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UNDER THE RADAR

A spotlight for members.

Cindy Blakeslee

Recent Feature

My Blockhead Adventures with Blockchain Art, Part Four

My Blockhead Adventures with Blockchain Art, Part Four

Many say it’s all a bubble. I don’t agree because the world is sick producing extremes of weather and behavior, people are struggling and if creators can find a way to express themselves or promote a worthy cause AND make money then It is not going away anytime soon

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Recent Feature

The Educated Eye Part Two

The Educated Eye Part Two

I opened up an intriguing cauldron of worms when I asked a bevy of art writers (call them critics, journalists, or simply reviewers) on what it means to have an “eye.” Why did they consider their judgments superior to those of the average museumgoer or art lover? The...

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From the Vasari21 Archives

Studio Visits Revisited

In the fall of 2013, I published a story in ARTnews called “Show and Tell: The Dos and Don’ts of Studio Visits,” which went the art-world equivalent of viral—that is to say, scores, possibly hundreds, of people shared on Facebook because…

Ripe for Rediscovery: Mary Lee Bendolph

One of the most radical abstract artists of the last 50 years is scarcely a household name, or even well known outside a small group of collectors, connoisseurs, and art historians. But Mary Lee Bendolph is a standout in the group of quilters from Gee’s Bend, a tiny...

“How did you decide to become an artist?”

My father asked me this question during the last months of his life. As a young man he had made the decision to not pursue a life as a concert pianist, choosing a career that was both more stable and also protected the privacy of his passion…

The Tie That Binds…Or Not: Part Two

More about relationships between dealers and artists As we pointed out a couple of weeks ago, the connection between an artist and her dealer is often as fraught with difficulties and potential for misunderstandings as even the best of marriages. And as methods and...

On the Shoulders of Giants

I feel somewhat this way about being a painter after having first been an art historian. Sometimes it is a deterrent to contemplate the achievements of others, but sometimes their work serves as inspiration. Though I’ve had…

Art Advisers Redux

Almost five years ago I published a post about art advisers, those hard-working middlemen and women who match up artists with corporate clients, budding collectors, or homeowners in the throes of renovation. Enough has changed since that time that the subject seemed...

What Is a Drawing? Part Seven

One evening in the fall of 1940, at the peak of the German blitzkrieg in Britain, Henry Moore took cover during an air raid in the Belsize Park underground station in London. There he encountered dozens of others who had also scurried belowground to seek shelter from...

A.A. for Artists (Not What You Think)

In his 2012 novel Back to Blood, Tom Wolfe devotes a chapter to the art-fair feeding frenzy that is Art Basel Miami Beach, introducing a minor presence named Marilyn Carr, who is known to her principal client as “A.A.,” short for art adviser.

What Is a Drawing? Part Six

After five posts, I’m running a bit low on things to say about drawing. But for a moment we might speculate about why drawing remains so popular among artists, when, let’s say, there’s hardly anyone around making frescoes these days. There is, of course, the amazing...

Scams and Shams in the Art World: Part One

Several years ago, I heard about a woman, a self-styled art adviser, who would invite artists to a plush hotel room and for a fee of $500 lend an hour of her time to look over portfolios and then write down…

Archived Feature

Fantasy Curating: The Contemporary Portrait

Fantasy Curating: The Contemporary Portrait

By Kate Petley Contemporary portraiture is so diverse that creating a comprehensive list of artists is futile. I selected these particular works for their power, humor, cleverness, rawness, and beauty. Reflecting a broad interpretation of what qualifies as a portrait,...

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Archived Feature

Meghan Wilbar: The Long Road

Meghan Wilbar: The Long Road

It’s a brave artist who attempts to say something new about landscape. The genre has been around since ancient times, when frescoes of Arcadian vistas adorned the walls of upscale villas, and its popularity has waxed and waned according to the talents and interests of...

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Archived Feature

Portfolio: Bob Richardson

Portfolio: Bob Richardson

There were times, when he was younger, that Bob Richardson felt a pull toward art. As a teenager in South Orange, NJ, he attended the Art Students League in New York, where he took drawing classes with a painter named Tom Fogarty, who taught him that “line has...

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Archived Under the Radar

Jeannie Motherwell

Jeannie Motherwell

First off, let’s get the famous forebears out of the way. Yes, Jeannie Motherwell is the daughter of that Motherwell, Robert, one of the titans of mid-20th-century American art. And the stepdaughter of Helen Frankenthaler, no less famous in the annals of art history...

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Archived Under the Radar

Paul O’Connor

Paul O’Connor

Paul O’Connor first fell in love with photography when he joined the navy at the tender age of 17. “My dad gave me a camera, an Olympus, and I started taking pictures—especially of clouds out at sea," he recalls. Those big billowing skies would prove equally...

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 Archived Podcast