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UNDER THE RADAR

A spotlight for members.

Cindy Blakeslee

Recent Feature

My Blockhead Adventures with Blockchain Art, Part Four

My Blockhead Adventures with Blockchain Art, Part Four

Many say it’s all a bubble. I don’t agree because the world is sick producing extremes of weather and behavior, people are struggling and if creators can find a way to express themselves or promote a worthy cause AND make money then It is not going away anytime soon

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Recent Feature

The Educated Eye Part Two

The Educated Eye Part Two

I opened up an intriguing cauldron of worms when I asked a bevy of art writers (call them critics, journalists, or simply reviewers) on what it means to have an “eye.” Why did they consider their judgments superior to those of the average museumgoer or art lover? The...

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From the Vasari21 Archives

Ripe for Rediscovery: Francis Picabia

Francis Picabia was a man way ahead of his times. Long before artists of our day became dedicated multitaskers—moving easily from performance to sculpture to video to whatever—Picabia (1879-1953) vigorously avoided any singular style or medium, forging a career that...

The Curators Speak

In the world of museum exhibitions and gallery shows, the curator seems like the Wizard of Oz, the behind-the-scenes magician who pulls it all together and leads us Munchkins down a yellow brick road toward some kind of enlightenment…

Cultivating Your Collectors

It’s mostly a matter of commonsense and good manners. Mom would approve. If you have reached that happy stage of a career where collectors are following your progress, attending shows, and—yes, of course, actually buying work!—you want to cultivate this fan base as...

Annell Livingston on Joanne Mattera

Joanne’s work is about color first, “color beyond color,” color that resonates somewhere deep within me, somewhere beyond the eye. For me, it is to see color from the heart…

The Business of Art Business Coaching, Part One

When you need more than a little help from your friends, seek out a coach I’m not sure when or why I started thinking about the business of art coaching, though I was a guest for one of Paul Klein’s webinars more than a year ago. After I mastered Instagram this...

Ripe for Rediscovery: Thomas Child

Rare photos from the 1870s give a glimpse into an ancient civilization on the brink of change Her face framed by an ornate tasseled headdress, the bride looks eager and expectant and maybe a little scared. Her groom seems more confident, certainly more relaxed. You...

A Sense of Place

What does it mean to be a “regional artist” today? By Millicent Young Bradley Sumrall, curator at the Ogden Museum of Southern Art, posed this question in his juror’s talk for “Homeward Bound,” the Taubman Museum’s inaugural triennial for Virginia artists. I resisted...

Taking Charge

Artists who build careers on their own terms In the last three years, since launching this site, I’ve been struck by the increasing numbers of artists who take the business of showing and marketing their work into their own hands. Though some still nurse fond dreams...

Josef Albers: Beyond Light and Shade

Most of Josef Albers’s paintings are very unusual and far more complex than they initially appear; they are not about Op art, color theory, or Minimalism. They are about paying attention. Just as his famous book on color theory…

Return to Sender

Before you fire off an email to a gallery, do your homework. And don’t get your hopes up too high. Out of idle curiosity, I recently asked a dealer friend about how many email submissions or inquiries she receives per week. I don’t precisely remember the answer, but...

Archived Feature

Fantasy Curating: The Contemporary Portrait

Fantasy Curating: The Contemporary Portrait

By Kate Petley Contemporary portraiture is so diverse that creating a comprehensive list of artists is futile. I selected these particular works for their power, humor, cleverness, rawness, and beauty. Reflecting a broad interpretation of what qualifies as a portrait,...

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Archived Feature

Meghan Wilbar: The Long Road

Meghan Wilbar: The Long Road

It’s a brave artist who attempts to say something new about landscape. The genre has been around since ancient times, when frescoes of Arcadian vistas adorned the walls of upscale villas, and its popularity has waxed and waned according to the talents and interests of...

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Archived Feature

Portfolio: Bob Richardson

Portfolio: Bob Richardson

There were times, when he was younger, that Bob Richardson felt a pull toward art. As a teenager in South Orange, NJ, he attended the Art Students League in New York, where he took drawing classes with a painter named Tom Fogarty, who taught him that “line has...

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Archived Under the Radar

Jeannie Motherwell

Jeannie Motherwell

First off, let’s get the famous forebears out of the way. Yes, Jeannie Motherwell is the daughter of that Motherwell, Robert, one of the titans of mid-20th-century American art. And the stepdaughter of Helen Frankenthaler, no less famous in the annals of art history...

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Archived Under the Radar

Paul O’Connor

Paul O’Connor

Paul O’Connor first fell in love with photography when he joined the navy at the tender age of 17. “My dad gave me a camera, an Olympus, and I started taking pictures—especially of clouds out at sea," he recalls. Those big billowing skies would prove equally...

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