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Welcome to Vasari21. A community for working artists, a place to connect, find information, read about the new and the unknown, listen to podcasts, and learn about how the art world really works.

UNDER THE RADAR

Grace DeGennaro

A spotlight for members.

Recent Podcast

Recent Feature

Ripe for Rediscovery: Peter Miller

Ripe for Rediscovery: Peter Miller

Talk about “Surrealism” in conversation with artists and art lovers you are most likely to think of works by Dalí, Magritte, Tanguy, Ernst, or possibly Paul Delvaux. Mention “American Surrealism,” and the terrain gets tricky. Didn’t Adolph Gottlieb, Mark Rothko, and...

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From the Vasari21 Archives

The Soul of the New Machines

Using the computer to translate technology into art The first time I paid serious attention to the role computers might play in contemporary art was in 2012 (a little late in the game), when I saw the Whitney Museum of American Art’s solo for Wade Guyton, then 40. The...

Open Studios: Part One

The ins and outs of making your life and work a public affair When I first broached the topic of open studios to several Vasari 21 members, some said, “No way. I don’t want a lot of lookee-loos traipsing through my private spaces.” Or “I’m at the point where I have...

The Fate of the Art at the Four Seasons

Photo credits: bottom of pageOver the holidays, I learned from a friend that the venerable Four Seasons  Restaurant in the landmark Seagram Building on Park Avenue would be closing this summer. I was a little late to that news, and it is not technically about to be...

Studio Visits Revisited

In the fall of 2013, I published a story in ARTnews called “Show and Tell: The Dos and Don’ts of Studio Visits,” which went the art-world equivalent of viral—that is to say, scores, possibly hundreds, of people shared on Facebook because…

Fantasy Curating: Is It Frankenstein?

A make-believe show devoted to "hybrid objects," neither paintings nor sculptures, but definitely here and now By Robert Straight Over a long period of time, there have been artists who haven’t accepted the traditional rectangular format for their paintings....

Artist and Critics: Part 4

There was a time, not so long ago, when physical assaults were almost a routine art-world ritual, between artists and critics, artists and artists, and occasionally even critics and critics. The titanic 20th-century art czar…

Aesthetic Couture and the Great Art Fraud

In Shakespeare’s Hamlet, the character Polonius offers the following life advice to his son Laertes: “This above all: to thine own self be true, And it must follow…

Golden Artist Programs

Nice Work if You Can Get It When I noticed that several painters who are Vasari21 members had certification from Golden Artist Colors—a company that specializes in acrylic paints, mediums, and grounds and has officially been around since 1950—I was curious about what...

The Motherhood Report

No one claims it's easy, but it is possible to combine two of the world's oldest callings: artist and mother Way back in the 1980s, in the era of linebacker shoulder pads and dressing for success, I worked on a short-lived publication that billed itself as the first...

Instagram for Artists

Getting the Most from Your Posts When a friend urged me to start posting on Instagram a few months ago, I immediately balked. I was already uploading a Vasari21 Pic of the Day to Facebook, pinning stuff to Pinterest, sending out weekly bulletins and updates, and...

Archived Feature

Fantasy Curating: Hands-On and Lush

Fantasy Curating: Hands-On and Lush

 By Lee Albert Hill As a painter myself I am drawn to the work of other painters first and foremost.  Especially those who demonstrate a dedication to a lush, hands-on, painterly approach and an emphasis on refined craft and detail.  For this curation I have chosen...

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Archived Feature

The Monuments Contest: Part Two

The Monuments Contest: Part Two

Compared with the duration of empires past—like those of ancient Rome or Great Britain—the U.S. occupies a relatively tiny span of time, a little more 234 years as the great democratic experiment, if we date the founding of the country to 1776. And so our monuments...

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Archived Feature

Meghan Wilbar: The Long Road

Meghan Wilbar: The Long Road

It’s a brave artist who attempts to say something new about landscape. The genre has been around since ancient times, when frescoes of Arcadian vistas adorned the walls of upscale villas, and its popularity has waxed and waned according to the talents and interests of...

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Archived Under the Radar

Marietta Patricia Leis

Marietta Patricia Leis

Like many little girls, Marietta Patricia Leis first set her sights on becoming a ballerina. “At the age of seven I was entranced with wanting to be a ballet dancer,” she says. As a child in suburban East Orange, NJ, she studied dance every day after school, and...

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Archived Under the Radar

Susan English

Susan English

When Susan English was three or four years old, she lived in Belgium with her family for a couple of years. Years later she still remembers a babysitter named Hele placing a candle inside a child’s play igloo. “It made a big impression on me,” English says. “The light...

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 Archived Podcast

Liliana Bloch: Texas Strong

Liliana Bloch: Texas Strong

Gallerist Liliana Bloch has had one of the more unusual routes for an art dealer. In 1999, she fled war-torn El Salvador to forge a new life for herself in Dallas, TX…

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