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Welcome to Vasari21. A community for working artists, a place to connect, find information, read about the new and the unknown, listen to podcasts, and learn about how the art world really works.

UNDER THE RADAR

Grace DeGennaro

A spotlight for members.

Recent Podcast

Recent Feature

Ripe for Rediscovery: Peter Miller

Ripe for Rediscovery: Peter Miller

Talk about “Surrealism” in conversation with artists and art lovers you are most likely to think of works by Dalí, Magritte, Tanguy, Ernst, or possibly Paul Delvaux. Mention “American Surrealism,” and the terrain gets tricky. Didn’t Adolph Gottlieb, Mark Rothko, and...

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From the Vasari21 Archives

Vigée the Victorious

The life of the beautiful, clever, and prodigiously gifted Elisabeth Louise Vigée Le Brun (1755-1842) is one of those rags-to-riches sagas irresistible to storytellers of any era. She was born in Paris to a minor portraitist and a hairdresser…

Critical Reversals

Even the Most Respected Critics Change Their Minds When a politician flip-flops on a position, the public and press alike are quick to cry foul, hurling accusations of bad faith or pandering. But when an art critic changes his or her mind, the ripple effect is likely...

Ripe for Rediscovery: Helen Lundeberg

By Jane Barthes  As an artist originally from Europe—and one whose own path did not begin with abstraction—I confess I possessed a rather rudimentary knowledge of geometric abstraction, particularly American hard-edge abstraction. It was at Art Expo in Chicago in 2015...

Selling on Instagram

Eight Tips to Sharpen Your Marketing Skills A few years back, a report in the online edition of Vogue predicted that “Instagram’s arguably positive democratization of high art will see the end of many an art dealer’s career.” Well, I very much doubt that because...

Scams and Shams Part 2

About a decade ago, in the wake of yet another failed romance, I decided to visit the Florence Biennale, an art extravaganza that has been in the works since 1997. A fellow art journalist was going, meeting up with a curator friend from Texas…

What Is a Drawing? Part Five

In the third iteration of this series, I noted that the possibilities for drawing have expanded hugely in the last century or so. Picasso made drawings with a small electric light in a darkened room. Calder’s Circus can be seen as an assemblage of three-dimensional...

The Educated Eye, Part One

Why is an art critic’s judgment better than yours—or maybe not? A few months back I did a stupid thing on Facebook and opined that I did not think Amy Sherald’s portrait of Breonna Taylor was very good (check out the hands and drapery), and that I found her pose in a...

Vasari21 Goes to the Movies: Part Two

Photo credits: bottom of page Why watch a documentary about an artist? We have biographies and museum and gallery shows and catalogues and other ways of entering the lives and minds of the more memorable figures in the visual arts. Yet a documentary can offer an...

Open Studios: Part Two

Make it a social event “I went through a depressing period when I thought I was all alone in my part of the world,” says Diane Di Bernardino Sanborn, who lives in Scottsdale, AZ, and makes largely abstract work. “There are no galleries in my area for contemporary art....

Ripe for Rediscovery: Maria Lassnig

No doubt there are those who are familiar with the paintings of Maria Lassnig, the Austrian-born artist who kicked off Kate Petley’s round of fantasy curating on the site two weeks ago. But I had never heard of her before and was beguiled by Lassnig’s You or Me...

Archived Feature

Fantasy Curating: Hands-On and Lush

Fantasy Curating: Hands-On and Lush

 By Lee Albert Hill As a painter myself I am drawn to the work of other painters first and foremost.  Especially those who demonstrate a dedication to a lush, hands-on, painterly approach and an emphasis on refined craft and detail.  For this curation I have chosen...

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Archived Feature

The Monuments Contest: Part Two

The Monuments Contest: Part Two

Compared with the duration of empires past—like those of ancient Rome or Great Britain—the U.S. occupies a relatively tiny span of time, a little more 234 years as the great democratic experiment, if we date the founding of the country to 1776. And so our monuments...

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Archived Feature

Meghan Wilbar: The Long Road

Meghan Wilbar: The Long Road

It’s a brave artist who attempts to say something new about landscape. The genre has been around since ancient times, when frescoes of Arcadian vistas adorned the walls of upscale villas, and its popularity has waxed and waned according to the talents and interests of...

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Archived Under the Radar

Marietta Patricia Leis

Marietta Patricia Leis

Like many little girls, Marietta Patricia Leis first set her sights on becoming a ballerina. “At the age of seven I was entranced with wanting to be a ballet dancer,” she says. As a child in suburban East Orange, NJ, she studied dance every day after school, and...

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Archived Under the Radar

Susan English

Susan English

When Susan English was three or four years old, she lived in Belgium with her family for a couple of years. Years later she still remembers a babysitter named Hele placing a candle inside a child’s play igloo. “It made a big impression on me,” English says. “The light...

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 Archived Podcast

Liliana Bloch: Texas Strong

Liliana Bloch: Texas Strong

Gallerist Liliana Bloch has had one of the more unusual routes for an art dealer. In 1999, she fled war-torn El Salvador to forge a new life for herself in Dallas, TX…

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