by Millicent Young | Oct 15, 2017 | Features
An Artist Opens her New Home and Studio for ArtWalk Kingston By Millicent Young I had just landed in Kingston, NY, in early July with Niko, the dog of Perpetual Joy, and the four cats, a long chapter of life in rural Virginia completed. I was moving into my new...
by Ann Landi | Oct 9, 2017 | Features
It’s curious to me that more women than men responded to the call for a third round-up of self-portraits on Vasari21. That’s possibly because there are more female members than male (though I can’t tell you the exact ratio), possibly because women traditionally spend...
by Ann Landi | Oct 1, 2017 | Features
Dealers Tell Us What They Look for in Representing Someone New What makes a gallery decide to take on a new artist? To make a long- or short-term commitment? What goes through a dealer’s head when she is looking at (or looking for) art to show, either in solo or group...
by Ann Landi | Oct 1, 2017 | Features
When is a prank a work of art? And when is it just a one-liner? During a panel on the “Art of Pranks” at a convention of the College Art Association a few years back, a participant identified as Clark Stoeckley, “Artivist,” maintained a totally impassive, even bored,...
by Ann Landi | Sep 25, 2017 | Features
Artists report on nocturnal inspirations and frustrations I once described Louise Bourgeois as having “a direct pipeline to her unconscious,” and that still seems a fitting description for an artist who came of age in Paris at a time when the Surrealists were the...
by Ann Landi | Sep 18, 2017 | Features
Coming to Grips with “Makee-Doo” I suppose it all begins with the “Sandy Becker Show,” which Boomers may remember watching on little black-and-white TVs in the 1950s and ‘60s. The genial host of this children’s variety program regularly showed drawings sent in by his...
