How NOT To Collect

How NOT To Collect

A few cautionary tales In the years between acquiring a master’s degree in art history—and burning out on the prospect of becoming an art historian—I did a number of reasonably adult things. I got married. I held down a series of editorial jobs with magazines that...
The Tie That Binds…Or Not: Part Two

The Tie That Binds…Or Not: Part Two

More about relationships between dealers and artists As we pointed out a couple of weeks ago, the connection between an artist and her dealer is often as fraught with difficulties and potential for misunderstandings as even the best of marriages. And as methods and...
Another Opening, Another Show

Another Opening, Another Show

Another Opening, Another Show Artists find this is a good time to regroup, decompress…or get back to work The opening, duration, and end of a gallery or museum show can be cause for anxiety, depression, obsession, elation, relief, and any number of other emotional...
So Long at the Fair?

So Long at the Fair?

So Long at the Fair? Dealers and Critics Give Art Fairs Mixed Reviews Love ‘em or hate ‘em, the art fair appears to be the major marketing phenomenon of our times. Artsy.net, a site primarily for collectors, lists 60 top fairs worldwide, with ballpark estimates for...
Courting the Dealers

Courting the Dealers

Courting the Dealers To the young or emerging artist, the art world may seem like a forbidding maze, a complicated circuitry of inside contacts and arcane codes almost impossible for the newcomer to crack. How can the artist without affiliations approach a dealer?...