by Ann Landi | Apr 30, 2017 | Features
How Critics and Curators Respond to Memorable Works of Art In a recent issue of The New Yorker, actress Allison Janney reported of her first encounter with Wassily Kandinsky’s Black Lines (1913) in the Guggenheim Museum: “I felt an energy go through my chest.” I...
by Ann Landi | Apr 30, 2017 | Features
Even the Most Respected Critics Change Their Minds When a politician flip-flops on a position, the public and press alike are quick to cry foul, hurling accusations of bad faith or pandering. But when an art critic changes his or her mind, the ripple effect is likely...
by Ann Landi | Apr 30, 2017 | Under the Radar
In the last four years, Deonne Kahler has produced a remarkable series of photographs of the U.S. National Parks system. With an unsentimental but expansive eye, she aims to capture what she calls the “soul and personality” of these wild and often breathtakingly...
by Ann Landi | Apr 23, 2017 | Editor's Note
Some unsolicited advice from a rank amateur I recently read online an excerpt from The Orange Balloon Dog: Bubbles, Turmoil and Avarice in the Contemporary Art Market, the latest book from economist and art market commentator Don Thompson, which will be available in...
by Ann Landi | Apr 23, 2017 | Collector Spotlight
When I first moved to Taos, NM, about six years ago, a friend and I went on one of those house-and-garden tours put together by a local charitable organization. It seemed a good way to get to know the territory, and I’ve always loved to snoop inside other...
