August Muth

August Muth

When August Muth was five or six years old, he would take his drawings, spread them out on the gravel in the driveway of his family’s house in Albuquerque, NM, and sell them to passers-by for three cents each. “I always had a lot of entrepreneurial spirit,” he...
The Tie That Binds….Or Not

The Tie That Binds….Or Not

What do dealers owe their artists? And what do artists say they aren’t getting? The artist-dealer relationship is one of the most complicated, intimate, and loosely defined of all arrangements between an individual and a business. It can be “like a marriage in its...
William Norton

William Norton

“My work is all about shadows and voids,” says William Norton, a tall, rangy, bearded man in his early 60s, whose seven-foot-high “drawings” on plexiglass panels were inspired by trips on the subway to and from his job at the Whitney Museum of American Art. “These are...
Ripe for Rediscovery: Francis Picabia

Ripe for Rediscovery: Francis Picabia

Francis Picabia was a man way ahead of his times. Long before artists of our day became dedicated multitaskers—moving easily from performance to sculpture to video to whatever—Picabia (1879-1953) vigorously avoided any singular style or medium, forging a career that...
Under the Radar: Bonny Leibowitz

Under the Radar: Bonny Leibowitz

The unfolding of an artist’s life and work is a strange and mysterious process. If you’ve been following the posts in “Under the Radar,” you see that there’s no one-size-fits-all. Ted Larsen took several years off to rethink his direction. Phillis Ideal moved from one...