Fantasy Curating: Memory and Materiality

Fantasy Curating: Memory and Materiality

By Christine Aaron  I respond to art that simultaneously takes me both outside myself and more deeply inward. Though I respect work that is intellectually stimulating alone, the art that most engages me occurs at a physical level and insistently penetrates through the...
Andrew Lyght

Andrew Lyght

Though it may not be immediately apparent in his elegant abstractions in many different mediums, Andrew Lyght’s works are infused with memories of his boyhood in Guyana, a small multicultural country on South America’s northern coast. The only child of a single mother...
What Is a Drawing? Part Two

What Is a Drawing? Part Two

Since I am the sort of person who damn near weeps when she sees a great Degas pastel (like Waiting, 1882, above), it’s not surprising that drawings are perhaps the medium closest to my heart. I love the spontaneity, the economy of means, and the sense that one is as...
Tamar Zinn

Tamar Zinn

Tamar Zinn was about twelve when she discovered the thrill of drawing. Like many artistically inclined New York City kids, she took classes at the Art Students League on West 57th Street. “There was an enormous studio divided into two sections,” she recalls. “In one...
Confessions of a Closet Painter

Confessions of a Closet Painter

Coming to Grips with “Makee-Doo” I suppose it all begins with the “Sandy Becker Show,” which Boomers may remember watching on little black-and-white TVs in the 1950s and ‘60s. The genial host of this children’s variety program regularly showed drawings sent in by his...