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Welcome to Vasari21. A community for working artists, a place to connect, find information, read about the new and the unknown, listen to podcasts, and learn about how the art world really works.

UNDER THE RADAR

Grace DeGennaro

A spotlight for members.

Recent Podcast

Recent Feature

Ripe for Rediscovery: Peter Miller

Ripe for Rediscovery: Peter Miller

Talk about “Surrealism” in conversation with artists and art lovers you are most likely to think of works by Dalí, Magritte, Tanguy, Ernst, or possibly Paul Delvaux. Mention “American Surrealism,” and the terrain gets tricky. Didn’t Adolph Gottlieb, Mark Rothko, and...

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From the Vasari21 Archives

Absolutely, Positively My Last Post About Instagram

Why does Patti Smith feel a need to post on Instagram? Is it important to her to have nearly 600,000 followers? When she uploads a photo, does she read all the comments (which can be as many as 2,000, last I checked)? Does she ever respond? She’s already a star—what...

Ripe for Rediscovery: Berthe Morisot

Having It All in the 19th Century Berthe Morisot’s subjects now seem among the tamest and most ingratiating imaginable: sun-drenched land- and seascapes, women and children casually posed in the garden or cozy domestic interiors, stylish Parisian beauties at their...

What Is a Drawing?

The answer these days is far from simple. The late, great, often cantankerous art critic Robert Hughes more than once bemoaned the apparent decline in standards for draftsmanship.  “In the 45 years that I’ve been writing criticism there has been a tragic depreciation...

What To Do When You Can’t Face the Studio

An artist’s life is generally isolated at the best of times, and that is the way most would have it. Unless you’re Andy Warhol running The Factory and possibly pathologically in need of company at all hours, you require solitude to do your best work. So, for some this...

Millicent Young on Ed Kashi

Reflections on a Famed Photojournalist's Images of Syria What I see first is beauty---saturated colors, an abstraction of forms in the picture plane, vertiginous compositions that plunge me from the immediacy of where I stand in the gallery into another realm. This is...

Me, Myself, and I Part 3

It’s curious to me that more women than men responded to the call for a third round-up of self-portraits on Vasari21. That’s possibly because there are more female members than male (though I can’t tell you the exact ratio), possibly because women traditionally spend...

Girl, Unexpectedly Interrupted

In which I try to have a romance with an older man, a real artist. But Mother knows better. During my last semester in college, I worked part time at the university store (fondly known as the “screw store” for its inflated prices on stuff like toothpaste and shampoo)....

Reinventing Landscape: Part One

The “genre,” if it is such these days, never really goes away Landscape painting enjoys a long and honorable history in art, going as far back as ancient times, when the Greeks and Romans made frescoes of pleasant vistas and enchanting gardens. There have been periods...

Encaustic: An Overview

In three days in Provincetown, MA, this June, our intrepid reporter hit the ground running and offers a succinct guide to some of the many ways this seductive medium is in use among artists By Anna Wagner-Ott The art of encaustic has been around for centuries: it was...

They Cried. They Gasped. But No One Fainted.

How Critics and Curators Respond to Memorable Works of Art In a recent issue of The New Yorker, actress Allison Janney reported of her first encounter with Wassily Kandinsky’s Black Lines (1913) in the Guggenheim Museum: “I felt an energy go through my chest." I could...

Archived Feature

Fantasy Curating: Hands-On and Lush

Fantasy Curating: Hands-On and Lush

 By Lee Albert Hill As a painter myself I am drawn to the work of other painters first and foremost.  Especially those who demonstrate a dedication to a lush, hands-on, painterly approach and an emphasis on refined craft and detail.  For this curation I have chosen...

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Archived Feature

The Monuments Contest: Part Two

The Monuments Contest: Part Two

Compared with the duration of empires past—like those of ancient Rome or Great Britain—the U.S. occupies a relatively tiny span of time, a little more 234 years as the great democratic experiment, if we date the founding of the country to 1776. And so our monuments...

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Archived Feature

Meghan Wilbar: The Long Road

Meghan Wilbar: The Long Road

It’s a brave artist who attempts to say something new about landscape. The genre has been around since ancient times, when frescoes of Arcadian vistas adorned the walls of upscale villas, and its popularity has waxed and waned according to the talents and interests of...

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Archived Under the Radar

Marietta Patricia Leis

Marietta Patricia Leis

Like many little girls, Marietta Patricia Leis first set her sights on becoming a ballerina. “At the age of seven I was entranced with wanting to be a ballet dancer,” she says. As a child in suburban East Orange, NJ, she studied dance every day after school, and...

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Archived Under the Radar

Susan English

Susan English

When Susan English was three or four years old, she lived in Belgium with her family for a couple of years. Years later she still remembers a babysitter named Hele placing a candle inside a child’s play igloo. “It made a big impression on me,” English says. “The light...

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 Archived Podcast

Liliana Bloch: Texas Strong

Liliana Bloch: Texas Strong

Gallerist Liliana Bloch has had one of the more unusual routes for an art dealer. In 1999, she fled war-torn El Salvador to forge a new life for herself in Dallas, TX…

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