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UNDER THE RADAR

A spotlight for members.

Cindy Blakeslee

Recent Feature

My Blockhead Adventures with Blockchain Art, Part Four

My Blockhead Adventures with Blockchain Art, Part Four

Many say it’s all a bubble. I don’t agree because the world is sick producing extremes of weather and behavior, people are struggling and if creators can find a way to express themselves or promote a worthy cause AND make money then It is not going away anytime soon

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Recent Feature

The Educated Eye Part Two

The Educated Eye Part Two

I opened up an intriguing cauldron of worms when I asked a bevy of art writers (call them critics, journalists, or simply reviewers) on what it means to have an “eye.” Why did they consider their judgments superior to those of the average museumgoer or art lover? The...

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From the Vasari21 Archives

Ripe for Rediscovery: Peter Miller

Talk about “Surrealism” in conversation with artists and art lovers you are most likely to think of works by Dalí, Magritte, Tanguy, Ernst, or possibly Paul Delvaux. Mention “American Surrealism,” and the terrain gets tricky. Didn’t Adolph Gottlieb, Mark Rothko, and...

Fantasy Curating: Big Things Have Small Beginnings

By Ed Grant "Big Things Have Small Beginnings" So many of the things around us are small, or at least start off small. Stalactites form one drop at a time. Viruses and bacteria evolve new ways around our defenses to become full-blown pandemics. Slime mold is used to...

L.A. Confidential

The first in a series of reports on the art world.  In May, it seemed like we were almost entirely out of the woods with Covid-19, and then along came the Delta variant and the post-pandemic euphoria rapidly dissipated. Still, as long-time observers of the Los Angeles...

Looking Back

Artists reflect on changes, shifts, departures, and continuity I’m fairly sure it was Chicago artist Sharon Swidler who mentioned a year or so ago that she was riffling through her inventory and remarking on the absence of abrupt departures in her work. I tucked the...

Into the Woods with Dale Chihuly

By Susan Erlandson Washburn I arrived at Crystal Bridges in Bentonville, Arkansas—Walmart heiress Alice Walton’s inspired gift to flyover country—too late to see the Dale Chihuly exhibition in the gallery itself but in time to visit the “In the Forest” portion...

The Immortal Mona Lisa

A new novel recalls a famous heist. I’ve just finished reading Jonathan Santlofer’s hugely entertaining thriller The Last Mona Lisa, a lively yarn that taps into our present-day fascination with all things Leonardo and takes the reader into the sometimes violent...

Linda Vallejo Chooses Charles Gaines

“The Brown Dot Project (TBDP),” a series of mine from 2015, has been deeply influenced by the renowned Los Angeles-based artist Charles Gaines, whose works investigate the way rules-based procedures construct order and meaning. Gaines, born in 1944, makes drawings…

Five Residencies off the Beaten Path: Part One

An artist's residency is a chance to get away from all the crazy distractions of modern life (iGadgets, family, openings, the news) and focus solely on your work. Some find their art growing from the experience, others value the contact with other creative souls, but...

My Blockhead Adventures with Blockchain Art, Part Four

Many say it’s all a bubble. I don’t agree because the world is sick producing extremes of weather and behavior, people are struggling and if creators can find a way to express themselves or promote a worthy cause AND make money then It is not going away anytime soon

A Sense of Place

What does it mean to be a “regional artist” today? By Millicent Young Bradley Sumrall, curator at the Ogden Museum of Southern Art, posed this question in his juror’s talk for “Homeward Bound,” the Taubman Museum’s inaugural triennial for Virginia artists. I resisted...

Archived Feature

Fantasy Curating: The Contemporary Portrait

Fantasy Curating: The Contemporary Portrait

By Kate Petley Contemporary portraiture is so diverse that creating a comprehensive list of artists is futile. I selected these particular works for their power, humor, cleverness, rawness, and beauty. Reflecting a broad interpretation of what qualifies as a portrait,...

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Archived Feature

Meghan Wilbar: The Long Road

Meghan Wilbar: The Long Road

It’s a brave artist who attempts to say something new about landscape. The genre has been around since ancient times, when frescoes of Arcadian vistas adorned the walls of upscale villas, and its popularity has waxed and waned according to the talents and interests of...

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Archived Feature

Portfolio: Bob Richardson

Portfolio: Bob Richardson

There were times, when he was younger, that Bob Richardson felt a pull toward art. As a teenager in South Orange, NJ, he attended the Art Students League in New York, where he took drawing classes with a painter named Tom Fogarty, who taught him that “line has...

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Archived Under the Radar

Jeannie Motherwell

Jeannie Motherwell

First off, let’s get the famous forebears out of the way. Yes, Jeannie Motherwell is the daughter of that Motherwell, Robert, one of the titans of mid-20th-century American art. And the stepdaughter of Helen Frankenthaler, no less famous in the annals of art history...

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Archived Under the Radar

Paul O’Connor

Paul O’Connor

Paul O’Connor first fell in love with photography when he joined the navy at the tender age of 17. “My dad gave me a camera, an Olympus, and I started taking pictures—especially of clouds out at sea," he recalls. Those big billowing skies would prove equally...

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 Archived Podcast