The life of the beautiful, clever, and prodigiously gifted Elisabeth Louise Vigée Le Brun (1755-1842) is one of those rags-to-riches sagas irresistible to storytellers of any era. She was born in Paris to a minor portraitist and a hairdresser…

A Report from the Front Lines By Adria Arch A few weeks ago, for the first time, I exhibited my work at The Other Art Fair, a marathon exhibition that runs biannually in spring and fall in the creative heart of New York City at Greenpoint's Brooklyn Expo Center....

A recent report in the Huffington Post alleges that “narcissistic artists were determined to have higher market prices, higher estimates from auction houses, more museum shows, and more recognition from the art…

There was a time, not so long ago, when physical assaults were almost a routine art-world ritual, between artists and critics, artists and artists, and occasionally even critics and critics. The titanic 20th-century art czar…

Here we are, now well into the third month of self-isolation, wearing our masks like good citizens if we go out at all, minding the headlines and the barrage of information, and perhaps generally adjusting to a global catastrophe whose true measure will not be known...

Why is an art critic’s judgment better than yours—or maybe not? A few months back I did a stupid thing on Facebook and opined that I did not think Amy Sherald’s portrait of Breonna Taylor was very good (check out the hands and drapery), and that I found her pose in a...

When is a prank a work of art? And when is it just a one-liner? During a panel on the “Art of Pranks” at a convention of the College Art Association a few years back, a participant identified as Clark Stoeckley, “Artivist,” maintained a totally impassive, even bored,...

Vasari21 members weigh in on a depressing political climate Artists have always responded to the temper of their times. War and catastrophe, social inequities and racial injustice, corrupt politicians and noble heroes often bring out the best in artists—think of...

A new novel recalls a famous heist. I’ve just finished reading Jonathan Santlofer’s hugely entertaining thriller The Last Mona Lisa, a lively yarn that taps into our present-day fascination with all things Leonardo and takes the reader into the sometimes violent...

An Artist Reflects on Drawing During Tumultuous Times By Christine Taylor Patten When Pennsylvania’s votes were counted and the welcome winner of the 2020 presidential election was called early the next morning, I missed the excitement at first, having finally slept a...