the eighth round-up of drawings from members of the site, I find myself running out of more to say about this oldest means of making an image. And yet even if I fall short on words, the artists never cease to amaze me with new ways to make a drawing....

First Encounters

The art that made artists want to be artists In almost every artist’s life there are inevitably one or more works that ignite a spark or at least plant a seed, provoking the notion that art could be a dedicated calling, or at least a subject of serious study....

Archived Feature

Fantasy Curating: The Contemporary Portrait

Fantasy Curating: The Contemporary Portrait

By Kate Petley Contemporary portraiture is so diverse that creating a comprehensive list of artists is futile. I selected these particular works for their power, humor, cleverness, rawness, and beauty. Reflecting a broad interpretation of what qualifies as a portrait,...

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Archived Feature

Meghan Wilbar: The Long Road

Meghan Wilbar: The Long Road

It’s a brave artist who attempts to say something new about landscape. The genre has been around since ancient times, when frescoes of Arcadian vistas adorned the walls of upscale villas, and its popularity has waxed and waned according to the talents and interests of...

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Archived Feature

Portfolio: Bob Richardson

Portfolio: Bob Richardson

There were times, when he was younger, that Bob Richardson felt a pull toward art. As a teenager in South Orange, NJ, he attended the Art Students League in New York, where he took drawing classes with a painter named Tom Fogarty, who taught him that “line has...

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Archived Under the Radar

Jeannie Motherwell

Jeannie Motherwell

First off, let’s get the famous forebears out of the way. Yes, Jeannie Motherwell is the daughter of that Motherwell, Robert, one of the titans of mid-20th-century American art. And the stepdaughter of Helen Frankenthaler, no less famous in the annals of art history...

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Archived Under the Radar

Paul O’Connor

Paul O’Connor

Paul O’Connor first fell in love with photography when he joined the navy at the tender age of 17. “My dad gave me a camera, an Olympus, and I started taking pictures—especially of clouds out at sea," he recalls. Those big billowing skies would prove equally...

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 Archived Podcast