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UNDER THE RADAR

A spotlight for members.

Cindy Blakeslee

Recent Feature

My Blockhead Adventures with Blockchain Art, Part Four

My Blockhead Adventures with Blockchain Art, Part Four

Many say it’s all a bubble. I don’t agree because the world is sick producing extremes of weather and behavior, people are struggling and if creators can find a way to express themselves or promote a worthy cause AND make money then It is not going away anytime soon

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Recent Feature

The Educated Eye Part Two

The Educated Eye Part Two

I opened up an intriguing cauldron of worms when I asked a bevy of art writers (call them critics, journalists, or simply reviewers) on what it means to have an “eye.” Why did they consider their judgments superior to those of the average museumgoer or art lover? The...

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From the Vasari21 Archives

Courting the Dealers

To the young or emerging artist, the art world may seem like a forbidding maze, a complicated circuitry of inside contacts and arcane codes almost impossible for the newcomer to crack. How can the artist without…

Artist and Critics: Part 4

There was a time, not so long ago, when physical assaults were almost a routine art-world ritual, between artists and critics, artists and artists, and occasionally even critics and critics. The titanic 20th-century art czar…

Cheryl Gross and Marta Wapiennik Choose Each Other

Artistic collaborations are nothing new in the annals of contemporary art—think of Janet Cardiff and George Bures Miller, Gilbert and George, or even Tim Rollins and his “at-risk” students, known as the Kids of Survival. But edgy illustrator…

Fantasy Curating: Big Things Have Small Beginnings

By Ed Grant "Big Things Have Small Beginnings" So many of the things around us are small, or at least start off small. Stalactites form one drop at a time. Viruses and bacteria evolve new ways around our defenses to become full-blown pandemics. Slime mold is used to...

What To Do When You Can’t Face the Studio

An artist’s life is generally isolated at the best of times, and that is the way most would have it. Unless you’re Andy Warhol running The Factory and possibly pathologically in need of company at all hours, you require solitude to do your best work. So, for some this...

Artists and Critics: Part 3

When I first started working on staff at ARTnews, a little more than 20 years ago, I was on the brink of a divorce after several years of freelancing and corporate wifedom (at which I was not very good). The magazine represented both….

Josef Albers: Beyond Light and Shade

Most of Josef Albers’s paintings are very unusual and far more complex than they initially appear; they are not about Op art, color theory, or Minimalism. They are about paying attention. Just as his famous book on color theory…

Terms of Engagement

Dealers Tell Us What They Look for in Representing Someone New What makes a gallery decide to take on a new artist? To make a long- or short-term commitment? What goes through a dealer’s head when she is looking at (or looking for) art to show, either in solo or group...

Meghan Wilbar: The Long Road

It’s a brave artist who attempts to say something new about landscape. The genre has been around since ancient times, when frescoes of Arcadian vistas adorned the walls of upscale villas, and its popularity has waxed and waned according to the talents and interests of...

Michelle Cooke: Let There Be Light

In those halcyon days when people could still meet easily in restaurants—possibly late February or early March—I caught up with my friend Michelle Cooke, who divides her time between New York and Taos, NM, in a quiet corner of a local eatery called El Sabroso. What we...

Archived Feature

Fantasy Curating: The Contemporary Portrait

Fantasy Curating: The Contemporary Portrait

By Kate Petley Contemporary portraiture is so diverse that creating a comprehensive list of artists is futile. I selected these particular works for their power, humor, cleverness, rawness, and beauty. Reflecting a broad interpretation of what qualifies as a portrait,...

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Archived Feature

Meghan Wilbar: The Long Road

Meghan Wilbar: The Long Road

It’s a brave artist who attempts to say something new about landscape. The genre has been around since ancient times, when frescoes of Arcadian vistas adorned the walls of upscale villas, and its popularity has waxed and waned according to the talents and interests of...

read more

Archived Feature

Portfolio: Bob Richardson

Portfolio: Bob Richardson

There were times, when he was younger, that Bob Richardson felt a pull toward art. As a teenager in South Orange, NJ, he attended the Art Students League in New York, where he took drawing classes with a painter named Tom Fogarty, who taught him that “line has...

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Archived Under the Radar

Jeannie Motherwell

Jeannie Motherwell

First off, let’s get the famous forebears out of the way. Yes, Jeannie Motherwell is the daughter of that Motherwell, Robert, one of the titans of mid-20th-century American art. And the stepdaughter of Helen Frankenthaler, no less famous in the annals of art history...

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Archived Under the Radar

Paul O’Connor

Paul O’Connor

Paul O’Connor first fell in love with photography when he joined the navy at the tender age of 17. “My dad gave me a camera, an Olympus, and I started taking pictures—especially of clouds out at sea," he recalls. Those big billowing skies would prove equally...

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