by Ann Landi | Jan 20, 2019 | Features
Some tips for getting art writers to notice your work. Hint: a cow’s tongue probably will not do the trick. It’s the dream of every artist to be noticed by a prestige critic, like Roberta Smith or Jerry Saltz or any other of the noteworthy art scribes in urban areas....
by Millicent Young | Jan 14, 2019 | Features
The art that made artists want to be artists In almost every artist’s life there are inevitably one or more works that ignite a spark or at least plant a seed, provoking the notion that art could be a dedicated calling, or at least a subject of serious study....
by Ann Landi | Jan 12, 2019 | Under the Radar
Born in Shanghai and raised mostly in Hong Kong, Mimi Chen Ting grew up at a time when traditions were still so strong that her grandmother hobbled around on tiny bound feet and her mother was the concubine of a prosperous banker (her parents married when she was in...
by Ann Landi | Dec 24, 2018 | Features, Uncategorized
And what exactly does a “private dealer” do? When I heard early in the summer that the venerable Cheim & Read gallery in Chelsea was closing its doors to transition to “private practice,” my heart sank a little. The low-key establishment on West 25th...
by Ed Haddaway | Dec 24, 2018 | Artist Essays
By Ed Haddaway In many ways my lifetime has been spent in what was our backyard. Far from being chained like our first collie, Lassie (in the1950s there was no other possible dog anyone, anywhere, could have), I have roamed freely for these past 68 years. In fact,...
