When Lee Krasner Met Piet Mondrian

When Lee Krasner Met Piet Mondrian

Can you picture the austere Dutch modernist dancing barefoot? “Critic Clement Greenberg would describe Mondrian’s work as ‘passion mastered and cooled,’ and that described the artist as well. He had set up his studio in a Victorian house with curved arches, but in...
Destructive Impulses

Destructive Impulses

Even the most famous artists torch, shred, and otherwise annihilate works that don’t seem up to snuff In 1967, Agnes Martin began seeking out her earlier works with the intention of destroying everything she could find. That was about ten years after she had...
Artist’s Block and How To Beat It

Artist’s Block and How To Beat It

Feeling stymied? In a slump? Disconnected from your work? You’re not alone. We’re all familiar with writer’s block from the many cinematic clichés. The author sits at his typewriter or word processor, smoking and drinking and muttering profanities. The author fills a...
What Is a Drawing? Part Two

What Is a Drawing? Part Two

Since I am the sort of person who damn near weeps when she sees a great Degas pastel (like Waiting, 1882, above), it’s not surprising that drawings are perhaps the medium closest to my heart. I love the spontaneity, the economy of means, and the sense that one is as...
Tamar Zinn

Tamar Zinn

Tamar Zinn was about twelve when she discovered the thrill of drawing. Like many artistically inclined New York City kids, she took classes at the Art Students League on West 57th Street. “There was an enormous studio divided into two sections,” she recalls. “In one...