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UNDER THE RADAR

A spotlight for members.

Cindy Blakeslee

Recent Feature

The Immortal Mona Lisa

The Immortal Mona Lisa

A new novel recalls a famous heist. I’ve just finished reading Jonathan Santlofer’s hugely entertaining thriller The Last Mona Lisa, a lively yarn that taps into our present-day fascination with all things Leonardo and takes the reader into the sometimes violent...

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Recent Feature

My Blockhead Adventures with Blockchain Art, Part Four

My Blockhead Adventures with Blockchain Art, Part Four

Many say it’s all a bubble. I don’t agree because the world is sick producing extremes of weather and behavior, people are struggling and if creators can find a way to express themselves or promote a worthy cause AND make money then It is not going away anytime soon

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From the Vasari21 Archives

Open Studios: Part Two

Make it a social event “I went through a depressing period when I thought I was all alone in my part of the world,” says Diane Di Bernardino Sanborn, who lives in Scottsdale, AZ, and makes largely abstract work. “There are no galleries in my area for contemporary art....

Jane Guthridge Makes an Installation

When Jeff and Stacy Robinson began to envision an installation that would fill a three-story atrium in their airy house in Denver, CO, they turned to Jane Guthridge. The collectors knew Guthridge’s work from exhibitions at the Space Gallery and were impressed with the...

Fantasy Curating: Big Things Have Small Beginnings

By Ed Grant "Big Things Have Small Beginnings" So many of the things around us are small, or at least start off small. Stalactites form one drop at a time. Viruses and bacteria evolve new ways around our defenses to become full-blown pandemics. Slime mold is used to...

Dabbling in Dura-Lar

Your fearless correspondent takes another class It’s always seemed to me that a big part of the fun of art-making lies in the endless amounts of seductive stuff to play with—paints and brushes, pencils and charcoal and pastels, clay and plaster and all kinds of goo,...

Looking Back

Artists reflect on changes, shifts, departures, and continuity I’m fairly sure it was Chicago artist Sharon Swidler who mentioned a year or so ago that she was riffling through her inventory and remarking on the absence of abrupt departures in her work. I tucked the...

Artists and Critics: Part One

Sometimes the best way to respond to a bad review is to take a long walk Photo credits: bottom of page About ten days after the September 2015 opening of Will Ryman’s…

Should You Have a Contract with Your Dealer?

Given the increasingly litigious nature of all aspects of our society, it comes as a surprise to find that many galleries and artists function happily without complicated contractual agreements. About half the people surveyed…

The Naked and the Nude

Is there still any distinction? It might have been a test of how our perceptions of the unclothed body in art have changed over the past four decades: Seven years ago, at the Museum of Modern Art, a young man and a young woman stood facing each other in a doorway,...

Reinventing Landscape: Part One

The “genre,” if it is such these days, never really goes away Landscape painting enjoys a long and honorable history in art, going as far back as ancient times, when the Greeks and Romans made frescoes of pleasant vistas and enchanting gardens. There have been periods...

The Business of Art Business Coaching, Part One

When you need more than a little help from your friends, seek out a coach I’m not sure when or why I started thinking about the business of art coaching, though I was a guest for one of Paul Klein’s webinars more than a year ago. After I mastered Instagram this...

Archived Feature

Ripe for Rediscovery: Maria Lassnig

Ripe for Rediscovery: Maria Lassnig

No doubt there are those who are familiar with the paintings of Maria Lassnig, the Austrian-born artist who kicked off Kate Petley’s round of fantasy curating on the site two weeks ago. But I had never heard of her before and was beguiled by Lassnig’s You or Me...

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Archived Feature

Fantasy Curating: Beyond the Book

Fantasy Curating: Beyond the Book

By Iain Machell Think of a book and you usually have a specific image in mind, probably a codex form (pages bound in the center) with some combination of text and images, meant to be read from left to right. But when you list the components of a book, pick apart that...

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Archived Feature

Conversations with Friends

Conversations with Friends

If you could talk to any artist, dead or alive, whom would you choose? What would you ask? I know from hard-won experience that artists can be maddeningly difficult to talk to. While some—Frank Stella and Jim Dine are two who come to mind—are on good terms with the...

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Archived Under the Radar

Robert Parker

Robert Parker

By the time he was twelve, Robert Parker had discovered his twin passions in life. Having read about Frank Lloyd Wright, Mies van der Rohe, and other master builders as a kid, he determined on architecture as a career. But he was drawn to the visual arts as well and...

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Archived Under the Radar

Peri Schwartz

Peri Schwartz

Peri Schwartz’s affinity for the subjects that have preoccupied her for decades started when she was growing up in Far Rockaway, a seaside neighborhood in Queens, NY. She would set up objects to draw when her parents went out on a Saturday night so they could see...

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 Archived Podcast

Liliana Bloch: Texas Strong

Liliana Bloch: Texas Strong

Gallerist Liliana Bloch has had one of the more unusual routes for an art dealer. In 1999, she fled war-torn El Salvador to forge a new life for herself in Dallas, TX…

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