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UNDER THE RADAR

A spotlight for members.

Cindy Blakeslee

Recent Feature

My Blockhead Adventures with Blockchain Art, Part Four

My Blockhead Adventures with Blockchain Art, Part Four

Many say it’s all a bubble. I don’t agree because the world is sick producing extremes of weather and behavior, people are struggling and if creators can find a way to express themselves or promote a worthy cause AND make money then It is not going away anytime soon

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Recent Feature

The Educated Eye Part Two

The Educated Eye Part Two

I opened up an intriguing cauldron of worms when I asked a bevy of art writers (call them critics, journalists, or simply reviewers) on what it means to have an “eye.” Why did they consider their judgments superior to those of the average museumgoer or art lover? The...

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From the Vasari21 Archives

Advise and Select

Artists reveal their secrets for smart editing and smooth studio visits Not too long ago, I paid a call on an artist who shall remain nameless, whose studio was such a shambles I was itching to get out of there within ten minutes. It seemed there were works from every...

“How did you decide to become an artist?”

My father asked me this question during the last months of his life. As a young man he had made the decision to not pursue a life as a concert pianist, choosing a career that was both more stable and also protected the privacy of his passion…

The Tie That Binds….Or Not

What do dealers owe their artists? And what do artists say they aren’t getting? The artist-dealer relationship is one of the most complicated, intimate, and loosely defined of all arrangements between an individual and a business. It can be “like a marriage in its...

Say It with Flowers: Part Two

More of nature’s bounty from the garden As mentioned in Part One, flowers simply never go out of fashion. Here are a dozen more artists who have found ways to put a fresh spin on a centuries-old subject. Peggy Klineman: “Living in New York City, I longed to be in...

First Encounters

The art that made artists want to be artists In almost every artist’s life there are inevitably one or more works that ignite a spark or at least plant a seed, provoking the notion that art could be a dedicated calling, or at least a subject of serious study....

What Is a Drawing? Part Four

Earlier in the week, I tried to imagine what kind of responses I would have gotten had I posed that question to one of the great masters of the Renaissance. “Signora,” I can hear Maestro Buonarrotti explaining, con pazienza, “a drawing can be many things. A quick...

Fantasy Curating: Memory and Materiality

By Christine Aaron  I respond to art that simultaneously takes me both outside myself and more deeply inward. Though I respect work that is intellectually stimulating alone, the art that most engages me occurs at a physical level and insistently penetrates through the...

Cultivating Your Collectors

It’s mostly a matter of commonsense and good manners. Mom would approve. If you have reached that happy stage of a career where collectors are following your progress, attending shows, and—yes, of course, actually buying work!—you want to cultivate this fan base as...

Three Great Summer Books—and One Only So-So

Why read two Diane Arbus biographies back to back? Because, after finishing Arthur Lubow’s recent life of the photographer, published a year ago, I found myself so annoyed with his detached and bloodless recitation of Arbus’s life that I turned to other reviewers to...

Jane Guthridge Makes an Installation

When Jeff and Stacy Robinson began to envision an installation that would fill a three-story atrium in their airy house in Denver, CO, they turned to Jane Guthridge. The collectors knew Guthridge’s work from exhibitions at the Space Gallery and were impressed with the...

Archived Feature

Fantasy Curating: The Contemporary Portrait

Fantasy Curating: The Contemporary Portrait

By Kate Petley Contemporary portraiture is so diverse that creating a comprehensive list of artists is futile. I selected these particular works for their power, humor, cleverness, rawness, and beauty. Reflecting a broad interpretation of what qualifies as a portrait,...

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Archived Feature

Meghan Wilbar: The Long Road

Meghan Wilbar: The Long Road

It’s a brave artist who attempts to say something new about landscape. The genre has been around since ancient times, when frescoes of Arcadian vistas adorned the walls of upscale villas, and its popularity has waxed and waned according to the talents and interests of...

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Archived Feature

Portfolio: Bob Richardson

Portfolio: Bob Richardson

There were times, when he was younger, that Bob Richardson felt a pull toward art. As a teenager in South Orange, NJ, he attended the Art Students League in New York, where he took drawing classes with a painter named Tom Fogarty, who taught him that “line has...

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Archived Under the Radar

Jeannie Motherwell

Jeannie Motherwell

First off, let’s get the famous forebears out of the way. Yes, Jeannie Motherwell is the daughter of that Motherwell, Robert, one of the titans of mid-20th-century American art. And the stepdaughter of Helen Frankenthaler, no less famous in the annals of art history...

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Archived Under the Radar

Paul O’Connor

Paul O’Connor

Paul O’Connor first fell in love with photography when he joined the navy at the tender age of 17. “My dad gave me a camera, an Olympus, and I started taking pictures—especially of clouds out at sea," he recalls. Those big billowing skies would prove equally...

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