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Welcome to Vasari21. A community for working artists, a place to connect, find information, read about the new and the unknown, listen to podcasts, and learn about how the art world really works.

UNDER THE RADAR

Grace DeGennaro

A spotlight for members.

Recent Podcast

Recent Feature

Ripe for Rediscovery: Peter Miller

Ripe for Rediscovery: Peter Miller

Talk about “Surrealism” in conversation with artists and art lovers you are most likely to think of works by Dalí, Magritte, Tanguy, Ernst, or possibly Paul Delvaux. Mention “American Surrealism,” and the terrain gets tricky. Didn’t Adolph Gottlieb, Mark Rothko, and...

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From the Vasari21 Archives

Encaustic: An Overview

In three days in Provincetown, MA, this June, our intrepid reporter hit the ground running and offers a succinct guide to some of the many ways this seductive medium is in use among artists By Anna Wagner-Ott The art of encaustic has been around for centuries: it was...

Signs of the Times: Part Two

More reactions to the ugly zeitgeist We’ve now had a full year to take stock of the current administration in Washington and, as Melissa Stern points out, “Every day brings a new outrage, a new affront to common decency, an erosion of our democracy.” Some artists see...

Portfolio: Susan Chorpenning

For most of her 40-year career, Susan Chorpenning has in one way or another been involved with light, and “with the sensual experience of looking and the perceptual experience of seeing,” as she puts it on her website.  In one of her early “Light Rooms,” a temporal...

The Critical Edge

Some tips for getting art writers to notice your work. Hint: a cow’s tongue probably will not do the trick. It’s the dream of every artist to be noticed by a prestige critic, like Roberta Smith or Jerry Saltz or any other of the noteworthy art scribes in urban areas....

How are you? No, I mean, really, how are you?

Artists talk about altered states during the pandemic We are now about seven months into a worldwide catastrophe that has affected nearly every fiber and facet of our being. Many of us have been sheltering in place, limiting our contacts with the outside world,...

Ripe for Rediscovery: Lee Lozano

  Several years ago, ARTnews ran a feature called “Ripe for Rediscovery,” polling curators, artists, and critics about which names had been unfairly lost in the shuffle of art history. Some of those who surfaced—Robert Irwin, Giovanni Boldini, and Rafael...

Frank Stella Meets Jasper Johns

“The artist who launched Minimalism was Frank Stella (b. 1936), who was still a student at Princeton when he saw Jasper Johns’s 1958 show at Leo Castelli Gallery. He liked the repetition of the flags…

Studio Pets

How Could We Manage Without Them? Last week I announced our first annual Studio Pet Photos competition, but they were all so adorable, it was a tough call. The grand prize, though, belongs to Mariella Bisson’s Senegal parrot and studio manager, Creature (shown above),...

The Fine Art of Recycling: Part Two

In looking over the images from Part One of this post, and from those below, it occurred to me how often art made from found objects and random detritus has a childlike quality about it, even though the trained eye knows there’s a sophisticated vision behind the...

Ripe for Rediscovery: Francis Picabia

Francis Picabia was a man way ahead of his times. Long before artists of our day became dedicated multitaskers—moving easily from performance to sculpture to video to whatever—Picabia (1879-1953) vigorously avoided any singular style or medium, forging a career that...

Archived Feature

Fantasy Curating: Hands-On and Lush

Fantasy Curating: Hands-On and Lush

 By Lee Albert Hill As a painter myself I am drawn to the work of other painters first and foremost.  Especially those who demonstrate a dedication to a lush, hands-on, painterly approach and an emphasis on refined craft and detail.  For this curation I have chosen...

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Archived Feature

The Monuments Contest: Part Two

The Monuments Contest: Part Two

Compared with the duration of empires past—like those of ancient Rome or Great Britain—the U.S. occupies a relatively tiny span of time, a little more 234 years as the great democratic experiment, if we date the founding of the country to 1776. And so our monuments...

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Archived Feature

Meghan Wilbar: The Long Road

Meghan Wilbar: The Long Road

It’s a brave artist who attempts to say something new about landscape. The genre has been around since ancient times, when frescoes of Arcadian vistas adorned the walls of upscale villas, and its popularity has waxed and waned according to the talents and interests of...

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Archived Under the Radar

Marietta Patricia Leis

Marietta Patricia Leis

Like many little girls, Marietta Patricia Leis first set her sights on becoming a ballerina. “At the age of seven I was entranced with wanting to be a ballet dancer,” she says. As a child in suburban East Orange, NJ, she studied dance every day after school, and...

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Archived Under the Radar

Susan English

Susan English

When Susan English was three or four years old, she lived in Belgium with her family for a couple of years. Years later she still remembers a babysitter named Hele placing a candle inside a child’s play igloo. “It made a big impression on me,” English says. “The light...

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 Archived Podcast

Liliana Bloch: Texas Strong

Liliana Bloch: Texas Strong

Gallerist Liliana Bloch has had one of the more unusual routes for an art dealer. In 1999, she fled war-torn El Salvador to forge a new life for herself in Dallas, TX…

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