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Welcome to Vasari21. A community for working artists, a place to connect, find information, read about the new and the unknown, listen to podcasts, and learn about how the art world really works.

UNDER THE RADAR

Grace DeGennaro

A spotlight for members.

Recent Podcast

Recent Feature

Ripe for Rediscovery: Peter Miller

Ripe for Rediscovery: Peter Miller

Talk about “Surrealism” in conversation with artists and art lovers you are most likely to think of works by Dalí, Magritte, Tanguy, Ernst, or possibly Paul Delvaux. Mention “American Surrealism,” and the terrain gets tricky. Didn’t Adolph Gottlieb, Mark Rothko, and...

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From the Vasari21 Archives

What Is a Drawing? Part Nine

After eight posts about drawings, it’s challenging to come up anything new to say about the medium, but if the materials remain largely the same, the circumstances for artists everywhere have changed dramatically in the last year. Many of the members included here...

Plein-Air Painting Today

Thirteen Who Head for the Open Air...in Spite of the Challenges Artists in significant numbers first took to the great outdoors to work in natural surroundings and more accurately transcribe the effects of light nearly 200 years ago, following the example of landscape...

What Is a Drawing? Part Three

Far from disappearing from an artist's regular practice, as many critics have complained, the possibilities for drawing have only expanded in the last century, limited only by the imaginations of their creators. Picasso made drawings with a small electric light in a...

Selling on Saatchi

How to make the online art service work for you By Susan Washington Saatchi Art, which bills itself as a free “online art advisory,” is perhaps the most successful site on the Internet for online art sales, with Rebecca Wilson (formerly a director of Saatchi Gallery...

The Price Is Right

How Dealers Decide What Your Artwork Should Cost As you might expect in a business that is guided by ineffable factors like talent, taste, trends, and individual potential for growth, galleries don’t have any one set system for determining what to charge for a work of...

Jeff Baker: Urban Abstractions

When I first saw Jeff Baker’s photos, at his home and studio in Taos, NM, about five years ago, I immediately thought of Aaron Siskind, the photographer most closely associated with mid-century American abstraction. In many of his black-and-white images, Siskind...

The Other Art Fair

A Report from the Front Lines By Adria Arch A few weeks ago, for the first time, I exhibited my work at The Other Art Fair, a marathon exhibition that runs biannually in spring and fall in the creative heart of New York City at Greenpoint's Brooklyn Expo Center....

Grants and Financial Resources for Artists during Covid19

I spent about three days scouring available sources (Artnet, The Art Newspaper, the Internet) to see what sorts of funds are available for artists impacted by the Covid19 pandemic. The bad news is how little is out there, and many of the significant grants are only...

Ripe for Rediscovery: Helen Lundeberg

By Jane Barthes  As an artist originally from Europe—and one whose own path did not begin with abstraction—I confess I possessed a rather rudimentary knowledge of geometric abstraction, particularly American hard-edge abstraction. It was at Art Expo in Chicago in 2015...

The Tie That Binds….Or Not

What do dealers owe their artists? And what do artists say they aren’t getting? The artist-dealer relationship is one of the most complicated, intimate, and loosely defined of all arrangements between an individual and a business. It can be “like a marriage in its...

Archived Feature

Fantasy Curating: Hands-On and Lush

Fantasy Curating: Hands-On and Lush

 By Lee Albert Hill As a painter myself I am drawn to the work of other painters first and foremost.  Especially those who demonstrate a dedication to a lush, hands-on, painterly approach and an emphasis on refined craft and detail.  For this curation I have chosen...

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Archived Feature

The Monuments Contest: Part Two

The Monuments Contest: Part Two

Compared with the duration of empires past—like those of ancient Rome or Great Britain—the U.S. occupies a relatively tiny span of time, a little more 234 years as the great democratic experiment, if we date the founding of the country to 1776. And so our monuments...

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Archived Feature

Meghan Wilbar: The Long Road

Meghan Wilbar: The Long Road

It’s a brave artist who attempts to say something new about landscape. The genre has been around since ancient times, when frescoes of Arcadian vistas adorned the walls of upscale villas, and its popularity has waxed and waned according to the talents and interests of...

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Archived Under the Radar

Marietta Patricia Leis

Marietta Patricia Leis

Like many little girls, Marietta Patricia Leis first set her sights on becoming a ballerina. “At the age of seven I was entranced with wanting to be a ballet dancer,” she says. As a child in suburban East Orange, NJ, she studied dance every day after school, and...

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Archived Under the Radar

Susan English

Susan English

When Susan English was three or four years old, she lived in Belgium with her family for a couple of years. Years later she still remembers a babysitter named Hele placing a candle inside a child’s play igloo. “It made a big impression on me,” English says. “The light...

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 Archived Podcast

Liliana Bloch: Texas Strong

Liliana Bloch: Texas Strong

Gallerist Liliana Bloch has had one of the more unusual routes for an art dealer. In 1999, she fled war-torn El Salvador to forge a new life for herself in Dallas, TX…

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