by Ann Landi | Feb 1, 2016 | Artists Choose Artists
Joan Linder on Miriam Dym History aside, when I think of an artist whose work I admire and who has had immeasurable impact on my work, I think of Miriam Dym. We met in graduate school nearly two decades ago. She has a particular, and idiosyncratic, vision that engages...
by Ann Landi | Feb 1, 2016 | Features
10 Smart Tips (and Reasons) for Using Social Media When I was writing regularly for ARTnews and the Wall Street Journal, I checked into Facebook only sporadically, usually when I was in the middle of transcribing a dull interview or blocked in writing a story. It was...
by Ann Landi | Jan 14, 2016 | Features
Artist and Critics: Part 4 Feuds and Flaps and How Do I Get Noticed? There was a time, not so long ago, when physical assaults were almost a routine art-world ritual, between artists and critics, artists and artists, and occasionally even critics and critics. The...
by Ann Landi | Jan 14, 2016 | Editor's Note
The States of Art WEEK FIVE | ANN LANDI As many of you are aware from postings on Facebook and elsewhere, I spent nearly two weeks in New York over the holidays, visiting the studios of as many Vasari21 members as I could fit into a crammed schedule. Most will be the...
by Ann Landi | Jan 13, 2016 | Under the Radar
Elisabeth Condon “I never wanted to be a flower painter. I wanted to be a tough, cool painter,” says Elisabeth Condon in her fifth-floor studio on Manhattan’s Lower East Side, where she is surrounded by several large canvases that incorporate, yes, flowers—lush...
