Connecting Artists

FIND OUT MOREWEEKLY ARTIST

A Serious Site for Serious Artists

 

Welcome to Vasari21. A community for working artists, a place to connect, find information, read about the new and the unknown, listen to podcasts, and learn about how the art world really works.

UNDER THE RADAR

Grace DeGennaro

A spotlight for members.

Recent Podcast

Recent Feature

Ripe for Rediscovery: Peter Miller

Ripe for Rediscovery: Peter Miller

Talk about “Surrealism” in conversation with artists and art lovers you are most likely to think of works by Dalí, Magritte, Tanguy, Ernst, or possibly Paul Delvaux. Mention “American Surrealism,” and the terrain gets tricky. Didn’t Adolph Gottlieb, Mark Rothko, and...

read more

From the Vasari21 Archives

Courting the Dealers

To the young or emerging artist, the art world may seem like a forbidding maze, a complicated circuitry of inside contacts and arcane codes almost impossible for the newcomer to crack. How can the artist without…

Destructive Impulses

Even the most famous artists torch, shred, and otherwise annihilate works that don't seem up to snuff In 1967, Agnes Martin began seeking out her earlier works with the intention of destroying everything she could find. That was about ten years after she had decided...

My Mother, My Self

Lessons and inspiration from an artist mom By Patricia Moss-Vreeland In all my years of training as an artist, both at the University of the Arts and Tyler School of Art, I can recall many gifted and inspiring teachers, but none gave me quite so solid a sense of...

Encaustic: An Overview

In three days in Provincetown, MA, this June, our intrepid reporter hit the ground running and offers a succinct guide to some of the many ways this seductive medium is in use among artists By Anna Wagner-Ott The art of encaustic has been around for centuries: it was...

Art Dealers Face Down the Pandemic

The fallout for small businesses—restaurants, shops, law offices, movie theaters, nail salons, you name it—during the global devastation wrought by Covid19 has been dire. And many art galleries, those not in the Gagosian or Pace stratosphere, qualify as small...

The Next Step

Landing a show at a small museum or university gallery Let us suppose you’ve been hard-working and fortunate enough to have a slew of gallery shows, group and solo, on your CV. You’ve built up good connections and can perhaps even claim a following of dedicated...

A Sense of Place

What does it mean to be a “regional artist” today? By Millicent Young Bradley Sumrall, curator at the Ogden Museum of Southern Art, posed this question in his juror’s talk for “Homeward Bound,” the Taubman Museum’s inaugural triennial for Virginia artists. I resisted...

Afterthoughts on the 2015 Venice Biennale

Photo credits: bottom of pageMost reviews of the 2015 Venice Biennale came down hard on the curator’s “didactic,” “glum,” “joyless,” and un-spectacular show of conceptual, socially oriented works. It also disappointed those addicted to grandiose art spectacles, the...

Art in Embassies

    Ask not what your art can do for you, but what your art can do for your country   Among the many forward-minded initiatives launched by the all-too-brief administration of President John F. Kennedy, the Art in Embassies program is one that has...

The Educated Eye, Part One

Why is an art critic’s judgment better than yours—or maybe not? A few months back I did a stupid thing on Facebook and opined that I did not think Amy Sherald’s portrait of Breonna Taylor was very good (check out the hands and drapery), and that I found her pose in a...

Archived Feature

Fantasy Curating: Hands-On and Lush

Fantasy Curating: Hands-On and Lush

 By Lee Albert Hill As a painter myself I am drawn to the work of other painters first and foremost.  Especially those who demonstrate a dedication to a lush, hands-on, painterly approach and an emphasis on refined craft and detail.  For this curation I have chosen...

read more

Archived Feature

The Monuments Contest: Part Two

The Monuments Contest: Part Two

Compared with the duration of empires past—like those of ancient Rome or Great Britain—the U.S. occupies a relatively tiny span of time, a little more 234 years as the great democratic experiment, if we date the founding of the country to 1776. And so our monuments...

read more

Archived Feature

Meghan Wilbar: The Long Road

Meghan Wilbar: The Long Road

It’s a brave artist who attempts to say something new about landscape. The genre has been around since ancient times, when frescoes of Arcadian vistas adorned the walls of upscale villas, and its popularity has waxed and waned according to the talents and interests of...

read more

Archived Under the Radar

Marietta Patricia Leis

Marietta Patricia Leis

Like many little girls, Marietta Patricia Leis first set her sights on becoming a ballerina. “At the age of seven I was entranced with wanting to be a ballet dancer,” she says. As a child in suburban East Orange, NJ, she studied dance every day after school, and...

read more

Archived Under the Radar

Susan English

Susan English

When Susan English was three or four years old, she lived in Belgium with her family for a couple of years. Years later she still remembers a babysitter named Hele placing a candle inside a child’s play igloo. “It made a big impression on me,” English says. “The light...

read more

 Archived Podcast

Liliana Bloch: Texas Strong

Liliana Bloch: Texas Strong

Gallerist Liliana Bloch has had one of the more unusual routes for an art dealer. In 1999, she fled war-torn El Salvador to forge a new life for herself in Dallas, TX…

read more
Share This