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Welcome to Vasari21. A community for working artists, a place to connect, find information, read about the new and the unknown, listen to podcasts, and learn about how the art world really works.

UNDER THE RADAR

Grace DeGennaro

A spotlight for members.

Recent Podcast

Recent Feature

Ripe for Rediscovery: Peter Miller

Ripe for Rediscovery: Peter Miller

Talk about “Surrealism” in conversation with artists and art lovers you are most likely to think of works by Dalí, Magritte, Tanguy, Ernst, or possibly Paul Delvaux. Mention “American Surrealism,” and the terrain gets tricky. Didn’t Adolph Gottlieb, Mark Rothko, and...

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From the Vasari21 Archives

À la Recherche de Jeanne Duval

Who Was the Mysterious Mistress Immortalized by Two 19th-century Geniuses, Charles Baudelaire and Édouard Manet The widespread protests in the wake of George Floyd’s murder in May, abetted by the swelling powers of the Black Lives Matter movement, got some of us with...

It’s Not What I Expected I Would Do

An Artist Opens her New Home and Studio for ArtWalk Kingston By Millicent Young I had just landed in Kingston, NY, in early July with Niko, the dog of Perpetual Joy, and the four cats, a long chapter of life in rural Virginia completed. I was moving into my new...

Art in Embassies

    Ask not what your art can do for you, but what your art can do for your country   Among the many forward-minded initiatives launched by the all-too-brief administration of President John F. Kennedy, the Art in Embassies program is one that has...

A Sense of Place

What does it mean to be a “regional artist” today? By Millicent Young Bradley Sumrall, curator at the Ogden Museum of Southern Art, posed this question in his juror’s talk for “Homeward Bound,” the Taubman Museum’s inaugural triennial for Virginia artists. I resisted...

Millicent Young on Ed Kashi

Reflections on a Famed Photojournalist's Images of Syria What I see first is beauty---saturated colors, an abstraction of forms in the picture plane, vertiginous compositions that plunge me from the immediacy of where I stand in the gallery into another realm. This is...

Ripe for Rediscovery: Lee Lozano

  Several years ago, ARTnews ran a feature called “Ripe for Rediscovery,” polling curators, artists, and critics about which names had been unfairly lost in the shuffle of art history. Some of those who surfaced—Robert Irwin, Giovanni Boldini, and Rafael...

The Fate of the Art at the Four Seasons

Photo credits: bottom of pageOver the holidays, I learned from a friend that the venerable Four Seasons  Restaurant in the landmark Seagram Building on Park Avenue would be closing this summer. I was a little late to that news, and it is not technically about to be...

More Residencies off the Beaten Path

Headquartered in a historic mansion in the Green Mountains of Vermont, the Marble House Project accepts about 52 artists a year for individual 23-day residencies (there are also 17-day stays for artists with families, and this year the organization is launching a...

Afterthoughts on the 2015 Venice Biennale

Photo credits: bottom of pageMost reviews of the 2015 Venice Biennale came down hard on the curator’s “didactic,” “glum,” “joyless,” and un-spectacular show of conceptual, socially oriented works. It also disappointed those addicted to grandiose art spectacles, the...

The Tie That Binds…Or Not: Part Two

More about relationships between dealers and artists As we pointed out a couple of weeks ago, the connection between an artist and her dealer is often as fraught with difficulties and potential for misunderstandings as even the best of marriages. And as methods and...

Archived Feature

Fantasy Curating: Hands-On and Lush

Fantasy Curating: Hands-On and Lush

 By Lee Albert Hill As a painter myself I am drawn to the work of other painters first and foremost.  Especially those who demonstrate a dedication to a lush, hands-on, painterly approach and an emphasis on refined craft and detail.  For this curation I have chosen...

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Archived Feature

The Monuments Contest: Part Two

The Monuments Contest: Part Two

Compared with the duration of empires past—like those of ancient Rome or Great Britain—the U.S. occupies a relatively tiny span of time, a little more 234 years as the great democratic experiment, if we date the founding of the country to 1776. And so our monuments...

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Archived Feature

Meghan Wilbar: The Long Road

Meghan Wilbar: The Long Road

It’s a brave artist who attempts to say something new about landscape. The genre has been around since ancient times, when frescoes of Arcadian vistas adorned the walls of upscale villas, and its popularity has waxed and waned according to the talents and interests of...

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Archived Under the Radar

Marietta Patricia Leis

Marietta Patricia Leis

Like many little girls, Marietta Patricia Leis first set her sights on becoming a ballerina. “At the age of seven I was entranced with wanting to be a ballet dancer,” she says. As a child in suburban East Orange, NJ, she studied dance every day after school, and...

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Archived Under the Radar

Susan English

Susan English

When Susan English was three or four years old, she lived in Belgium with her family for a couple of years. Years later she still remembers a babysitter named Hele placing a candle inside a child’s play igloo. “It made a big impression on me,” English says. “The light...

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 Archived Podcast

Liliana Bloch: Texas Strong

Liliana Bloch: Texas Strong

Gallerist Liliana Bloch has had one of the more unusual routes for an art dealer. In 1999, she fled war-torn El Salvador to forge a new life for herself in Dallas, TX…

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