Features
Three Summer Reads, Not All New
Traditionally summer is the time when you tackle those big door-stoppers you skimmed in college: War and Peace, The Magic Mountain, Middlemarch. Or you turn to thrillers and mysteries, escapist fiction that doesn’t tax the brain too much and is as digestible (and...
The Death of the Gallery? Part Two
The brick-and-mortar establishment is challenged on a number of fronts. What does that mean for galleries? And for artists? As reported a few weeks ago, mid-level brick-and-mortar galleries face a multitude of pressures, so much so that the mainstream press is...
Encaustic: An Overview
In three days in Provincetown, MA, this June, our intrepid reporter hit the ground running and offers a succinct guide to some of the many ways this seductive medium is in use among artists By Anna Wagner-Ott The art of encaustic has been around for centuries: it was...
The Death of the Gallery? Part One
Hey, not so fast! But first the bad news…. In the last year or so, there have been several alarming reports about the demise of the mid-level, or mid-tier, gallery—those stalwart spaces that show new art and support artists who may never achieve superstar status but...
The Next Step
Landing a show at a small museum or university gallery Let us suppose you’ve been hard-working and fortunate enough to have a slew of gallery shows, group and solo, on your CV. You’ve built up good connections and can perhaps even claim a following of dedicated...
Fantasy Curating: Big Things Have Small Beginnings
By Ed Grant "Big Things Have Small Beginnings" So many of the things around us are small, or at least start off small. Stalactites form one drop at a time. Viruses and bacteria evolve new ways around our defenses to become full-blown pandemics. Slime mold is used to...
The Other Art Fair
A Report from the Front Lines By Adria Arch A few weeks ago, for the first time, I exhibited my work at The Other Art Fair, a marathon exhibition that runs biannually in spring and fall in the creative heart of New York City at Greenpoint's Brooklyn Expo Center....
Ripe for Rediscovery: Mary Lee Bendolph
One of the most radical abstract artists of the last 50 years is scarcely a household name, or even well known outside a small group of collectors, connoisseurs, and art historians. But Mary Lee Bendolph is a standout in the group of quilters from Gee’s Bend, a tiny...
Fantasy Curating: Memory and Materiality
By Christine Aaron I respond to art that simultaneously takes me both outside myself and more deeply inward. Though I respect work that is intellectually stimulating alone, the art that most engages me occurs at a physical level and insistently penetrates through the...
Art Coaching, Part Two
Doing It One-on-One When I set out to survey the field of art coaching, I had no idea it was such a huge and varied terrain. There are full-service ventures that cover all aspects of building an art career, such as Alyson Stanfield’s “Art Biz Coach” and Crista...
What Is a Drawing? Part Three
Far from disappearing from an artist's regular practice, as many critics have complained, the possibilities for drawing have only expanded in the last century, limited only by the imaginations of their creators. Picasso made drawings with a small electric light in a...
Return to Sender
Before you fire off an email to a gallery, do your homework. And don’t get your hopes up too high. Out of idle curiosity, I recently asked a dealer friend about how many email submissions or inquiries she receives per week. I don’t precisely remember the answer, but...