by Ann Landi | Mar 26, 2017 | Editor's Note
Protests at the Whitney raise questions about race, politics, and bad painting In case you missed it, the big art-world kerfuffle of the week, possibly of the season, happened following the launch of the 2017 Whitney Biennial last week when several artists took...
by Ann Landi | Mar 20, 2017 | Features
It’s mostly a matter of commonsense and good manners. Mom would approve. If you have reached that happy stage of a career where collectors are following your progress, attending shows, and—yes, of course, actually buying work!—you want to cultivate this fan base as...
by Ann Landi | Mar 20, 2017 | Under the Radar
At the age of 19, Julian Hatton was lucky enough to have one of those life-changing experiences that could be the stuff of movies. Taking time off from his studies at Harvard, he went to visit a friend of his father’s, an abstract artist of some renown named Fernando...
by Ann Landi | Mar 6, 2017 | Under the Radar
Gelah Penn’s installations bristle with spiky energy, hugging the walls or colonizing corners, suggesting habitats created by insects with a taste for sci-fi, or abstract line drawings catapulted from two dimensions into three. The works are made from cheap and...
by Ann Landi | Mar 6, 2017 | Features
The results can be ravishing, brutal, and downright mesmerizing Fashion has been colliding with art at least since Tristan Tzara and other Dada provocateurs took to the stage of Zurich’s Cabaret Voltaire a century ago, wearing outlandish costumes created in the same...
