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Welcome to Vasari21. A community for working artists, a place to connect, find information, read about the new and the unknown, listen to podcasts, and learn about how the art world really works.

UNDER THE RADAR

Grace DeGennaro

A spotlight for members.

Recent Podcast

Recent Feature

Ripe for Rediscovery: Peter Miller

Ripe for Rediscovery: Peter Miller

Talk about “Surrealism” in conversation with artists and art lovers you are most likely to think of works by Dalí, Magritte, Tanguy, Ernst, or possibly Paul Delvaux. Mention “American Surrealism,” and the terrain gets tricky. Didn’t Adolph Gottlieb, Mark Rothko, and...

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From the Vasari21 Archives

The Motherhood Report

No one claims it's easy, but it is possible to combine two of the world's oldest callings: artist and mother Way back in the 1980s, in the era of linebacker shoulder pads and dressing for success, I worked on a short-lived publication that billed itself as the first...

Writing into the Gap

How to get a grip when a work of art leaves you almost speechless By Millicent Young It happened again. Within seconds: scalp tingling, forearms in goose bumps, the held breath released and then tears. I am in a gallery seeing Ursula von Rydingsvard’s work on a...

In the Beginning (Nonbiblical Version)

By Ed Haddaway In many ways my lifetime has been spent in what was our backyard. Far from being chained like our first collie, Lassie (in the1950s there was no other possible dog anyone, anywhere, could have), I have roamed freely for these past 68 years. In fact,...

The Value of an MFA

The degree has come under attack in recent years, but many say it's worth the investment. Just know what you're looking for—and consider a few alternatives. “MFA stands for yet another Mother-Fucking Artist,” declares one of the disgruntled students in a CalArts...

Conversations with Friends

If you could talk to any artist, dead or alive, whom would you choose? What would you ask? I know from hard-won experience that artists can be maddeningly difficult to talk to. While some—Frank Stella and Jim Dine are two who come to mind—are on good terms with the...

Good-Bye to All That

A dedicated teacher looks back on three decades in the classroom In December of this year, I will retire from teaching painting, a job I’ve loved for 30 years. Although I am looking forward to a new phase in my life, I will miss this role. I’ve had a good run and feel...

My Blockhead Adventures with Blockchain Art, Part One

The Red Queen from Filippucci's "Chess Series" By Sandra Filippucci I’m about to enter a new and revolutionary digital art market. A traditionally trained artist of the Boomer generation, I've been working with technology since the mid-1980s in both my own work and...

Fix That Website!

Toward the end of my interview with curator Tricia Paik of the Indianapolis Museum of Art a few weeks back, we briefly touched on the subject of artist websites—what works and what doesn’t. Developing a good one, up-to-date and easily navigable…

What To Do When You Can’t Face the Studio

An artist’s life is generally isolated at the best of times, and that is the way most would have it. Unless you’re Andy Warhol running The Factory and possibly pathologically in need of company at all hours, you require solitude to do your best work. So, for some this...

So You Want to Be in Pictures?

If you catch a set decorator's eye, it just might happen As readers know, I have developed a peculiar fascination with the art featured in shows on the big and small screens—who chooses this work? where do they find the art? what are the guiding factors behind the...

Archived Feature

Fantasy Curating: Hands-On and Lush

Fantasy Curating: Hands-On and Lush

 By Lee Albert Hill As a painter myself I am drawn to the work of other painters first and foremost.  Especially those who demonstrate a dedication to a lush, hands-on, painterly approach and an emphasis on refined craft and detail.  For this curation I have chosen...

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Archived Feature

The Monuments Contest: Part Two

The Monuments Contest: Part Two

Compared with the duration of empires past—like those of ancient Rome or Great Britain—the U.S. occupies a relatively tiny span of time, a little more 234 years as the great democratic experiment, if we date the founding of the country to 1776. And so our monuments...

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Archived Feature

Meghan Wilbar: The Long Road

Meghan Wilbar: The Long Road

It’s a brave artist who attempts to say something new about landscape. The genre has been around since ancient times, when frescoes of Arcadian vistas adorned the walls of upscale villas, and its popularity has waxed and waned according to the talents and interests of...

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Archived Under the Radar

Marietta Patricia Leis

Marietta Patricia Leis

Like many little girls, Marietta Patricia Leis first set her sights on becoming a ballerina. “At the age of seven I was entranced with wanting to be a ballet dancer,” she says. As a child in suburban East Orange, NJ, she studied dance every day after school, and...

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Archived Under the Radar

Susan English

Susan English

When Susan English was three or four years old, she lived in Belgium with her family for a couple of years. Years later she still remembers a babysitter named Hele placing a candle inside a child’s play igloo. “It made a big impression on me,” English says. “The light...

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 Archived Podcast

Liliana Bloch: Texas Strong

Liliana Bloch: Texas Strong

Gallerist Liliana Bloch has had one of the more unusual routes for an art dealer. In 1999, she fled war-torn El Salvador to forge a new life for herself in Dallas, TX…

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