An artist’s life is generally isolated at the best of times, and that is the way most would have it. Unless you’re Andy Warhol running The Factory and possibly pathologically in need of company at all hours, you require solitude to do your best work. So, for some this...

The whole notion of recycling seems a very up-to-the-minute politically correct attitude for art in this day and age. And yet the tradition of integrating all manner of stuff from the real world into sculpture and onto two-dimensional surfaces begins more than a...

  Several years ago, ARTnews ran a feature called “Ripe for Rediscovery,” polling curators, artists, and critics about which names had been unfairly lost in the shuffle of art history. Some of those who surfaced—Robert Irwin, Giovanni Boldini, and Rafael...

Given the increasingly litigious nature of all aspects of our society, it comes as a surprise to find that many galleries and artists function happily without complicated contractual agreements. About half the people surveyed…

And what exactly does a "private dealer" do? When I heard early in the summer that the venerable Cheim & Read gallery in Chelsea was closing its doors to transition to “private practice,” my heart sank a little. The low-key establishment on West 25th Street was...

The very first art books I remember reading (or perhaps just looking at with awe and wonder) were part of the series called “Metropolitan Seminars in Art,” written by the critic John Canaday. Each slender gray volume…

What do dealers owe their artists? And what do artists say they aren’t getting? The artist-dealer relationship is one of the most complicated, intimate, and loosely defined of all arrangements between an individual and a business. It can be “like a marriage in its...

My father asked me this question during the last months of his life. As a young man he had made the decision to not pursue a life as a concert pianist, choosing a career that was both more stable and also protected the privacy of his passion…

Though short and to the point, the ten or so capsule reviews for art shows in the opening pages of the New Yorker each week are probably among the most widely read in the city, if not the nation.

Far from disappearing from an artist's regular practice, as many critics have complained, the possibilities for drawing have only expanded in the last century, limited only by the imaginations of their creators. Picasso made drawings with a small electric light in a...