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UNDER THE RADAR

A spotlight for members.

Cindy Blakeslee

Recent Feature

My Blockhead Adventures with Blockchain Art, Part Four

My Blockhead Adventures with Blockchain Art, Part Four

Many say it’s all a bubble. I don’t agree because the world is sick producing extremes of weather and behavior, people are struggling and if creators can find a way to express themselves or promote a worthy cause AND make money then It is not going away anytime soon

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Recent Feature

The Educated Eye Part Two

The Educated Eye Part Two

I opened up an intriguing cauldron of worms when I asked a bevy of art writers (call them critics, journalists, or simply reviewers) on what it means to have an “eye.” Why did they consider their judgments superior to those of the average museumgoer or art lover? The...

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From the Vasari21 Archives

Artists Respond to the Pandemic

In newsletters, I’ve touched on the way artists respond to catastrophe—specifically war and widespread disease—from the Middle Ages to the present. Some, like Gerhard Richter and Anselm Kiefer, may take decades for the horror of their times to percolate into their...

Fantasy Curating: Memory and Materiality

By Christine Aaron  I respond to art that simultaneously takes me both outside myself and more deeply inward. Though I respect work that is intellectually stimulating alone, the art that most engages me occurs at a physical level and insistently penetrates through the...

Such Stuff as Dreams Are Made On

Artists report on nocturnal inspirations and frustrations I once described Louise Bourgeois as having “a direct pipeline to her unconscious,” and that still seems a fitting description for an artist who came of age in Paris at a time when the Surrealists were the...

Frank Stella Meets Jasper Johns

“The artist who launched Minimalism was Frank Stella (b. 1936), who was still a student at Princeton when he saw Jasper Johns’s 1958 show at Leo Castelli Gallery. He liked the repetition of the flags…

What Is a Drawing? Part Eight

In this, the eighth round-up of drawings from members of the site, I find myself running out of more to say about this oldest means of making an image. And yet even if I fall short on words, the artists never cease to amaze me with new ways to make a drawing....

You Don’t Have To Say You Love Me: Part One

The artist known as Swoon, now in her late thirties, gained a reputation early in her career for evocative and beautifully crafted street art and for wacky performance pieces, like crashing the 2009 Venice Biennale in a boat made of…

What Is a Drawing?

The answer these days is far from simple. The late, great, often cantankerous art critic Robert Hughes more than once bemoaned the apparent decline in standards for draftsmanship.  “In the 45 years that I’ve been writing criticism there has been a tragic depreciation...

Ripe for Rediscovery: Peter Miller

Talk about “Surrealism” in conversation with artists and art lovers you are most likely to think of works by Dalí, Magritte, Tanguy, Ernst, or possibly Paul Delvaux. Mention “American Surrealism,” and the terrain gets tricky. Didn’t Adolph Gottlieb, Mark Rothko, and...

Art Critics in the Time of Covid-19

What does an art critic do when the museums and galleries are closed? When classes are canceled (if you teach)? When your book spirals into limbo (if you have a publication in the works)? What does the future of art criticism look like as works migrate steadily to...

Joan Linder on Miriam Dym

History aside, when I think of an artist whose work I admire and who has had immeasurable impact on my work, I think of Miriam Dym. We met in graduate school nearly two decades ago. She has a particular, and idiosyncratic, vision that engages…

Archived Feature

Fantasy Curating: The Contemporary Portrait

Fantasy Curating: The Contemporary Portrait

By Kate Petley Contemporary portraiture is so diverse that creating a comprehensive list of artists is futile. I selected these particular works for their power, humor, cleverness, rawness, and beauty. Reflecting a broad interpretation of what qualifies as a portrait,...

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Archived Feature

Meghan Wilbar: The Long Road

Meghan Wilbar: The Long Road

It’s a brave artist who attempts to say something new about landscape. The genre has been around since ancient times, when frescoes of Arcadian vistas adorned the walls of upscale villas, and its popularity has waxed and waned according to the talents and interests of...

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Archived Feature

Portfolio: Bob Richardson

Portfolio: Bob Richardson

There were times, when he was younger, that Bob Richardson felt a pull toward art. As a teenager in South Orange, NJ, he attended the Art Students League in New York, where he took drawing classes with a painter named Tom Fogarty, who taught him that “line has...

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Archived Under the Radar

Jeannie Motherwell

Jeannie Motherwell

First off, let’s get the famous forebears out of the way. Yes, Jeannie Motherwell is the daughter of that Motherwell, Robert, one of the titans of mid-20th-century American art. And the stepdaughter of Helen Frankenthaler, no less famous in the annals of art history...

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Archived Under the Radar

Paul O’Connor

Paul O’Connor

Paul O’Connor first fell in love with photography when he joined the navy at the tender age of 17. “My dad gave me a camera, an Olympus, and I started taking pictures—especially of clouds out at sea," he recalls. Those big billowing skies would prove equally...

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