Before you fire off an email to a gallery, do your homework. And don’t get your hopes up too high. Out of idle curiosity, I recently asked a dealer friend about how many email submissions or inquiries she receives per week. I don’t precisely remember the answer, but...

One of the most radical abstract artists of the last 50 years is scarcely a household name, or even well known outside a small group of collectors, connoisseurs, and art historians. But Mary Lee Bendolph is a standout in the group of quilters from Gee’s Bend, a tiny...

Investing a little time and energy can mean more followers, more sales, and more shows By Valeri Larko A little more than a year ago, I declared myself totally done with posts about Instagram. I’d written three on the subject of how to use this addictive tool, and I...

By Iain Machell Think of a book and you usually have a specific image in mind, probably a codex form (pages bound in the center) with some combination of text and images, meant to be read from left to right. But when you list the components of a book, pick apart that...

By Jina Brenneman Post-disciplinary, Neo Craft, Sloppy Craft, and the Hyper Pot are all descriptors that attempt to classify the seismic shift in contemporary ceramics. Artificial in nature, these technicolor works drip with irregularities, gloppy blobs, and bulges...

In the world of museum exhibitions and gallery shows, the curator seems like the Wizard of Oz, the behind-the-scenes magician who pulls it all together and leads us Munchkins down a yellow brick road toward some kind of enlightenment…

In the high desert of northern New Mexico, sculptor and photographer Paul O'Connor takes in his friend Debbie Long's immersive installation. "Trippy" barely begins to describe the experience. By Paul O'Connor   Several months have passed since my visit to Debbie...

“[When I was about twelve], my father took us on a rare excursion to the Museum of Art in Philadelphia. My parents worked very hard, and taking four children on a bus to…

Reflections on a Famed Photojournalist's Images of Syria What I see first is beauty---saturated colors, an abstraction of forms in the picture plane, vertiginous compositions that plunge me from the immediacy of where I stand in the gallery into another realm. This is...

There were times, when he was younger, that Bob Richardson felt a pull toward art. As a teenager in South Orange, NJ, he attended the Art Students League in New York, where he took drawing classes with a painter named Tom Fogarty, who taught him that “line has...