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Welcome to Vasari21. A community for working artists, a place to connect, find information, read about the new and the unknown, listen to podcasts, and learn about how the art world really works.

UNDER THE RADAR

Grace DeGennaro

A spotlight for members.

Recent Podcast

Recent Feature

Ripe for Rediscovery: Peter Miller

Ripe for Rediscovery: Peter Miller

Talk about “Surrealism” in conversation with artists and art lovers you are most likely to think of works by Dalí, Magritte, Tanguy, Ernst, or possibly Paul Delvaux. Mention “American Surrealism,” and the terrain gets tricky. Didn’t Adolph Gottlieb, Mark Rothko, and...

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From the Vasari21 Archives

What Is a Drawing? Part Six

After five posts, I’m running a bit low on things to say about drawing. But for a moment we might speculate about why drawing remains so popular among artists, when, let’s say, there’s hardly anyone around making frescoes these days. There is, of course, the amazing...

The Educated Eye Part Two

I opened up an intriguing cauldron of worms when I asked a bevy of art writers (call them critics, journalists, or simply reviewers) on what it means to have an “eye.” Why did they consider their judgments superior to those of the average museumgoer or art lover? The...

Fantasy Curating: Fantastical Threads

By Adria Arch Lately, I have been especially drawn to both two- and three-dimensional artwork that uses fabrics and fibers. The vibrant colors and patterns, sculptural shapes, and thumbing-the-nose at the traditional stone-and-steel crowd are all part of what I find...

ART AND TECHNOLOGY: The Soul of the New Machines, Part 2

Throughout the history of art there have been innovations that have entirely revolutionized the way work is made, looked at, and thought about. Painting with oils, the technique invented and perfected by Early Netherlandish artists, meant that a higher degree of...

Susan Schwalb

It’s a rare artist who finds her medium and her methods early and then sticks with them, with little deviation, for more than four decades. But so it was for Susan Schwalb, who discovered the art of drawing with silverpoint in 1973 and never looked back. She was...

The “Aha!” Moment, Part Two

More Tales of Accidental Discovery and Enlightenment Legend has it that the great early 20th-century painter Wassily Kandinsky discovered abstraction when he left one of his landscapes positioned upside-down in his studio. He returned the next day and loved the almost...

Hot Wax Happiness

In which your intrepid reporter takes a class in encaustic monotypes with Paula Roland Given the number of Vasari21 members who work in encaustic (see Anna Wagner-Ott’s report from last summer), I thought it might be fun to get a firsthand look at why the medium is so...

Cultivating Your Collectors

It’s mostly a matter of commonsense and good manners. Mom would approve. If you have reached that happy stage of a career where collectors are following your progress, attending shows, and—yes, of course, actually buying work!—you want to cultivate this fan base as...

Total Immersion in Brooklyn

Deep in the heart of Bushwick, Michael David's residencies offer an intense experience that may take your art to new levels.  “A cross between Black Mountain and Project Runway” is the way Michael David sums up the residencies he’s been sponsoring about four times a...

On the Shoulders of Giants

I feel somewhat this way about being a painter after having first been an art historian. Sometimes it is a deterrent to contemplate the achievements of others, but sometimes their work serves as inspiration. Though I’ve had…

Archived Feature

Fantasy Curating: Hands-On and Lush

Fantasy Curating: Hands-On and Lush

 By Lee Albert Hill As a painter myself I am drawn to the work of other painters first and foremost.  Especially those who demonstrate a dedication to a lush, hands-on, painterly approach and an emphasis on refined craft and detail.  For this curation I have chosen...

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Archived Feature

The Monuments Contest: Part Two

The Monuments Contest: Part Two

Compared with the duration of empires past—like those of ancient Rome or Great Britain—the U.S. occupies a relatively tiny span of time, a little more 234 years as the great democratic experiment, if we date the founding of the country to 1776. And so our monuments...

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Archived Feature

Meghan Wilbar: The Long Road

Meghan Wilbar: The Long Road

It’s a brave artist who attempts to say something new about landscape. The genre has been around since ancient times, when frescoes of Arcadian vistas adorned the walls of upscale villas, and its popularity has waxed and waned according to the talents and interests of...

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Archived Under the Radar

Marietta Patricia Leis

Marietta Patricia Leis

Like many little girls, Marietta Patricia Leis first set her sights on becoming a ballerina. “At the age of seven I was entranced with wanting to be a ballet dancer,” she says. As a child in suburban East Orange, NJ, she studied dance every day after school, and...

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Archived Under the Radar

Susan English

Susan English

When Susan English was three or four years old, she lived in Belgium with her family for a couple of years. Years later she still remembers a babysitter named Hele placing a candle inside a child’s play igloo. “It made a big impression on me,” English says. “The light...

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 Archived Podcast

Liliana Bloch: Texas Strong

Liliana Bloch: Texas Strong

Gallerist Liliana Bloch has had one of the more unusual routes for an art dealer. In 1999, she fled war-torn El Salvador to forge a new life for herself in Dallas, TX…

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