In his 2012 novel Back to Blood, Tom Wolfe devotes a chapter to the art-fair feeding frenzy that is Art Basel Miami Beach, introducing a minor presence named Marilyn Carr, who is known to her principal client as “A.A.,” short for art adviser.

Coming to Grips with “Makee-Doo” I suppose it all begins with the “Sandy Becker Show,” which Boomers may remember watching on little black-and-white TVs in the 1950s and ‘60s. The genial host of this children’s variety program regularly showed drawings sent in by his...

Rare photos from the 1870s give a glimpse into an ancient civilization on the brink of change Her face framed by an ornate tasseled headdress, the bride looks eager and expectant and maybe a little scared. Her groom seems more confident, certainly more relaxed. You...

Eight Tips to Sharpen Your Marketing Skills A few years back, a report in the online edition of Vogue predicted that “Instagram’s arguably positive democratization of high art will see the end of many an art dealer’s career.” Well, I very much doubt that because...

In the world of museum exhibitions and gallery shows, the curator seems like the Wizard of Oz, the behind-the-scenes magician who pulls it all together and leads us Munchkins down a yellow brick road toward some kind of enlightenment…

Can you picture the austere Dutch modernist dancing barefoot? “Critic Clement Greenberg would describe Mondrian’s work as ‘passion mastered and cooled,’ and that described the artist as well. He had set up his studio in a Victorian house with curved arches, but in...

The opening, duration, and end of a gallery or museum show can be cause for anxiety, depression, obsession, elation, relief, and any number of other emotional reactions that occur when you…

By Christine Aaron  I respond to art that simultaneously takes me both outside myself and more deeply inward. Though I respect work that is intellectually stimulating alone, the art that most engages me occurs at a physical level and insistently penetrates through the...

Though short and to the point, the ten or so capsule reviews for art shows in the opening pages of the New Yorker each week are probably among the most widely read in the city, if not the nation.