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UNDER THE RADAR

A spotlight for members.

Cindy Blakeslee

Recent Feature

My Blockhead Adventures with Blockchain Art, Part Four

My Blockhead Adventures with Blockchain Art, Part Four

Many say it’s all a bubble. I don’t agree because the world is sick producing extremes of weather and behavior, people are struggling and if creators can find a way to express themselves or promote a worthy cause AND make money then It is not going away anytime soon

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Recent Feature

The Educated Eye Part Two

The Educated Eye Part Two

I opened up an intriguing cauldron of worms when I asked a bevy of art writers (call them critics, journalists, or simply reviewers) on what it means to have an “eye.” Why did they consider their judgments superior to those of the average museumgoer or art lover? The...

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From the Vasari21 Archives

The Other Art Fair

A Report from the Front Lines By Adria Arch A few weeks ago, for the first time, I exhibited my work at The Other Art Fair, a marathon exhibition that runs biannually in spring and fall in the creative heart of New York City at Greenpoint's Brooklyn Expo Center....

What Is a Drawing? Part Six

After five posts, I’m running a bit low on things to say about drawing. But for a moment we might speculate about why drawing remains so popular among artists, when, let’s say, there’s hardly anyone around making frescoes these days. There is, of course, the amazing...

Me, Myself, and I Part 2

Self-portraits have always served artists in a variety of ways. Art historians have suggested that Jan van Eyck’s Man in a Red Turban (1433), with its inscription “Als ich kann”—meaning, “this is what I can do”—is both a self-portrait and a kind of calling card to...

What Turns Critics On (and Off)

When I was regularly writing reviews for ARTnews and The Wall Street Journal, two great gigs that petered out for different reasons, I was occasionally conscious of having biases toward work that rang my chimes in a big way and against art that confused me or left me...

Artists and Critics: Part Two

Not to sound like too much of a fogey, but there was a time when the art world abounded with publications devoted to art—Art in America, Studio International, Arts magazine, Artforum, Art News…

Open Studios: Part Two

Make it a social event “I went through a depressing period when I thought I was all alone in my part of the world,” says Diane Di Bernardino Sanborn, who lives in Scottsdale, AZ, and makes largely abstract work. “There are no galleries in my area for contemporary art....

Artists Respond to the Pandemic

In newsletters, I’ve touched on the way artists respond to catastrophe—specifically war and widespread disease—from the Middle Ages to the present. Some, like Gerhard Richter and Anselm Kiefer, may take decades for the horror of their times to percolate into their...

The Value of an MFA

The degree has come under attack in recent years, but many say it's worth the investment. Just know what you're looking for—and consider a few alternatives. “MFA stands for yet another Mother-Fucking Artist,” declares one of the disgruntled students in a CalArts...

Whazzup with All the Gallery Closings?

And what exactly does a "private dealer" do? When I heard early in the summer that the venerable Cheim & Read gallery in Chelsea was closing its doors to transition to “private practice,” my heart sank a little. The low-key establishment on West 25th Street was...

The ABC’s of Social Media

By Barbra Drizin Most clients who come to me have at least a passing familiarity with the major social media platforms—Facebook, Instagram, LinkedIn, and Twitter. You may be posting, updating, and tweeting regularly, but until you understand how to maximize their...

Archived Feature

Fantasy Curating: The Contemporary Portrait

Fantasy Curating: The Contemporary Portrait

By Kate Petley Contemporary portraiture is so diverse that creating a comprehensive list of artists is futile. I selected these particular works for their power, humor, cleverness, rawness, and beauty. Reflecting a broad interpretation of what qualifies as a portrait,...

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Archived Feature

Meghan Wilbar: The Long Road

Meghan Wilbar: The Long Road

It’s a brave artist who attempts to say something new about landscape. The genre has been around since ancient times, when frescoes of Arcadian vistas adorned the walls of upscale villas, and its popularity has waxed and waned according to the talents and interests of...

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Archived Feature

Portfolio: Bob Richardson

Portfolio: Bob Richardson

There were times, when he was younger, that Bob Richardson felt a pull toward art. As a teenager in South Orange, NJ, he attended the Art Students League in New York, where he took drawing classes with a painter named Tom Fogarty, who taught him that “line has...

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Archived Under the Radar

Jeannie Motherwell

Jeannie Motherwell

First off, let’s get the famous forebears out of the way. Yes, Jeannie Motherwell is the daughter of that Motherwell, Robert, one of the titans of mid-20th-century American art. And the stepdaughter of Helen Frankenthaler, no less famous in the annals of art history...

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Archived Under the Radar

Paul O’Connor

Paul O’Connor

Paul O’Connor first fell in love with photography when he joined the navy at the tender age of 17. “My dad gave me a camera, an Olympus, and I started taking pictures—especially of clouds out at sea," he recalls. Those big billowing skies would prove equally...

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 Archived Podcast