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UNDER THE RADAR

A spotlight for members.

Cindy Blakeslee

Recent Feature

My Blockhead Adventures with Blockchain Art, Part Four

My Blockhead Adventures with Blockchain Art, Part Four

Many say it’s all a bubble. I don’t agree because the world is sick producing extremes of weather and behavior, people are struggling and if creators can find a way to express themselves or promote a worthy cause AND make money then It is not going away anytime soon

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Recent Feature

The Educated Eye Part Two

The Educated Eye Part Two

I opened up an intriguing cauldron of worms when I asked a bevy of art writers (call them critics, journalists, or simply reviewers) on what it means to have an “eye.” Why did they consider their judgments superior to those of the average museumgoer or art lover? The...

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From the Vasari21 Archives

Fantasy Curating: Perfectly Imperfect

By Jina Brenneman Post-disciplinary, Neo Craft, Sloppy Craft, and the Hyper Pot are all descriptors that attempt to classify the seismic shift in contemporary ceramics. Artificial in nature, these technicolor works drip with irregularities, gloppy blobs, and bulges...

The Death of the Gallery? Part One

Hey, not so fast! But first the bad news…. In the last year or so, there have been several alarming reports about the demise of the mid-level, or mid-tier, gallery—those stalwart spaces that show new art and support artists who may never achieve superstar status but...

Assess the Excess

Suggestions for storing, selling, tossing, or giving away unwanted old work One of the saddest days of my life was the day I carted all my youthful paintings from my parents’ summer house to the dump in Montauk, NY, after selling the property in 2003. These included a...

Ripe for Rediscovery: Pat Passlof

The last few years have witnessed a surge of interest in the women of Abstract Expressionism, a loosely affiliated group of artists who came of age in the shadow of the male titans of the movement—Willem de Kooning, Jackson Pollock, Robert Motherwell, Mark Rothko, et...

Me, Myself, and I Part 3

It’s curious to me that more women than men responded to the call for a third round-up of self-portraits on Vasari21. That’s possibly because there are more female members than male (though I can’t tell you the exact ratio), possibly because women traditionally spend...

The Tie That Binds…Or Not: Part Two

More about relationships between dealers and artists As we pointed out a couple of weeks ago, the connection between an artist and her dealer is often as fraught with difficulties and potential for misunderstandings as even the best of marriages. And as methods and...

Studio Pets

How Could We Manage Without Them? Last week I announced our first annual Studio Pet Photos competition, but they were all so adorable, it was a tough call. The grand prize, though, belongs to Mariella Bisson’s Senegal parrot and studio manager, Creature (shown above),...

The “Aha!” Moment, Part Two

More Tales of Accidental Discovery and Enlightenment Legend has it that the great early 20th-century painter Wassily Kandinsky discovered abstraction when he left one of his landscapes positioned upside-down in his studio. He returned the next day and loved the almost...

Making Book

Why and How a Catalogue Adds Cachet In an era when vivid high-quality images can be accessed in a nanosecond on almost any available screen, why bother with something as cumbersome as a hard-copy catalogue with glossy images and real pages? Because the tangible can...

10 Smart Tips (and Reasons) for Using Social Media

When I was writing regularly for ARTnews and the Wall Street Journal, I checked into Facebook only sporadically, usually when I was in the middle of transcribing a dull interview or blocked in writing a story. It was a mildly engaging way…

Archived Feature

Fantasy Curating: The Contemporary Portrait

Fantasy Curating: The Contemporary Portrait

By Kate Petley Contemporary portraiture is so diverse that creating a comprehensive list of artists is futile. I selected these particular works for their power, humor, cleverness, rawness, and beauty. Reflecting a broad interpretation of what qualifies as a portrait,...

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Archived Feature

Meghan Wilbar: The Long Road

Meghan Wilbar: The Long Road

It’s a brave artist who attempts to say something new about landscape. The genre has been around since ancient times, when frescoes of Arcadian vistas adorned the walls of upscale villas, and its popularity has waxed and waned according to the talents and interests of...

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Archived Feature

Portfolio: Bob Richardson

Portfolio: Bob Richardson

There were times, when he was younger, that Bob Richardson felt a pull toward art. As a teenager in South Orange, NJ, he attended the Art Students League in New York, where he took drawing classes with a painter named Tom Fogarty, who taught him that “line has...

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Archived Under the Radar

Jeannie Motherwell

Jeannie Motherwell

First off, let’s get the famous forebears out of the way. Yes, Jeannie Motherwell is the daughter of that Motherwell, Robert, one of the titans of mid-20th-century American art. And the stepdaughter of Helen Frankenthaler, no less famous in the annals of art history...

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Archived Under the Radar

Paul O’Connor

Paul O’Connor

Paul O’Connor first fell in love with photography when he joined the navy at the tender age of 17. “My dad gave me a camera, an Olympus, and I started taking pictures—especially of clouds out at sea," he recalls. Those big billowing skies would prove equally...

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 Archived Podcast