by Ann Landi | Nov 27, 2016 | Editor's Note
A few parables for our times About five years ago, soon after I moved to Taos, NM, from New York, I went on a press trip to Los Angeles to check out some of the art in “Pacific Standard Time,” an extravaganza celebrating L.A. as a creative force for the past five or...
by Ann Landi | Oct 17, 2016 | Features
Your fearless correspondent takes another class It’s always seemed to me that a big part of the fun of art-making lies in the endless amounts of seductive stuff to play with—paints and brushes, pencils and charcoal and pastels, clay and plaster and all kinds of goo,...
by Ann Landi | Oct 17, 2016 | Collector Spotlight
Laura Vranes’ interests as a future collector were established early. “As a child, I went to a museum in New York,” she says. “I wish I could recall which it was, but I remember how much I loved the Andy Warhol Brillo Box in the collection. I wanted to sit on it so...
by Ann Landi | Oct 17, 2016 | Under the Radar
At first blush, Annell Livingston’s tightly gridded abstractions might appear to be successors to the Op Art frenzy of the 1960s, but on closer scrutiny her gently rippling canvases are not so much interested in playing visual tricks as in conveying the passage of...
by Ann Landi | Oct 10, 2016 | Features
In which a writer and critic goes back to class Please note that this story is reprinted from the ARTnews issue of October, 1995. But 20 years later, the New York Studio School “drawing marathons” still continue along the same lines, under the expert...
