Connecting Artists

It’s mostly a matter of commonsense and good manners. Mom would approve. If you have reached that happy stage of a career where collectors are following your progress, attending shows, and—yes, of course, actually buying work!—you want to cultivate this fan base as...

Some tips for getting art writers to notice your work. Hint: a cow’s tongue probably will not do the trick. It’s the dream of every artist to be noticed by a prestige critic, like Roberta Smith or Jerry Saltz or any other of the noteworthy art scribes in urban areas....

Dealers Tell Us What They Look for in Representing Someone New What makes a gallery decide to take on a new artist? To make a long- or short-term commitment? What goes through a dealer’s head when she is looking at (or looking for) art to show, either in solo or group...

Love ‘em or hate ‘em, the art fair appears to be the major marketing phenomenon of our times. Artsy.com, a site primarily for collectors, lists 60 top fairs worldwide, with ballpark estimates for maintaining a booth at one ranging from…

Though short and to the point, the ten or so capsule reviews for art shows in the opening pages of the New Yorker each week are probably among the most widely read in the city, if not the nation.

It’s a good way to raise money for a project, for research, or for a publication like Vasari21 Crowd-sourcing has become a popular way for artists to fund specific projects, whether it’s a book or a body of work or a trip to do research. Two of the most popular...

Lessons and inspiration from an artist mom By Patricia Moss-Vreeland In all my years of training as an artist, both at the University of the Arts and Tyler School of Art, I can recall many gifted and inspiring teachers, but none gave me quite so solid a sense of...

Without my four sons, I would be a different artist. They were born one right after the other—the oldest was four when the fourth was born—simplifying as many complications as were created. I dearly wanted a family, and knew…

What does an art critic do when the museums and galleries are closed? When classes are canceled (if you teach)? When your book spirals into limbo (if you have a publication in the works)? What does the future of art criticism look like as works migrate steadily to...

In which your intrepid reporter takes a class in encaustic monotypes with Paula Roland Given the number of Vasari21 members who work in encaustic (see Anna Wagner-Ott’s report from last summer), I thought it might be fun to get a firsthand look at why the medium is so...