by Ann Landi | Feb 13, 2017 | Features
By Jane Barthes As an artist originally from Europe—and one whose own path did not begin with abstraction—I confess I possessed a rather rudimentary knowledge of geometric abstraction, particularly American hard-edge abstraction. It was at Art Expo in Chicago in 2015...
by Ann Landi | Jan 16, 2017 | Vasari21 Radio
Karen Wilkin Critical Thinking SoundCloud Facebook Karen Wilkin has had a long and varied career since growing up in New York City in the 1950s and ‘60s. “Artists made me an art critic,” as she tells us in describing her early adventures as a curator in...
by Ann Landi | Jan 16, 2017 | Under the Radar
James Austin Murray’s recent six- by six-foot paintings are made using the most basic of means: ivory black oil paint, a canvas and wood-panel support, and wallpaper brushes—up to nine affixed to a long handle. But the surface effects are far from simple, and indeed...
by Ann Landi | Jan 9, 2017 | Features
Getting the Most from Your Posts When a friend urged me to start posting on Instagram a few months ago, I immediately balked. I was already uploading a Vasari21 Pic of the Day to Facebook, pinning stuff to Pinterest, sending out weekly bulletins and updates, and...
by Ann Landi | Jan 9, 2017 | Under the Radar
Alison Berry’s recent paintings resemble maps of unknown and fantastical places, enchanted worlds that incorporate beasts both ancient and modern, floor plans for eccentric structures, buildings that look lifted from Quattrocento paintings, lush trees and plants—along...
