Fantasy Curating: Memory and Materiality

Fantasy Curating: Memory and Materiality

By Christine Aaron  I respond to art that simultaneously takes me both outside myself and more deeply inward. Though I respect work that is intellectually stimulating alone, the art that most engages me occurs at a physical level and insistently penetrates through the...
What Is a Drawing? Part Three

What Is a Drawing? Part Three

Far from disappearing from an artist’s regular practice, as many critics have complained, the possibilities for drawing have only expanded in the last century, limited only by the imaginations of their creators. Picasso made drawings with a small electric light...
Carole D’Inverno

Carole D’Inverno

In the 18th and 19th centuries, history painting was considered the loftiest genre to which a European or American artist could aspire. High drama from ancient and contemporary events—battle scenes or coronations, for instance—inspired painters to produce grandiose...
Selling on Instagram

Selling on Instagram

Eight Tips to Sharpen Your Marketing Skills A few years back, a report in the online edition of Vogue predicted that “Instagram’s arguably positive democratization of high art will see the end of many an art dealer’s career.” Well, I very much doubt that because...
Destructive Impulses

Destructive Impulses

Even the most famous artists torch, shred, and otherwise annihilate works that don’t seem up to snuff In 1967, Agnes Martin began seeking out her earlier works with the intention of destroying everything she could find. That was about ten years after she had...