Writing into the Gap

Writing into the Gap

How to get a grip when a work of art leaves you almost speechless By Millicent Young It happened again. Within seconds: scalp tingling, forearms in goose bumps, the held breath released and then tears. I am in a gallery seeing Ursula von Rydingsvard’s work on a...
Say It with Flowers: Part One

Say It with Flowers: Part One

Blooms, posies, blossom, and gardens will never go out of style About a year ago, somewhere on social media, I made the rather stupid observation that I thought flowers had become nonstarters as subjects for artists since the heyday of Georgia O’Keeffe. Elisabeth...
Julie Speed

Julie Speed

Julie Speed’s paintings offer up a magical and mysterious cosmos that defies literal interpretation. A pair of sailors and a naked woman wrestle with a hammerhead shark trapped in a net. An exuberant baby leaps from his mother’s lap as a tornado churns outside an open...
Advise and Select

Advise and Select

Artists reveal their secrets for smart editing and smooth studio visits Not too long ago, I paid a call on an artist who shall remain nameless, whose studio was such a shambles I was itching to get out of there within ten minutes. It seemed there were works from every...
The Death of the Gallery? Part Two

The Death of the Gallery? Part Two

The brick-and-mortar establishment is challenged on a number of fronts. What does that mean for galleries? And for artists? As reported a few weeks ago, mid-level brick-and-mortar galleries face a multitude of pressures, so much so that the mainstream press is...