by Ann Landi | Jun 2, 2016 | Features
You Don't Have To Say You Love Me: Part Two Which rejections hurt the most, and how to cope Those calling the shots in the art world can be astonishingly cruel. Sculptor Stan Smokler, who maintains studios in New York and Pennsylvania, recalls sending out slides in...
by Ann Landi | Jun 2, 2016 | Vasari21 Radio
Hal BrommFour Decades in the New York Art World SoundCloud Facebook After spending two years in London, where David Hockney introduced him to a circle of his talented contemporaries, Hal Bromm started showing art first in his Tribeca loft and later in a gallery...
by Ann Landi | Jun 1, 2016 | Under the Radar
Andrea Broyles There is a gentle mystery in all of Andrea Broyles’ work, whether on paper or canvas or in any number of sculptural mediums, from clay to resin. The art historian in me wants to relate her to Surrealism, but her realm of fantasy seems so much dreamier...
by Ann Landi | May 24, 2016 | Features
You Don't Have To Say You Love Me: Part One Rejection is never easy, but artists face more of it than most The artist known as Swoon, now in her late thirties, gained a reputation early in her career for evocative and beautifully crafted street art and for wacky...
by Ann Landi | May 23, 2016 | Artist Essays
Reflecting on Vermeer By Riad Miah “Every work of art causes the receiver to enter into a certain kind of relationship both with him who produced, or is producing, the art, and with all those who, simultaneously, previously, or subsequently, receive the same artistic...
