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Welcome to Vasari21. A community for working artists, a place to connect, find information, read about the new and the unknown, listen to podcasts, and learn about how the art world really works.

UNDER THE RADAR

Grace DeGennaro

A spotlight for members.

Recent Podcast

Recent Feature

Ripe for Rediscovery: Peter Miller

Ripe for Rediscovery: Peter Miller

Talk about “Surrealism” in conversation with artists and art lovers you are most likely to think of works by Dalí, Magritte, Tanguy, Ernst, or possibly Paul Delvaux. Mention “American Surrealism,” and the terrain gets tricky. Didn’t Adolph Gottlieb, Mark Rothko, and...

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From the Vasari21 Archives

Art Critics in the Time of Covid-19

What does an art critic do when the museums and galleries are closed? When classes are canceled (if you teach)? When your book spirals into limbo (if you have a publication in the works)? What does the future of art criticism look like as works migrate steadily to...

Portfolio: Susan Chorpenning

For most of her 40-year career, Susan Chorpenning has in one way or another been involved with light, and “with the sensual experience of looking and the perceptual experience of seeing,” as she puts it on her website.  In one of her early “Light Rooms,” a temporal...

Fantasy Curating: The Contemporary Portrait

By Kate Petley Contemporary portraiture is so diverse that creating a comprehensive list of artists is futile. I selected these particular works for their power, humor, cleverness, rawness, and beauty. Reflecting a broad interpretation of what qualifies as a portrait,...

Frances Ashforth: Rocks Around the Clock

Frances Ashforth’s fascination with water, sky, and undulating landscapes began early. Raised in a family of artists, she spent time as a child at her grandparents’ farm in New Hampshire, along the Connecticut River Valley. She is an avid fly fisherman and in her...

Me, Myself, and I Part 2

Self-portraits have always served artists in a variety of ways. Art historians have suggested that Jan van Eyck’s Man in a Red Turban (1433), with its inscription “Als ich kann”—meaning, “this is what I can do”—is both a self-portrait and a kind of calling card to...

The Cooks, the Turkey, and the Formidable Formalist Critic

A brief memoir of catering, art-history classes, and friendship For part of my junior year in college I lived off campus with one of my best friends, Kate, a woman thirteen years older than myself, and in many ways a kind of big-sister to me (since I had none). Kate...

So You Want To Learn How To Draw?

In which a writer and critic goes back to class Please note that this story is reprinted from the ARTnews issue of October, 1995. But 20 years later, the New York Studio School "drawing marathons" still continue along the same lines, under the expert guidance of the...

Susan Schwalb

It’s a rare artist who finds her medium and her methods early and then sticks with them, with little deviation, for more than four decades. But so it was for Susan Schwalb, who discovered the art of drawing with silverpoint in 1973 and never looked back. She was...

Not-So-Still Life with Children

Without my four sons, I would be a different artist. They were born one right after the other—the oldest was four when the fourth was born—simplifying as many complications as were created. I dearly wanted a family, and knew…

Still More Residencies….

Located in the Chiang Mai province of northern Thailand, ComPeung offers residencies from two weeks to three months on spectacular grounds comprising 2.8 acres of fishing lakes, forests, and mountains as part of what the website calls the country’s “first...

Archived Feature

Fantasy Curating: Hands-On and Lush

Fantasy Curating: Hands-On and Lush

 By Lee Albert Hill As a painter myself I am drawn to the work of other painters first and foremost.  Especially those who demonstrate a dedication to a lush, hands-on, painterly approach and an emphasis on refined craft and detail.  For this curation I have chosen...

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Archived Feature

The Monuments Contest: Part Two

The Monuments Contest: Part Two

Compared with the duration of empires past—like those of ancient Rome or Great Britain—the U.S. occupies a relatively tiny span of time, a little more 234 years as the great democratic experiment, if we date the founding of the country to 1776. And so our monuments...

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Archived Feature

Meghan Wilbar: The Long Road

Meghan Wilbar: The Long Road

It’s a brave artist who attempts to say something new about landscape. The genre has been around since ancient times, when frescoes of Arcadian vistas adorned the walls of upscale villas, and its popularity has waxed and waned according to the talents and interests of...

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Archived Under the Radar

Marietta Patricia Leis

Marietta Patricia Leis

Like many little girls, Marietta Patricia Leis first set her sights on becoming a ballerina. “At the age of seven I was entranced with wanting to be a ballet dancer,” she says. As a child in suburban East Orange, NJ, she studied dance every day after school, and...

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Archived Under the Radar

Susan English

Susan English

When Susan English was three or four years old, she lived in Belgium with her family for a couple of years. Years later she still remembers a babysitter named Hele placing a candle inside a child’s play igloo. “It made a big impression on me,” English says. “The light...

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 Archived Podcast

Liliana Bloch: Texas Strong

Liliana Bloch: Texas Strong

Gallerist Liliana Bloch has had one of the more unusual routes for an art dealer. In 1999, she fled war-torn El Salvador to forge a new life for herself in Dallas, TX…

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