Connecting Artists

Why is an art critic’s judgment better than yours—or maybe not? A few months back I did a stupid thing on Facebook and opined that I did not think Amy Sherald’s portrait of Breonna Taylor was very good (check out the hands and drapery), and that I found her pose in a...

In the fall of 2018, Jamie Hamilton went looking for a place to dispose of scraps for compost in Los Angeles, his adopted home since moving from Santa Fe, NM, two years earlier. Through an organization called LA Compost, he discovered the Solano Community Garden in...

By Jane Barthes  As an artist originally from Europe—and one whose own path did not begin with abstraction—I confess I possessed a rather rudimentary knowledge of geometric abstraction, particularly American hard-edge abstraction. It was at Art Expo in Chicago in 2015...

In which a writer and critic goes back to class Please note that this story is reprinted from the ARTnews issue of October, 1995. But 20 years later, the New York Studio School "drawing marathons" still continue along the same lines, under the expert guidance of the...

What do dealers owe their artists? And what do artists say they aren’t getting? The artist-dealer relationship is one of the most complicated, intimate, and loosely defined of all arrangements between an individual and a business. It can be “like a marriage in its...

Can you picture the austere Dutch modernist dancing barefoot? “Critic Clement Greenberg would describe Mondrian’s work as ‘passion mastered and cooled,’ and that described the artist as well. He had set up his studio in a Victorian house with curved arches, but in...

By Christine Aaron  I respond to art that simultaneously takes me both outside myself and more deeply inward. Though I respect work that is intellectually stimulating alone, the art that most engages me occurs at a physical level and insistently penetrates through the...

By Susan Erlandson Washburn I arrived at Crystal Bridges in Bentonville, Arkansas—Walmart heiress Alice Walton’s inspired gift to flyover country—too late to see the Dale Chihuly exhibition in the gallery itself but in time to visit the “In the Forest” portion...

Alex Katz first met his wife, Ada, at an opening at the Tangier Gallery in 1958. She immediately became one of his favorite models. “I’d been painting these all-over landscapes, and then I decided to paint details like eyes and noses…

The very first art books I remember reading (or perhaps just looking at with awe and wonder) were part of the series called “Metropolitan Seminars in Art,” written by the critic John Canaday. Each slender gray volume…