by Ann Landi | May 21, 2018 | Features
A Report from the Front Lines By Adria Arch A few weeks ago, for the first time, I exhibited my work at The Other Art Fair, a marathon exhibition that runs biannually in spring and fall in the creative heart of New York City at Greenpoint’s Brooklyn Expo Center....
by Ann Landi | May 13, 2018 | Features
One of the most radical abstract artists of the last 50 years is scarcely a household name, or even well known outside a small group of collectors, connoisseurs, and art historians. But Mary Lee Bendolph is a standout in the group of quilters from Gee’s Bend, a tiny...
by Ann Landi | Apr 29, 2018 | Features
By Christine Aaron I respond to art that simultaneously takes me both outside myself and more deeply inward. Though I respect work that is intellectually stimulating alone, the art that most engages me occurs at a physical level and insistently penetrates through the...
by Ann Landi | Apr 23, 2018 | Features
Doing It One-on-One When I set out to survey the field of art coaching, I had no idea it was such a huge and varied terrain. There are full-service ventures that cover all aspects of building an art career, such as Alyson Stanfield’s “Art Biz Coach” and Crista...
by Ann Landi | Apr 17, 2018 | Features
Far from disappearing from an artist’s regular practice, as many critics have complained, the possibilities for drawing have only expanded in the last century, limited only by the imaginations of their creators. Picasso made drawings with a small electric light...
by Ann Landi | Apr 9, 2018 | Features
Before you fire off an email to a gallery, do your homework. And don’t get your hopes up too high. Out of idle curiosity, I recently asked a dealer friend about how many email submissions or inquiries she receives per week. I don’t precisely remember the answer, but...
