Even the most famous artists torch, shred, and otherwise annihilate works that don't seem up to snuff In 1967, Agnes Martin began seeking out her earlier works with the intention of destroying everything she could find. That was about ten years after she had decided...

Joanne’s work is about color first, “color beyond color,” color that resonates somewhere deep within me, somewhere beyond the eye. For me, it is to see color from the heart…

How, Why, and Where To Do One In a few weeks, Adria Arch will be staging her second “pop-up art experience” with fellow artists Patti Brady and Catherine Bertulli. The three-day event, called "Appetite," is part of Artweek Boston and will include the usual opening...

The Red Queen from Filippucci's "Chess Series" By Sandra Filippucci I’m about to enter a new and revolutionary digital art market. A traditionally trained artist of the Boomer generation, I've been working with technology since the mid-1980s in both my own work and...

In the third iteration of this series, I noted that the possibilities for drawing have expanded hugely in the last century or so. Picasso made drawings with a small electric light in a darkened room. Calder’s Circus can be seen as an assemblage of three-dimensional...

When I was regularly writing reviews for ARTnews and The Wall Street Journal, two great gigs that petered out for different reasons, I was occasionally conscious of having biases toward work that rang my chimes in a big way and against art that confused me or left me...

Photo credits: bottom of pageMost reviews of the 2015 Venice Biennale came down hard on the curator’s “didactic,” “glum,” “joyless,” and un-spectacular show of conceptual, socially oriented works. It also disappointed those addicted to grandiose art spectacles, the...

Headquartered in a historic mansion in the Green Mountains of Vermont, the Marble House Project accepts about 52 artists a year for individual 23-day residencies (there are also 17-day stays for artists with families, and this year the organization is launching a...

Thirteen Who Head for the Open Air...in Spite of the Challenges Artists in significant numbers first took to the great outdoors to work in natural surroundings and more accurately transcribe the effects of light nearly 200 years ago, following the example of landscape...

In the world of museum exhibitions and gallery shows, the curator seems like the Wizard of Oz, the behind-the-scenes magician who pulls it all together and leads us Munchkins down a yellow brick road toward some kind of enlightenment…