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Welcome to Vasari21. A community for working artists, a place to connect, find information, read about the new and the unknown, listen to podcasts, and learn about how the art world really works.

UNDER THE RADAR

Grace DeGennaro

A spotlight for members.

Recent Podcast

Recent Feature

Ripe for Rediscovery: Peter Miller

Ripe for Rediscovery: Peter Miller

Talk about “Surrealism” in conversation with artists and art lovers you are most likely to think of works by Dalí, Magritte, Tanguy, Ernst, or possibly Paul Delvaux. Mention “American Surrealism,” and the terrain gets tricky. Didn’t Adolph Gottlieb, Mark Rothko, and...

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From the Vasari21 Archives

Open Studios: Part One

The ins and outs of making your life and work a public affair When I first broached the topic of open studios to several Vasari 21 members, some said, “No way. I don’t want a lot of lookee-loos traipsing through my private spaces.” Or “I’m at the point where I have...

Return to Sender

Before you fire off an email to a gallery, do your homework. And don’t get your hopes up too high. Out of idle curiosity, I recently asked a dealer friend about how many email submissions or inquiries she receives per week. I don’t precisely remember the answer, but...

The Monuments Contest: Part Two

Compared with the duration of empires past—like those of ancient Rome or Great Britain—the U.S. occupies a relatively tiny span of time, a little more 234 years as the great democratic experiment, if we date the founding of the country to 1776. And so our monuments...

Ripe for Rediscovery: Maria Lassnig

No doubt there are those who are familiar with the paintings of Maria Lassnig, the Austrian-born artist who kicked off Kate Petley’s round of fantasy curating on the site two weeks ago. But I had never heard of her before and was beguiled by Lassnig’s You or Me...

Margery Amdur Makes an Installation

When Margery Amdur was invited this fall to build an installation in a gallery at Augsburg University in Minneapolis, MN, the Philadelphia-based artist envisioned an immersive environment that would draw on the many interests she’s pursued over the years. Probably...

The Tie That Binds…Or Not: Part Two

More about relationships between dealers and artists As we pointed out a couple of weeks ago, the connection between an artist and her dealer is often as fraught with difficulties and potential for misunderstandings as even the best of marriages. And as methods and...

Art Dealers Face Down the Pandemic

The fallout for small businesses—restaurants, shops, law offices, movie theaters, nail salons, you name it—during the global devastation wrought by Covid19 has been dire. And many art galleries, those not in the Gagosian or Pace stratosphere, qualify as small...

Cheryl Gross and Marta Wapiennik Choose Each Other

Artistic collaborations are nothing new in the annals of contemporary art—think of Janet Cardiff and George Bures Miller, Gilbert and George, or even Tim Rollins and his “at-risk” students, known as the Kids of Survival. But edgy illustrator…

ART AND TECHNOLOGY: The Soul of the New Machines, Part 2

Throughout the history of art there have been innovations that have entirely revolutionized the way work is made, looked at, and thought about. Painting with oils, the technique invented and perfected by Early Netherlandish artists, meant that a higher degree of...

Fix That Website!

Toward the end of my interview with curator Tricia Paik of the Indianapolis Museum of Art a few weeks back, we briefly touched on the subject of artist websites—what works and what doesn’t. Developing a good one, up-to-date and easily navigable…

Archived Feature

Fantasy Curating: Hands-On and Lush

Fantasy Curating: Hands-On and Lush

 By Lee Albert Hill As a painter myself I am drawn to the work of other painters first and foremost.  Especially those who demonstrate a dedication to a lush, hands-on, painterly approach and an emphasis on refined craft and detail.  For this curation I have chosen...

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Archived Feature

The Monuments Contest: Part Two

The Monuments Contest: Part Two

Compared with the duration of empires past—like those of ancient Rome or Great Britain—the U.S. occupies a relatively tiny span of time, a little more 234 years as the great democratic experiment, if we date the founding of the country to 1776. And so our monuments...

read more

Archived Feature

Meghan Wilbar: The Long Road

Meghan Wilbar: The Long Road

It’s a brave artist who attempts to say something new about landscape. The genre has been around since ancient times, when frescoes of Arcadian vistas adorned the walls of upscale villas, and its popularity has waxed and waned according to the talents and interests of...

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Archived Under the Radar

Marietta Patricia Leis

Marietta Patricia Leis

Like many little girls, Marietta Patricia Leis first set her sights on becoming a ballerina. “At the age of seven I was entranced with wanting to be a ballet dancer,” she says. As a child in suburban East Orange, NJ, she studied dance every day after school, and...

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Archived Under the Radar

Susan English

Susan English

When Susan English was three or four years old, she lived in Belgium with her family for a couple of years. Years later she still remembers a babysitter named Hele placing a candle inside a child’s play igloo. “It made a big impression on me,” English says. “The light...

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 Archived Podcast

Liliana Bloch: Texas Strong

Liliana Bloch: Texas Strong

Gallerist Liliana Bloch has had one of the more unusual routes for an art dealer. In 1999, she fled war-torn El Salvador to forge a new life for herself in Dallas, TX…

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