They Cried. They Gasped. But No One Fainted.

They Cried. They Gasped. But No One Fainted.

How Critics and Curators Respond to Memorable Works of Art In a recent issue of The New Yorker, actress Allison Janney reported of her first encounter with Wassily Kandinsky’s Black Lines (1913) in the Guggenheim Museum: “I felt an energy go through my chest.” I...
Reinventing Landscape: Part One

Reinventing Landscape: Part One

The “genre,” if it is such these days, never really goes away Landscape painting enjoys a long and honorable history in art, going as far back as ancient times, when the Greeks and Romans made frescoes of pleasant vistas and enchanting gardens. There have been periods...
Ed Haddaway

Ed Haddaway

“Even as a kid,” Ed Haddaway remembers,“I was really into making things. My parents would stick us in the back yard and we had hammers and nails and boards. There was a basic primal need to put things together from about the age of five.” Haddaway, a bearded burly man...
Sharon Weiner

Sharon Weiner

Sharon Weiner’s explosive paintings appear to have come into being through random acts of nature—tsunamis, tidal waves, maybe even collisions of meteors in deep space. In reality, the artist fabricates the works by building up several layers of poured acrylic paint...
Cultivating Your Collectors

Cultivating Your Collectors

It’s mostly a matter of commonsense and good manners. Mom would approve. If you have reached that happy stage of a career where collectors are following your progress, attending shows, and—yes, of course, actually buying work!—you want to cultivate this fan base as...